Frases de Robert Fripp

“Nunca enriqueceremos com o trabalho pesado.”

“O futuro é o que o presente pode oferecer.”

“O silêncio é um elo entre mundos.”

“A música é a taça que segura o vinho do silêncio.”

“A disciplina é o veículo do prazer.”

“Tentar é falhar.”

“A música é a arquitetura do silêncio.”

“A perfeição é impossível”

“Não esteja disposto a ajudar: esteja disponível.”

“Duração é algo subjetivo.”

“Devemos acolher nossos erros como amigos e professores.”

“Quando agimos do modo como preferimos, podemos conquistar o que queremos, mas não o que precisamos.”

“Sofrimento pode ser necessário, desnecessário ou voluntário.”

“Quanto mais falhas, mais sucesso.”

“A mente comanda as mãos.”

“Uma mentira separa quem somos do que somos.”

“O artista é o elo entre o possível, o impossível e o contemporâneo.”

“O espaço tem suas próprias regras e determina condições.”

“Acréscimos pequenos são revolucionários.”

“O músico possui três disciplinas: as disciplinas das mãos, da cabeça e do coração.”

“Até mesmo o gênio necessita de uma técnica competente.”

“Começamos por não fazer nada.”

“O poder é a capacidade de acessar o que é possível.”

“O que ouvimos é o modo como ouvimos.”

“O silêncio é um eco distante da aproximação da Musa.”

“We begin with the possible, and move gradually towards the impossible.”

“Creative work is serious play.”

“Music is the cup which holds the wine of silence. Sound is that cup, but empty. Noise is that cup, but broken.”

“We are able to be with others only to the degree that we are able to be ourselves. This being so, we can only be in the performance to the degree that we can be ourselves: to be who we are.”

“If we don’t know where we’re going, we’ll probably get there; if where we are going is how we get there, we are already where we are going.”

“I woke at 9:57 having got to bed at 6:30 subsequent to spraying burning guitar over David Bowie's new album and not leaving the studio until 5:00.”

“Act with courtesy - Otherwise, be polite, but always be kind.”

“Music so wishes to be heard that sometimes it calls on unlikely characters to give it voice, and ears. This wishing-to-be heard calls into existence the Performance Event; where music, musician and audience may come together as one, in communion. This communion has six different forms of being and experiencing itself (plus an invisible seventh); and these forms, or principles, are simultaneously present within the Performance.
I - When people get together with music, something happens.
II - In a performance, things come together, mysteriously; and go better than we might anticipate; and better than we deserve.
III - A performance can take on a life and character of its own.
IV - Any one performance is a multiplicity of performances.
V - The possible is possible.
VI - The impossible is possible.
The Seventh Principle resides within Silence.
Trust the event.”

“A mistake is always forgivable, rarely excusable, and never acceptable.”

“There is no such thing as making a mistake. Only one thing is compulsory, only one mistake: and that is not realizing your mistakes.”

“You see, the thing is, I’ve been in jams like this. The feeling is totally there among the musicians (and whoever else happens to be sitting around, whether they’ve paid for it or not, probably, and preferably, not). You are close to silence, Silence with a capital S. You are in tune with silence, the deepest sound of them all. Every sound, therefore, that you make, make with intention, sensitivity, and awareness, has a meaning, an ineffability, a significance. You are listening, Listening with a capital L. You hear what everyone else is doing; you do whatever is necessary, which is usually as little as possible. It has nothing to do with self-expression: it has to do with a group mind.”

“Normality is what we might achieve, given who we are, what we are, the conditions and limitations of the world we work within.”

“Me and a book is a party. Me and a book and a cup of coffee is an orgy.”

“With a note of music, one strikes the fundamental, and, in addition to the root note, other notes are generated: these are called the harmonic series…As one fundamental note contains within it other notes in the octave, two fundamentals produce a remarkable array of harmonics, and the number of possible combinations between all the notes increases phenomenally. With a triad, affairs stand a good chance of getting severely out of hand…”

“The musician is as rich as the music they give away.”

“A principle is universal, a rule is inflexible, a law is invariable.”