Frases de Claude Debussy

Claude Debussy foto
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Claude Debussy

Data de nascimento: 22. Agosto 1862
Data de falecimento: 25. Março 1918
Outros nomes:Claude A. Debussy,Claude Achille Debussy

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Claude-Achille Debussy foi um músico e compositor francês.

A música inovadora de Debussy agiu como um fenômeno catalisador de diversos movimentos musicais em outros países. Na França, só se aponta Ravel como influenciado, mas só na juventude, não sendo propriamente discípulo. Influenciados foram também Béla Bartók, Manuel de Falla, Heitor Villa-Lobos e outros. Do Prélude à l'après-midi d'un Faune , com que, para Pierre Boulez, começou a Música moderna, até Jeux , toda a arte de Debussy foi uma lição de inconformismo.

Citações Claude Debussy

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„Works of art make rules but rules do not make works of art.“

— Claude Debussy
As quoted in Companion to Contemporary Musical Thought (1992) by John Paynter, p. 590 Unsourced variant: Works of art make rules; rules do not make works of art.

„Collect impressions. Don’t be in a hurry to write them down.“

— Claude Debussy
Context: Collect impressions. Don’t be in a hurry to write them down. Because that’s something music can do better than painting: it can centralise variations of colour and light within a single picture — a truth generally ignored, obvious as it is. Debussy in a letter to his pupil Raoul Bardac (1906)

„Do you really think that my music is devoid of religious antecedents? Do you wish to put an artist's soul under restraint?“

— Claude Debussy
Context: Do you really think that my music is devoid of religious antecedents? Do you wish to put an artist's soul under restraint? Do you find it difficult to conceive that one who sees mystery in everything — in the song of the sea, in the curve of the horizon, in the wind and in the call of the birds — should have been attracted to a religious subject? I have no profession of faith to utter to you: but, whichever my creed may be, no great effort on my part was needed to raise me to the height of d'Annunzio's mysticism. I can assure you that my music was written in exactly the spirit as if it had been commissioned for performance in church. Have I succeeded in expressing all that I felt? It is for others to decide. Is the faith which my music expresses orthodox? I do not know; but I can say that it is my own, expressed in all sincerity. On his music for Le martyre de St. Sébastien (1911), in a 1911 interview, as quoted in Dancing in the Vortex : The Story of Ida Rubinstein (2001) by Vicki Woolfe, p. 56

„There’s no need either for music to make people think! … It would be enough if music could make people listen“

— Claude Debussy
Context: I confess that I am no longer thinking in musical terms, or at least not much, even though I believe with all my heart that Music remains for all time the finest means of expression we have. It’s just that I find the actual pieces — whether they’re old or modern, which is in any case merely a matter of dates — so totally poverty-stricken, manifesting an inability to see beyond the work-table. They smell of the lamp, not of the sun. And then, overshadowing everything, there’s the desire to amaze one’s colleagues with arresting harmonies, quite unnecessary for the most part. In short, these days especially, music is devoid of emotional impact. I feel that, without descending to the level of the gossip column or the novel, it should be possible to solve the problem somehow. There’s no need either for music to make people think! … It would be enough if music could make people listen, despite themselves and despite their petty mundane troubles, and never mind if they’re incapable of expressing anything resembling an opinion. It would be enough if they could no longer recognize their own grey, dull faces, if they felt that for a moment they had been dreaming of an imaginary country, that’s to say, one that can’t be found on the map. Letter to Paul Dukas (1901)

„Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express.“

— Claude Debussy
Context: Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream — who will give me plain human beings in a setting belonging to no particular period or country. … Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves. As quoted in Debussy (1989) by Paul Holmes, p. 36

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„There is no theory. You have only to listen. Pleasure is the law. I love music passionately. And because l love it, I try to free it from barren traditions that stifle it.“

— Claude Debussy
Context: There is no theory. You have only to listen. Pleasure is the law. I love music passionately. And because l love it, I try to free it from barren traditions that stifle it. It is a free art gushing forth — an open-air art, boundless as the elements, the wind, the sky, the sea. It must never be shut in and become an academic art. Quoted in An Encyclopedia of Quotations About Music (1981) by Nat Shapiro, p. 268 Unsourced variant: There is no theory. You have only to listen. Fantasy is the law.

