Frases de Michelle Pfeiffer

Michelle Pfeiffer Schindler é uma atriz, cantora e modelo americana,vencedora de um Globo de Ouro ,BAFTA e Urso de Prata, e indicada a 3 prêmios Oscar,reconhecida como uma das mais talentosas de sua geração,Conhecida por interpretar Selina Kyle em Batman: O Retorno.

✵ 29. Abril 1958
Michelle Pfeiffer photo
Michelle Pfeiffer: 54   citações 4   Curtidas

Michelle Pfeiffer Frases famosas

Citações de mulheres de Michelle Pfeiffer

“Esta é a mulher mais linda que eu já conheci em toda minha vida.”

Jon Avnet
Celebs quotes about Michelle

Citações de pessoas de Michelle Pfeiffer

Michelle Pfeiffer frases e citações

“Para mim, eu diria o 2 (Batman O Retorno). Eu gostei da Michelle Pfeiffer e do Penguin. Eu que gosta de tons inteiros. Acho o Tim Burton ótimo.”

Darren Aronofsky - Quando pergunta para ele quando foi o melhor Batman.
Celebs quotes about Michelle

“Lea de Lonval: What do you expect me to do, go and pine away in Normandy? Stop dyeing my hair? Is that what you want?”

Cheri: Yes.
Lea de Lonval: You're not the first young man I've said goodbye to.
Cheri: Yes, I know, but what I thought might be appropriate is if I were the last.
Movies Quotes

“Velma Von Tussle: Incredible! I could do a fan dance with a lettuce leaf and you would remain completely obtuse!”

Wilbur Turnblad: Obtuse?
Velma Von Tussle: Yes, obtuse!
Wilbur Turnblad: I flunked geometry...
Velma Von Tussle: ...yeah, and biology too, no doubt!
Movies Quotes

“Izzie: Mom, when can I have sex?”

Rosie: When you have your masters degree, when you reach 18.
Izzie: 15!
Rosie: What?...17?
Izzie: Mom, the 15 is the new 17.
Movies Quotes

“Tony Montana: Look at that: a junkie… I got a junkie for a wife… Her womb is so polluted… I can’t even have a fucking little baby with her!”

Manolo Ray: C’mon Tony…
Elvira Hancock: You son of a bitch!… you fuck!… [jogando vinho na cara de Tony] HOW DARE YOU TALK TO ME LIKE THAT!? What makes you so much better than me? What do you do? Kill people? Deal your drugs? Real contribution to human history Tony! What makes you think you can be a father? You don’t even know how to be a good husband!
Movies Quotes

Michelle Pfeiffer: Frases em inglês

“I always look at it as — it's like a treasure map, and each little detail in it, you sort of look at it for information and it points you in the right direction, to tell you where you need to go.”

In response to the question, "How do you approach your roles?" from Inside the Actors Studio (2007) http://uk.youtube.com/user/pfeifferpfan2
Contexto: I always look at it as — it's like a treasure map, and each little detail in it, you sort of look at it for information and it points you in the right direction, to tell you where you need to go. You start out with a few choices, obviously — I need to learn the clarinet or I need to learn the cello, or I need to learn how to stay underwater without panicking — but it is like painting in a way, that at a certain point, the painting begins to tell you what to do. And with acting, it's the same — with acting in film, anyway — at a certain point then, what you've already put on screen begins to dictate to you where you need to go, and then it just starts to create itself in a way. And what I try to do is find a strand of myself, as different as I might feel the character is from me, and as removed as it is, I always try to find that one part of me. And then you kind of build on to that, because it's a way to keep you connected. And you never want to lose that connection. There's always some sort of parallel that's going on in my own life, and so you can use it to, you know, bring closure, perhaps, to certain things that you haven't. A healing, a reconnection. And I believe in that. I believe in that.

“I act for free, but I demand a huge salary as compensation for all the annoyance of being a public personality.”

Esquire (1990) http://www.pfeiffertheface.com/Mich_Quo1.htm
Contexto: I act for free, but I demand a huge salary as compensation for all the annoyance of being a public personality. In that sense, I earn every dime I make.

“You know, I look like a duck. I just do. And I'm not the only person who thinks that.”

People magazine (1990) http://www.people.com/people/archive/article/0,,20128142,00.html
Contexto: You know, I look like a duck. I just do. And I'm not the only person who thinks that. It's the way my mouth sort of curls up or my nose tilts up. I should have played Howard the Duck.

