
“Sou a maria-comédia: só gosto de homens que me façam rir.”
[2] p. 474
“Sou a maria-comédia: só gosto de homens que me façam rir.”
Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public.
The Art of the Theatre (1925), p. 171