„Composers aren't daring enough.“

— Claude Debussy
Context: Composers aren't daring enough. They're afraid of that sacred idol called "common sense", which is the most dreadful thing I know — after all, it's no more than a religion founded to excuse the ubiquity of imbeciles! Debussy Letters (1987) edited by Francois Lesure and Roger Nichols

„Art is the most beautiful deception of all!“

— Claude Debussy
Context: Art is the most beautiful deception of all! And although people try to incorporate the everyday events of life in it, we must hope that it will remain a deception lest it become a utilitarian thing, sad as a factory. … Let us not disillusion anyone by bringing too much reality into the dream. Unsourced variant: Art is the most beautiful of all lies.

„Music should humbly seek to please; within these limits great beauty may perhaps be found.“

— Claude Debussy
Context: Music should humbly seek to please; within these limits great beauty may perhaps be found. Extreme complication is contrary to art. Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. Quoted in French Music : From the Death of Berlioz to the Death of Fauré (1951) by Martin Cooper, p. 136, and in Debussy and Wagner (1979) by Robin Holloway, p. 207

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„Music is a mysterious mathematical process whose elements are part of Infinity. … There is nothing more musical than a sunset.“

— Claude Debussy
Context: Music is a mysterious mathematical process whose elements are part of Infinity. … There is nothing more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little — the book of Nature. As quoted in The Harvard Biographical Dictionary of Music (1996) by Don Michael Randel

„It is necessary to abandon yourself completely, and let the music do as it will with you.“

— Claude Debussy
Context: It is necessary to abandon yourself completely, and let the music do as it will with you. All people come to music to seek oblivion. As quoted in The Cambridge Companion to Debussy (2003) by Simon Trezise, p. 120

„To feel the supreme and moving beauty of the spectacle to which Nature invites her ephemeral guests! … that is what I call prayer.“

— Claude Debussy
Context: I do not practise religion in accordance with the sacred rites. I have made mysterious Nature my religion. I do not believe that a man is any nearer to God for being clad in priestly garments, nor that one place in a town is better adapted to meditation than another. When I gaze at a sunset sky and spend hours contemplating its marvelous ever-changing beauty, an extraordinary emotion overwhelms me. Nature in all its vastness is truthfully reflected in my sincere though feeble soul. Around me are the trees stretching up their branches to the skies, the perfumed flowers gladdening the meadow, the gentle grass-carpetted earth, … and my hands unconsciously assume an attitude of adoration. … To feel the supreme and moving beauty of the spectacle to which Nature invites her ephemeral guests! … that is what I call prayer. As quoted in Claude Debussy: His Life and Works (1933) by Léon Vallas, p. 225 Variant translation: Before the passing sky, in long hours of contemplation of its magnificent and ever-changing beauty, I am seized by an incomparable emotion. The whole expanse of nature is reflected in my own sincere and feeble soul. Around me the branches of trees reach out toward the firmament, here are sweet-scented flowers smiling in the meadow, here the soft earth is carpeted with sweet herbs. … Nature invites its ephemeral and trembling travelers to experience these wonderful and disturbing spectacles — that is what I call prayer. As quoted in The Life of the Creative Spirit (2001) by H. Charles Romesburg, p. 240

„I confess that I am no longer thinking in musical terms, or at least not much, even though I believe with all my heart that Music remains for all time the finest means of expression we have.“

— Claude Debussy
Context: I confess that I am no longer thinking in musical terms, or at least not much, even though I believe with all my heart that Music remains for all time the finest means of expression we have. It’s just that I find the actual pieces — whether they’re old or modern, which is in any case merely a matter of dates — so totally poverty-stricken, manifesting an inability to see beyond the work-table. They smell of the lamp, not of the sun. And then, overshadowing everything, there’s the desire to amaze one’s colleagues with arresting harmonies, quite unnecessary for the most part. In short, these days especially, music is devoid of emotional impact. I feel that, without descending to the level of the gossip column or the novel, it should be possible to solve the problem somehow. There’s no need either for music to make people think! … It would be enough if music could make people listen, despite themselves and despite their petty mundane troubles, and never mind if they’re incapable of expressing anything resembling an opinion. It would be enough if they could no longer recognize their own grey, dull faces, if they felt that for a moment they had been dreaming of an imaginary country, that’s to say, one that can’t be found on the map. Letter to Paul Dukas (1901)

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