Federico Fellini Frases famosas
Il cinema non ha bisogno della grande idea, degli amori infiammati, degli sdegni: ti impone un solo obbligo quotidiano, quello di fare.
Federico Fellini como citado in: Fellini - Página 494, Tullio Kezich - Camunia, 1987 - 567 páginas
Atribuídas
Citações de vida de Federico Fellini
Citações de verdade de Federico Fellini
Federico Fellini frases e citações
Il cinema è come una vecchia puttana, come il circo e il varietà, e sa come dare molte forme di piacere.
Federico Fellini como citado in SENTIERI DI CELLULOIDE n.8: La Storia del Cinema vissuta dai Capolavori del Neorealismo..., página 7 https://books.google.com.br/books?id=qeRnBwAAQBAJ&pg=PT7, Joe Denti - Simonelli Editore, 2015, ISBN 8876476164, 9788876476167, 56 páginas
Atribuídas
La censura è sempre uno strumento politico, non è certo uno strumento intellettuale. Strumento intellettuale è la critica, che presuppone la conoscenza di ciò che si giudica e combatte. Criticare non è distruggere, ma ricondurre un oggetto al giusto posto nel processo degli oggetti. Censurare è distruggere, o almeno opporsi al processo del reale. C'è una censura italiana che non è invenzione di un partito politico ma che è naturale al costume stesso italiano. C'è il timore dell'autorità e del dogma, la sottomissione al canone e alla formula, che ci hanno fatto molto ossequienti. Tutto questo conduce dritti alla censura. Se non ci fosse la censura gli italiani se la farebbero da soli.
Federico Fellini como citado por Maurizio Di Fazio in: Indimenticabile "Ultimo tango a Parigi", 40 anni fa la condanna al rogo http://www.repubblica.it/spettacoli/cinema/2016/01/29/news/_ultimo_tango_a_parigi_-131876146/, Repubblica.it, 29 de janeiro de 2016.
Atribuídas
Federico Fellini: Frases em inglês
“There is no end. There is no beginning. There is only the infinite passion of life.”
Fellini on Fellini (1976) edited by Anna Keel and Christian Strich; translated by Isabel Quigly.
Variante: There is no end. There is no beginning. There is only the passion of life.
"Artistic Freedom"
I'm a Born Liar (2003)
Contexto: I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.
Variante: Put yourself into life and never lose your openness, your childish enthusiasm throughout the journey that is life, and things will come your way.
Fonte: La Dolce Vita: Federico Fellini's Masterpiece
Fonte: La Dolce Vita: Federico Fellini's Masterpiece
“All art is autobiographical; the pearl is the oyster’s autobiography.”
On the autobiographical nature of his films, in The Atlantic (December 1965)
“Art is all about craftsmanship.”
"Craftsmanship"
I'm a Born Liar (2003)
Contexto: I discovered that what's really important for a creator isn't what we vaguely define as inspiration or even what it is we want to say, recall, regret, or rebel against. No, what's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.
As quoted in Rolling Stone no. 421 (1984)
Contexto: Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream.
"Every Time We Say Goodbye" in Sight and Sound [London] ( June 1991)
Contexto: What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one — which is really the realm of the artist.
“Everyone knows that time is Death, that Death hides in clocks.”
Imposing another time powered by the Clock of the Imagination, however, can refuse his law. Here, freed of the Grim Reaper's scythe, we learn that pain is knowledge and all knowledge pain.
"Death"
I'm a Born Liar (2003)
“If I'm a cruel satirist at least I'm not a hyprocrite: I never judge what other people do.”
"Hypocrisy"
I'm a Born Liar (2003)
Contexto: If I'm a cruel satirist at least I'm not a hyprocrite: I never judge what other people do. Neither a politician nor a priest, I never censor what others do. Neither a philospher nor a psychiatrist, I never bother trying to analyze or resolve my fears and neuroses.
“Even if I set out to make a film about a fillet of sole, it would be about me.”
On the autobiographical nature of his films, in The Atlantic (December 1965)
"Younger Generation"
I'm a Born Liar (2003)
“It's easier to be faithful to a restaurant than it is to a woman.”
"Fidelity"
I'm a Born Liar (2003)
"Decline of Cinema"
I'm a Born Liar (2003)
“A created thing is never invented and it is never true: it is always and ever itself.”
"Creation"
I'm a Born Liar (2003)