Frases de Letitia Elizabeth Landon (785 citações, página 13)

(15th March 1823) Poetical Catalogue of Pictures. Vandyke consulting his Mistress on a Picture in Cooke's Exhibition.
The London Literary Gazette, 1823

“There is a favourite in every family; and, generally speaking, that favourite is the most troublesome member in it.”

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Letitia Elizabeth Landon

The Monthly Magazine

“Romantic Switzerland! thy scenes are traced
With characters of strange wild loveliness,
Beauty and desolation, side by side;
Here lofty rocks uprise, where nature seems
To dwell alone in silent majesty;
Rob'd by the snow, her stately palace fram'd
Of the white hills; towering in all their pride,
The frost's gigantic mounds are lost in clouds,
Like to vast castles rear'd in middle air.
The ice has sculptur'd too strange imagery—
Obelisks, columns, spires, fantastic piles;
Some like the polish'd marble, others clear
As the rock crystal, others sparkling with
The hues that melt along the sunborn bow.”

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Letitia Elizabeth Landon

Canto I, I opening lines
The Fate of Adelaide (1821)

“Black (for such the quarries yield
Where the sun hath never shone,
Which night only rests upon,
Was the marble floor, which gave
Mirror like some clear dark wave.”

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Letitia Elizabeth Landon

The London Literary Gazette, 1831

“[Before]
Just two or three sweet chords, that seemed
An echo of thy tone,—
The cushat's song was on the wind
And mingled with thine own.”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“In sooth, this earth is a lovely place;
Pass not in darkness over her face;
Yet call back thy words of doom—
They are too gay and too fair for the tomb.
....
And have seen--alas! 'tis but outward show—
The sunshine of yon green earth below:
Glad of rest must the wretched and way-worn be—
Angel of Death, they are ready for thee!”

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Letitia Elizabeth Landon

The Spirit and the Angel of Death from Friendship’s Offering, 1827
The Vow of the Peacock (1835)

“And Love is like the lightning in its might,
Winging where least bethought its fiery flight,
Melting the blade, despite the scabbard's guard.”

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Letitia Elizabeth Landon

The Golden Violet - The Child of the Sea
The Golden Violet (1827)

“Alas! we make
A ladder of our thoughts, where angels step,
But sleep ourselves at the foot: our high resolves
Look down upon our slumbering acts.”

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Letitia Elizabeth Landon

A History of the Lyre
The Venetian Bracelet (1829)

“Spirit of the midnight dream,
What is now upon thy wing?
Earth sleeps in the moonlight beam;
O'er that sleep what wilt thou fling?”

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Letitia Elizabeth Landon

(31st March 1827) The Spirit of Dreams
The London Literary Gazette, 1827

“When years have past
Over the fallen arch, the ruin'd hall,
It seems but course of time, the one great doom,
Whose influence is alike upon us all;”

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Letitia Elizabeth Landon

A History of the Lyre
The Venetian Bracelet (1829)

“What is the world that lies around our own? Shadowy, unsubstantial, and wonderful are the viewless elements, peopled with spirits powerful and viewless as the air which is their home. From the earth's earliest hour, the belief in the supernatural has been universal. At first the faith was full of poetry; for, in those days, the imagination walked the earth even as did the angels, shedding their glory around the children of men. The Chaldeans watched from their lofty towers the silent beauty of night — they saw the stars go forth on their appointed way, and deemed that they bore with them the mighty records of eternity. Each separate planet shone on some mortal birth, and as its aspect was for good or for evil, such was the aspect of the fortunes that began beneath its light. Those giant watch-towers, with their grey sages, asked of the midnight its mystery, and held its starry roll to be the chronicle of this breathing world. Time past on, angels visited the earth no more, and the divine beliefs of young imagination grew earthlier. Yet poetry lingered in the mournful murmur of the oaks of Dodona, and in the fierce war song of the flying vultures, of whom the Romans demanded tidings of conquest. But prophecy gradually sank into divination, and it is a singular proof of the extent both of human credulity and of curiosity, to note the various methods that have had the credit of forestalling the future. From the stars to a tea-cup is a fall indeed”

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Letitia Elizabeth Landon

Literary Remains

“There is a well of melancholy poetry in every human bosom. We have all mourned over the destroyed illusion and the betrayed hope. We have quarrelled in some embittered moment with an early friend, and when too late lamented the estrangement.”

