Frases de Georg Grosz (9 citações) | Citações e frases famosas

Georg Grosz: 9 citações0 Curtidas

Georg Grosz: Frases em inglês

“I see the future development of painting taking place in workshops.... not in any holy temple of the arts. Painting is manual labor, no different from any other. It can be done well or poorly.”

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George Grosz

Quoted by William Bolcom, in The End of the Mannerist Century / quoted in Art of the 20th Century, Part 1, Karl Ruhrberg, Klaus Honnef, Manfred Schneckenburger, Christiane Fricke; publisher: Taschen 2000, p. 190

“Yes, [to] the Communist party! [the presiding judge asked Grosz: 'Do you belong to a political party?']”

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George Grosz

In newspaper 'Frankfurter Zeitung', 4 Dec. 1930, second morning edition [copy, in the 'Archive of the National-Galerie', East Berlin])
the statement in this German newspaper reports of the case, brought against Grosz for 'blasphemy', over his portfolio of prints: 'Hintergrund' (Background)

“I am lonely without measure; that is to say, I am alone with my doubles, phantasms in whom I realize specific dreams, ideas, inclinations, and so on. I rip three other people out of my inner life, give them names, and believe in them myself. Gradually three clearly defined types have emerged: *1: Grosz. *2: Count Ehrenfried, the nonchalant aristocrat with the well-manicured fingernails, concerned only with cultivating himself; in a word, the detached, aristocratic individualist. *3: The physician. Dr. William King Thomas, the more American, practical counterweight to Grosz the mother figure.”

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George Grosz

Letter, September 1915, to Robert Bell; in Grosz, Briefe, p. 30 ff; as cited in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 112 - note 61

“Art today is an absolutely secondary matter. Anyone who is able to look further than the walls of his own studio can see this... All the same, art is a business that demands a very clear decision from anyone who undertakes it. It is not immaterial where you stand in this business... Are you on the side of the exploiters or on that of the masses, who want to wring the exploiters' necks?”

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George Grosz

Grosz, Nov. 1920 in: 'Zu meinen neuen Bildern', Das Kunstblatt 5., no. 1 (1921): as cited in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 91-92

“Árt is dead. Long live Tatlin's new machine art.”

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George Grosz

Grosz and Heartfield, 1920: text on their billboard at the Dada fair in Berlin

“A composition should be simple and clear. That is why the drawings of children and primitives are so strong.”

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George Grosz

In the 1930's Grosz encouraged as art-teacher his students at the Art Students League in New York to study children's drawings
Fonte: a student's unpublished papers 'Notes on Drawing and Water Golor, 1935-36', George Grosz estate, Princeton, N.J.; as quoted in: George Grosz: Leben und Werk, ed. Uwe M. Schneede; Verlag Gerd Hatje, Stuttgart 1975, p. 38

“My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon … I drew a man, face filled with fright, washing blood from his hands … I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket … I drew a skeleton dressed as a recruit being examined for military duty. I also wrote poetry.”

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George Grosz

as cited by Otto Friedrich in Before the Deluge, Fromm International Publishing Corporation, 1987, p. 37 - ISBN 0-88064-054-5

“Day after day gasped away, slowly seep hours when fettered or immured, only at times does imagination scale the palisades that the spirit of chaos and confusion, the spirit of reactionary bombast, has set up around us - dreams, dreams of endless, destructive hate! Mists of hate, beclouding the burning brain!”

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George Grosz

Letter to Otto Schmalhausen, 4 April, 1917 (Briefe, p. 49); as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 89 - note 62
George Grosz was early January 1917 recalled into the German army, only to be transferred shortly afterward to Gorden mental hospital near Brandenburg. From there he wrote this letter. At the end of April 1917 he was sent home, and on 20 May he was discharged on grounds of 'permanent unfitness for duty'

“A great deal that had become frozen within me in Germany melted here in America and I rediscovered my old yearning for painting. I carefully and deliberately destroyed a part of my past.”

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George Grosz

In his autobiography, 1946, p. 270; as quoted on Wikipedia: George Grosz