Frases de Sylvia Plath

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“Morrer é uma arte, como tudo o mais. Que eu pratico surpreendentemente bem.”

“Para a pessoa dentro da redoma de vidro, vazia e imóvel como um bebê morto, o mundo inteiro é um sonho ruim.”

“Ninguém no caminho, e nada, nada a não ser amoras”

“Respirei fundo e escutei o velho e orgulhoso som do meu coração. Eu sou, eu sou, eu sou.”

“Talvez quando nos encontramos querendo tudo, é porque estamos perigosamente perto de não querer nada.”

“Eu fecho meus olhos e o mundo inteiro morre subitamente; eu abro meu olhos e tudo nasce novamente.”

“Nada melhor do que vomitar com outra pessoa para ganhar intimidade”

“Também lembrei de Buddy Williard dizendo com uma voz sinistra e sabichona que depois que tivéssemos filhos eu me sentiria diferente e não mais teria vontade de escrever poemas. E me ocorreu que talvez fosse verdade aquela história de que casar e ter filhos era como passar por uma lavagem cerebral, e que depois eu que você ficava inerte feito um escravo num pequeno estado totalitário.”

“Se eu nunca aprendesse, nunca teria que colocar aquilo em prática.”

“Nossos sonhos podem obscurecer as linhas intransigentes que desenham os contornos que nos aprisionam?”

“deixa-me viver, amar e dizê-lo bem em boas frases”

“Senti meus pulmões inflarem com a paisagem - ar, montanhas, árvores, pessoas. Eu pensei: "Isto é o que é ser feliz.”

“Devemos nos encontrar em outra vida, devemos nos encontrar no ar, eu e você.”

“Não há saída para fora da mente?”

“I am sending back the key
that let me into bluebeard's study; because he would make love to me
I am sending back the key;
in his eye's darkroom I can see
my X-rayed heart, dissected body:
I am sending back the key
that let me into bluebeard s study.”

“The frost makes a flower,
the dew makes a star.”

“I wanted to do everything once and for all and be through with it.”

“Your body
Hurts me as the world hurts God”

“It is a terrible thing to be so open: it is as if my heart put on a face and walked into the world.”

“What I cannot forgive is dishonesty - and no matter what, or how hard, I would rather know the truth of which I today had such a clear & devastating vision from his mouth than hear foul evasions, blurrings and rattiness.”

“It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn't know what I was doing in New York.”

“I self-paralyze myself & wonder what I've got in my head.”

“Even amidst fierce flames the golden lotus can be planted”

“A black-sharded lady keeps me in a parrot cage.”

“I hated to serve men in any way.”

“For the few little successes I may seem to have, there are acres of misgivings and self-doubt.”

“I inhabit the wax image of myself, a doll's body. Sickness begins here; I am a dartboard for witches.”

“When they asked some old Roman philosopher or other how he wanted to die, he said he would open his veins in a warm bath. I thought it would be easy, lying in the tub and seeing the redness flower from my wrists, flush after flush through the clear water, till I sank to sleep under a surface gaudy as poppies. But when it came right down to it, the skin of my wrist looked so white and defenseless that I couldn't do it. It was as if what I wanted to kill wasn't in that skin or the thin blue pulse that jumped under my thumb, but somewhere else, deeper, more secret, and a whole lot harder to get at.”

“It's a tango." Marco maneuvered me out among the dancers. "I love tangos." "I can't dance." "You don't have to dance. I'll do that dancing." Marco hooked an arm around my waist and jerked me up against his dazzling white suit. Then he said, "Pretend you are drowning." I shut my eyes, and the music broke over me like a rainstorm. Marco's leg slid forward against mine and my leg slid back and I seemed to be riveted against him, limb for limb, moving as he moved, without any will or knowledge of my own, and after a while I thought, "It doesn't take two to dance, it only takes one," and I let myself blow and bend like a tree in the wind. "What did I tell you?”

“You said you would kill it this morning.
Do not kill it. It startles me still,
The jut of that odd, dark head, pacing

Through the uncut grass on the elm's hill.
It is something to own a pheasant,
Or just to be visited at all.

I am not mystical: it isn't
As if I thought it had a spirit.
It is simply in its element.

That gives it a kingliness, a right.”

“Darling, all night
I have been flickering, off, on, off, on.
The sheets grow heavy as a lecher's kiss.”

“These poems do not live: it's a sad diagnosis.
They grew their toes and fingers well enough,
Their little foreheads bulged with concentration.
If they missed out on walking about like people
It wasn't for any lack of mother-love.”

“The woman is perfected
Her dead

Body wears the smile of accomplishment,
The illusion of a Greek necessity

Flows in the scrolls of her toga,
Her bare

Feet seem to be saying:
We have come so far, it is over.

Each dead child coiled, a white serpent,
One at each little

Pitcher of milk, now empty.
She has folded

Them back into her body as petals
Of a rose close when the garden

Stiffens and odors bleed
From the sweet, deep throats of the night flower.

The moon has nothing to be sad about,
Staring from her hood of bone.

She is used to this sort of thing.
Her blacks crackle and drag.”

“Later Buddy told me the woman was on a drug that would make her forget she'd had any pain and that when she swore and groaned she really didn't know what she was doing because she was in a kind of twilight sleep. I thought it sounded just like the sort of drug a man would invent. Here was a woman in terrible pain, obviously feeling every bit of it or she wouldn't groan like that, and she would go straight home and start another baby, because the drug would make her forget how bad the pain had been, when all the time, in some secret part of her, that long, blind, doorless and windowless corridor of pain was waiting to open up and shut her in again.”

“"Does she know you love her?" "Of course." I paused. The obstacle seemed unreal to me. "If you love her," I said, "you'll love somebody else someday."”

“Ironically, Henry James' biography comforts me & I long to make known to him his posthumous reputation — he wrote, in pain, gave all his life (which is more than I could think of doing — I have Ted, will have children — but few friends) & the critics insulted & mocked him, readers didn't read him.”

“I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches? —

Its snaky acids hiss.
It petrifies the will. These are the isolate, slow faults,
That kill, that kill, that kill.”

“Axes
After whose stroke the wood rings,
And the echoes!
Echoes travelling
Off from the centre like horses.”

“You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.”

“Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.”

“So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves.
Our kind multiplies:

We shall by morning
Inherit the earth.
Our foot's in the door.”

“These hills are too green and sweet to have tasted salt.
I follow the sheep path between them. A last hook brings me
To the hills' northern face, and the face is orange rock
That looks out on nothing, nothing but a great space
Of white and pewter lights, and a din like silversmiths
Beating and beating at an intractable metal.”

“I hate her," I said, and waited for the blow to fall. But Doctor Nolan only smiled at me as if something had pleased her very, very much and said, "I suppose you do.”