Frases de Ingmar Bergman

Ingmar Bergman photo
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Ingmar Bergman

Data de nascimento: 14. Julho 1918
Data de falecimento: 30. Julho 2007

Ernst Ingmar Bergman foi um dramaturgo e cineasta sueco. Diretor de alguns dos mais influentes e aclamados filmes de todos os tempos . Alguns dos temas centrais das suas obras estão centrados no estudo psicológico dos personagens e das famílias disfuncionais, assim como na angústia causada pela ausência de um Deus, deixando o ser humano abandonado entre Deus e o Diabo.

Citações Ingmar Bergman

„O teatro é o começo, o fim, é tudo, enquanto o cinema pertence ao âmbito da prostituição.“

—  Ingmar Bergman

Aos 86 anos, quando anunciou sua retirada dos palcos
Fonte: Revista ISTOÉ Gente, edição 259 http://www.terra.com.br/istoegente/259/frases/index.htm (26/07/2004)

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„I suppose that's what the final sequence tries to express. The notion of love as the only thinkable form of holiness.“

—  Ingmar Bergman

On the ideas of God presented in Hour of the Wolf (1968); Torsten Manns interview <!-- pages 164-167 -->
Contexto: As far as I recall, it's a question of the total dissolution of all notions of an other-worldly salvation. During those years this was going on in me all the time and being replaced by a sense of the holiness — to put it clumsily — to be found in man himself. The only holiness which really exists. A holiness wholly of this world. And I suppose that's what the final sequence tries to express. The notion of love as the only thinkable form of holiness.
At the same time another line of development in my idea of God begins here, one that has perhaps grown stronger over the years. The idea of the Christian God as something destructive and fantastically dangerous, something filled with risk for the human being and bringing out in him dark destructive forces instead of the opposite.

„I was very cruel to actors and to other people. I think I was a very, very unpleasant young man. If I met the young Ingmar today, I think I would say, "You are very talented and I will see if I can help you, but I don't think I want anything else to do with you."“

—  Ingmar Bergman

As quoted in "Ingmar Bergman: Summing Up A Life In Film" by Michiko Kakutani in The New York Times Magazine (26 June 1983).
Contexto: I was very cruel to actors and to other people. I think I was a very, very unpleasant young man. If I met the young Ingmar today, I think I would say, "You are very talented and I will see if I can help you, but I don't think I want anything else to do with you." I don't say I'm pleasant now, but I think I changed slowly in my 50's. At least I hope I've changed.

„When film is not a document, it is dream.“

—  Ingmar Bergman

On Andrei Tarkovsky in Laterna Magica (1987); The Magic Lantern : An Autobiography as translated by Joan Tate (1988). <!-- p. 73 --> [also sometimes referred to as The Magical Lantern]
Contexto: When film is not a document, it is dream. That is why Tarkovsky is the greatest of them all. He moves with such naturalness in the room of dreams. He doesn't explain. What should he explain anyhow? He is a spectator, capable of staging his visions in the most unwieldy but, in a way, the most willing of media. All my life I have hammered on the doors of the rooms in which he moves so naturally. Only a few times have I managed to creep inside. Most of my conscious efforts have ended in embarrassing failure...

„I am very much aware of my own double self… The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work — he is in touch with the child.“

—  Ingmar Bergman

As quoted in "Ingmar Bergman: Summing Up A Life In Film" http://web.archive.org/web/20110913212122/http://bergmanorama.webs.com/kakutani_nyt83.htm by Michiko Kakutani in The New York Times Magazine (26 June 1983)].
Contexto: I am very much aware of my own double self... The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work — he is in touch with the child. He is not rational, he is impulsive and extremely emotional. Perhaps it is not even a "he," but a "she."

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