Frases de James Baldwin (escritor)
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James Baldwin foi o primeiro escritor a dizer aos brancos o que os negros americanos pensavam e sentiam. Teve seu reconhecimento durante a luta dos direitos civis no início da década de 1960. Tornou-se mais famosos pelos ensaios do que pelos romances e peças teatrais, mas apesar disso queria se tornar ficcionista, considerando seus ensaios um trabalho menor. Nos primeiros livros estão as melhores amostras do seu talento: Go tell it on the mountain , Giovanni's room e Another country . os dois últimos tornaram-no famoso como o pioneiro de uma nova liberdade sexual. Apesar de escrever e estudar sobre as correspondências entre medos sexuais e raciais, Baldwin era basicamente um puritano que professava a primazia do autoconhecimento em todas as relações humanas.

✵ 2. Agosto 1924 – 1. Dezembro 1987   •   Outros nomes Џејмс Болдвин, Джеймс Болдуїн
James Baldwin (escritor) photo
James Baldwin (escritor): 181   citações 35   Curtidas

James Baldwin (escritor) Frases famosas

“Imagino que uma das razões para as pessoas se agarrarem a seus ódios tão teimosamente é porque percebem que, assim que o ódio for eliminado, elas serão forçadas a lidar com a dor.”

I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.
"Me and My House" in Harper's (1955); republicado em Notes of a Native Son https://books.google.com.br/books?id=wmnVhmw3zVoC&printsec=frontcover&dq=Notes+of+a+Native+Son&hl=pt-BR&sa=X&ved=0CBsQ6AEwAGoVChMI296xud-1yAIVBoOQCh1A2ApO#v=onepage&q=%20imagine%20one%20of%20the%20reasons%20people%20cling%20to%20their%20hates%20so%20stubbornly&f=false (1955)

Citações de pessoas de James Baldwin (escritor)

James Baldwin (escritor) frases e citações

“Toda vez que eu vou a uma conferência de escritores brancos, eu tenho um método para descobrir se meus colegas são racistas. Ele consiste em proferir idiotices e manter teses absurdas. Se eles ouvem respeitosamente e, ao final, eles me enchem de aplausos, eu não tenho a menor dúvida: eles são uns malditos racistas.”

"Every time I attend a conference of white writers, I have a method for finding out if my colleagues are racist. It consists of uttering stupidities and maintaining absurd theses. If they listen respectfully and, at the end, overwhelm me with applause, there isn't the slightest doubt: they are filthy racists."
Como citado por Daphne Patai & Noretta Koertge (1943) em Professing feminism: Education and indocrination in women's studies / Daphne Patai and Noretta Koertge. — New and expanded ed. — Copyright 2003 by Lexigton Books, p. 80 https://books.google.com.br/books?id=5IKHbZacWJYC&pg=PA80. Texto traduzido por M. Elitista em uma publicação de 8 de outubro de 2015 https://www.facebook.com/AventurasnaJusticaSocial/photos/a.827394220675429.1073741828.827240997357418/905484919533025/?type=3 na página do Facebook Aventuras na Justiça Social https://www.facebook.com/AventurasnaJusticaSocial?fref=ts.

James Baldwin (escritor): Frases em inglês

“It is certain, in any case, that ignorance, allied with power, is the most ferocious enemy justice can have.”

James Baldwin livro No Name in the Street

No Name in the Street (1972)
Contexto: Well, if one really wishes to know how justice is administered in a country, one does not question the policemen, the lawyers, the judges, or the protected members of the middle class. One goes to the unprotected — those, precisely, who need the law's protection most! — and listens to their testimony. Ask any Mexican, any Puerto Rican, any black man, any poor person — ask the wretched how they fare in the halls of justice, and then you will know, not whether or not the country is just, but whether or not it has any love for justice, or any concept of it. It is certain, in any case, that ignorance, allied with power, is the most ferocious enemy justice can have.

“It took many years of vomiting up all the filth I’d been taught about myself, and half-believed, before I was able to walk on the earth as though I had a right to be here.”

Fonte: Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other

“The price one pays for pursuing any profession or calling is an intimate knowledge of its ugly side.”

"The Black Boy Looks at the White Boy" in Esquire (May 1961); republished in Nobody Knows My Name: More Notes of a Native Son (1961)

“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was Dostoevsky and Dickens who taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who ever had been alive.”

As quoted in "Doom and glory of knowing who you are" by Jane Howard, in LIFE magazine, Vol. 54, No. 21 (24 May 1963), p. 89 https://books.google.com/books?id=mEkEAAAAMBAJ; a part of this statement has often been quoted as it was paraphrased in The New York Times (1 June 1964):
Contexto: You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was Dostoevsky and Dickens who taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who ever had been alive. Only if we face these open wounds in ourselves can we understand them in other people. An artist is a sort of emotional or spiritual historian. His role is to make you realize the doom and glory of knowing who you are and what you are. He has to tell, because nobody else can tell, what it is like to be alive.

“I often wonder what I'd do if there weren't any books in the world.”

James Baldwin livro Giovanni's Room

Fonte: Giovanni's Room

“Any real change implies the breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety.”

James Baldwin livro Nobody Knows My Name

Fonte: "Faulkner and Desegregation" in Partisan Review (Fall 1956); republished in Nobody Knows My Name: More Notes of a Native Son (1961)
Contexto: Any real change implies the breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety. And at such a moment, unable to see and not daring to imagine what the future will now bring forth, one clings to what one knew, or dreamed that one possessed. Yet, it is only when a man is able, without bitterness or self-pity, to surrender a dream he has long cherished or a privilege he has long possessed that he is set free — he has set himself free — for higher dreams, for greater privileges.

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