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Letitia Elizabeth Landon

The Monthly Magazine

“I do not believe that affection can exist with truth, without the ideal, and without blending with itself all that is best and most earnest in our nature.”

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Letitia Elizabeth Landon

No.21. Woodstock — ALICE LEE.
No.22. Marmion — CONSTANCE. See under The Monthly Magazine
Literary Remains

“There is nothing in nature so impracticable as the obstinacy of your true husband; it is the insurmountable obstacle—the Alps no female vinegar can melt.”

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Letitia Elizabeth Landon

Other Gift Books

“Oh never another dream can be
Like that early dream of ours,
When the fairy Hope lay down to sleep,
Like a child, among the flowers.”

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Letitia Elizabeth Landon

Song: Oh never another dream can be
The Venetian Bracelet (1829)

“… absence is
The moonlight of affection;”

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Letitia Elizabeth Landon

Canto II, II
The Fate of Adelaide (1821)

“We change, and others change, while recollection
Fain would renew what it can but recall :
Dark are life's dreams, and weary its affection,
And cold its hopes, — and yet I felt them all,
A long while ago.”

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Letitia Elizabeth Landon

(1838 1) (Vol 52) A Long While Ago
The Monthly Magazine

“Old friend and true companion! soothing Sleep,
Yes fly, like other friends. How easily
Did your sweet influence fall on my free head,
Cool like a lovely crown of myrtle boughs.
Beloved Sleep! amid the clash of arms,
On the rough torrent of unquiet life,
I rested, breathing lightly as a child,
Weary and cradled in your mother arms.
When the storm swept the leaves from off the bough,
And rushed thro' crashing branches, yet my heart
Was in its depths untroubled, — and I slept.”

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Letitia Elizabeth Landon

Translations, From the German

“Poverty is a terrible thing when it bows to the very ground the pride of the strong man—a terrible thing when it leaves old age destitute: till, the strong man may yet redeem his fortunes, and that old age may have had enjoyment while it was capable of enjoying. But a child, with the step slow from weakness, which from its age should be so buoyant; a cheek thin and white from hunger, at a period which especially cares for food (for all children are greedy); a form shrivelled with cold; a growth stopped by work too laborious for such tender years; a spirit broken by toil, want, and harshness; —is not such a child poverty's most miserable spectacle? It is, however, a common one.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“In a valley sweet with singing
From the hill and from the wood,
Where the green moss rills were springing,
A wondrous maiden stood.
The first lark seemed to carry
Her coming through the air;
Not long she wont to tarry,
Though she wandered none knew where.”

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Letitia Elizabeth Landon

The London Literary Gazette (10th January 1835) Versions from the German (Second Series.) 'The Coming of Spring'—Schiller.
Translations, From the German

“Lone upon a mountain, the pine-trees wailing round him,
Lone upon a mountain the Grecian youth is laid;
Sleep, mystic sleep, for many a year has bound him,
Yet his beauty, like a statue's pale and fair, is undecay'd.
When will he awaken?”

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Letitia Elizabeth Landon

The Monthly Magazine

“Three hackney-coaches, and two women in patterns passed by; also a man with an umbrella dripping, which he held rather over a brown paper parcel than himself: at last, a bright spot appeared just above the palace, the rain seemed to melt into luminous streaks on the sky, and the rain-drops that had sprinkled all over the panes of glass began to gather into two or three large drops, and to descend slowly along the surface. They would have done to bet upon, but there was no one to bet with.”

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Letitia Elizabeth Landon

The Monthly Magazine

“Love is like the glass,
That throws its own rich colour over all,
And makes all beautiful.”

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Letitia Elizabeth Landon

Roland's Tower
The Improvisatrice (1824)