“It's so descriptive, it can be used in so many ways — it can be used lovingly, it can be used in the most hateful — it's just very versatile… and you know, it's just, sometimes no other word will do.”

In response to the question, "What is your favourite curse word?" from Inside the Actors Studio (2007) http://uk.youtube.com/user/pfeifferpfan2
Contexto: That would have to be the F-word. Do you want me to say it? It's so descriptive, it can be used in so many ways — it can be used lovingly, it can be used in the most hateful — it's just very versatile... and you know, it's just, sometimes no other word will do.

“I was very strong-willed, very stubborn, and fairly dramatic, I guess.”

Vanity Fair (1993) http://www.pfeiffertheface.com/Mag_1993-09_VanityFair.htm
Contexto: I had a big mouth, and I used to mouth off to my mother all the time. But I'd make sure my father wasn't in earshot, because he'd let me have it. I was very strong-willed, very stubborn, and fairly dramatic, I guess. I remember my mother calling me a drama queen when I would be carrying on: 'Here's my little actress.' And I was a real tomboy. I wasn't a terribly feminine little girl. I never thought I was attractive to boys; I remember when the first boy liked me, I couldn't believe it. All the little girls with ringlets and crinoline dresses were the ones the boys liked. I was always beating them up — why should they like me? I was always the biggest girl in the class, and if somebody wanted someone beaten up, they'd come and get me. I was the school bully. No wonder I played Catwoman. It all comes full circle.

“It's usually just awkward. It's not terribly romantic or steamy.”

On love scenes with male co-stars, from Inside the Actors Studio (2007) http://uk.youtube.com/user/pfeifferpfan2
Contexto: It's usually just awkward. It's not terribly romantic or steamy. Sometimes people's wives show up — "Hey, how you doing?"… I had a wedding scene with someone once, and the girlfriend showed up in a white dress...

“There's always some sort of parallel that's going on in my own life, and so you can use it to, you know, bring closure, perhaps, to certain things that you haven't. A healing, a reconnection. And I believe in that. I believe in that.”

In response to the question, "How do you approach your roles?" from Inside the Actors Studio (2007) http://uk.youtube.com/user/pfeifferpfan2
Contexto: I always look at it as — it's like a treasure map, and each little detail in it, you sort of look at it for information and it points you in the right direction, to tell you where you need to go. You start out with a few choices, obviously — I need to learn the clarinet or I need to learn the cello, or I need to learn how to stay underwater without panicking — but it is like painting in a way, that at a certain point, the painting begins to tell you what to do. And with acting, it's the same — with acting in film, anyway — at a certain point then, what you've already put on screen begins to dictate to you where you need to go, and then it just starts to create itself in a way. And what I try to do is find a strand of myself, as different as I might feel the character is from me, and as removed as it is, I always try to find that one part of me. And then you kind of build on to that, because it's a way to keep you connected. And you never want to lose that connection. There's always some sort of parallel that's going on in my own life, and so you can use it to, you know, bring closure, perhaps, to certain things that you haven't. A healing, a reconnection. And I believe in that. I believe in that.

“I don't like talking about the characters I do in film, ever.”

Vogue (1991) http://www.pfeiffertheface.com/Mag_1991-10_Vogue.htm
Contexto: I don't like talking about the characters I do in film, ever. There's no deep, dark meaning. It's just an idea. It's just an idea.

“That would have to be the F-word.”

In response to the question, "What is your favourite curse word?" from Inside the Actors Studio (2007) http://uk.youtube.com/user/pfeifferpfan2
Contexto: That would have to be the F-word. Do you want me to say it? It's so descriptive, it can be used in so many ways — it can be used lovingly, it can be used in the most hateful — it's just very versatile... and you know, it's just, sometimes no other word will do.

“I consider myself an attractive woman, and I can be not-so-great-looking if I don't put effort into how I look.”

In response to criticism that she was too beautiful to play a lonely waitress in Frankie and Johnny, quoted in Pfeiffer: Beyond the Age of Innocence by Thompson, p. 223
Contexto: The description of the character is that Frankie is an attractive woman if she'd just put a little effort into how she looks. So that's basically the way I played her. I consider myself an attractive woman, and I can be not-so-great-looking if I don't put effort into how I look. But more importantly, the core of the character was someone who had given up on love, and that could be any age, any size, any form of beauty. That could be anybody.

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