Frases de H. P. Lovecraft

Howard Phillips Lovecraft foi um escritor estadunidense que revolucionou o gênero de terror, atribuindo-lhe elementos fantásticos que são típicos dos gêneros de fantasia e ficção científica.

O princípio literário de Lovecraft era o que ele chamava de "Cosmicismo" ou "Terror Cósmico", que se resume à ideia de que a vida é incompreensível ao ser humano, e de que o universo é infinitamente hostil aos interesses do homem. Isto posto, as suas obras expressam uma profunda indiferença às crenças e atividades humanas. H.P Lovecraft originou o ciclo de histórias que posteriormente passaram a ser categorizadas no denominado Cthulhu Mythos e também desenvolveu o fictício grimório Necronomicon, supostamente vinculado ao astrônomo e ocultista britânico do século XVI, John Dee. Ao decorrer de suas criações, Lovecraft produziu um panteão de entidades extremamente anti-humanas com as quais, nas suas histórias, geralmente os seres humanos se podem comunicar através do Necronomicon.

Os seus trabalhos expressam uma atitude profundamente pessimista e cínica, muitas vezes desafiando os valores do Iluminismo, do Romantismo, do Cristianismo e do Humanismo . Os protagonistas de Lovecraft eram o oposto dos tradicionais gnose e misticismo por momentaneamente anteverem o horror da última realidade e do abismo.

Era assumidamente conservador e anglófilo , o que explica o porquê de ter sido habitual no seu estilo o emprego de arcaísmos e a utilização de vocabulário e ortografia marcadamente britânicos - fato que contribui para aumentar a atmosfera dos seus contos, pois muitos deles contêm referências a personagens que viveram antes da independência das Treze Colónias, bem como a estabelecimentos comerciais existentes entre os séculos XVII e XVIII.

Durante a sua vida, dispôs de um número relativamente pequeno de leitores, no entanto sua reputação verificou uma elevada gratificação com o passar das décadas, e ele, agora, é considerado um dos escritores de terror mais influentes do século XX. De acordo com Joyce Carol Oates, Lovecraft, como aconteceu com Edgar Allan Poe no século XIX, tem exercido "uma influência incalculável sobre sucessivas gerações de escritores de ficção de horror" , Stephen King chamou Lovecraft de "o maior praticante do século XX do conto de horror clássico." .

✵ 20. Agosto 1890 – 15. Março 1937   •   Outros nomes Говард Лавкрафт, اچ. پی. لاوکرفت
H. P. Lovecraft photo

Obras

The Call of Cthulhu
H. P. Lovecraft
H. P. Lovecraft: 212   citações 60   Curtidas

H. P. Lovecraft Frases famosas

“O quanto mais se afastava do mundo ao redor, mais exuberantes tornavam-se os sonhos;”

Os melhores contos de H.P. Lovecraft

“Não está morto o que eternamente jaz inanimado, e em estranhas realidades até a morte pode morrer.”

That is not dead which can eternal lie, And with strange aeons even death may die
esta citação de H. P. Lovecraft está no disco "" do Iron Maiden, escrita na lápide da sepultura de Eddie, como citado por João Paulo Andrade no artigo Envolvimento de bandas com ocultismo e satanismo http://whiplash.net/materias/curiosidades/000116-robertjohnson.html
Fonte: "The Call of Cthulhu", parte II; (veja wikisource)

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H. P. Lovecraft: Frases em inglês

“That is not dead which can eternal lie,
And with strange aeons even death may die.”

H.P. Lovecraft livro The Nameless City

Variante: That is not dead which can eternal lie,
And with strange aeons even death may die.
Fonte: The Nameless City

“We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.”

H.P. Lovecraft livro The Call of Cthulhu

Variante: We live on a placid island of ignorance in the midst of black seas of the infinity, and it was not meant that we should voyage far.
Fonte: The Call of Cthulhu

H.P. Lovecraft citar: “Memories and possibilities are ever more hideous than realities.”

“Memories and possibilities are ever more hideous than realities.”

"Herbert West: Re-Animator" in "Home Brew" Vol. 1, No. 1 (February 1922)
Fiction

“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”

"Supernatural Horror in Literature" (1927)
Non-Fiction
Variante: The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown
Fonte: The Complete Fiction of H.P. Lovecraft

“It is good to be a cynic—it is better to be a contented cat — and it is best not to exist at all. Universal suicide is the most logical thing in the world—we reject it only because of our primitive cowardice and childish fear of the dark. If we were sensible we would seek death—the same blissful blank which we enjoyed before we existed.”

"Nietzscheism and Realism" from The Rainbow, Vol. I, No. 1 (October 1921); reprinted in "To Quebec and the Stars", and also in Collected Essays, Volume 5: Philosophy edited by S. T. Joshi, p. 71
Non-Fiction
Fonte: Collected Essays 5: Philosophy, Autobiography and Miscellany

“Ultimate horror often paralyses memory in a merciful way.”

H.P. Lovecraft livro The Rats in the Walls

Fonte: The Rats in the Walls

“For those who relish speculation regarding the future, the tale of supernatural horror provides an interesting field.”

Fonte: The Annotated Supernatural Horror in Literature: Revised and Enlarged

“I can better understand the inert blindness & defiant ignorance of the reactionaries from having been one of them. I know how smugly ignorant I was—wrapped up in the arts, the natural (not social) sciences, the externals of history & antiquarianism, the abstract academic phases of philosophy, & so on—all the one-sided standard lore to which, according to the traditions of the dying order, a liberal education was limited. God! the things that were left out—the inside facts of history, the rational interpretation of periodic social crises, the foundations of economics & sociology, the actual state of the world today … & above all, the habit of applying disinterested reason to problems hitherto approached only with traditional genuflections, flag-waving, & callous shoulder-shrugs! All this comes up with humiliating force through an incident of a few days ago—when young Conover, having established contact with Henneberger, the ex-owner of WT, obtained from the latter a long epistle which I wrote Edwin Baird on Feby. 3, 1924, in response to a request for biographical & personal data. Little Willis asked permission to publish the text in his combined SFC-Fantasy, & I began looking the thing over to see what it was like—for I had not the least recollection of ever having penned it. Well …. I managed to get through, after about 10 closely typed pages of egotistical reminiscences & showing-off & expressions of opinion about mankind & the universe. I did not faint—but I looked around for a 1924 photograph of myself to burn, spit on, or stick pins in! Holy Hades—was I that much of a dub at 33 … only 13 years ago? There was no getting out of it—I really had thrown all that haughty, complacent, snobbish, self-centred, intolerant bull, & at a mature age when anybody but a perfect damned fool would have known better! That earlier illness had kept me in seclusion, limited my knowledge of the world, & given me something of the fatuous effusiveness of a belated adolescent when I finally was able to get around more in 1920, is hardly much of an excuse. Well—there was nothing to be done … except to rush a note back to Conover & tell him I'd dismember him & run the fragments through a sausage-grinder if he ever thought of printing such a thing! The only consolation lay in the reflection that I had matured a bit since '24. It's hard to have done all one's growing up since 33—but that's a damn sight better than not growing up at all.”

Letter to Catherine L. Moore (7 February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 407-408
Non-Fiction, Letters

“From even the greatest of horrors irony is seldom absent.”

Fiction, The Shunned House (1924)
Fonte: Tales of H.P. Lovecraft

“These Great Old Ones, Castro continued, were not composed altogether of flesh and blood. They had shape — for did not this star-fashioned image prove it? — but that shape was not made of matter.”

Fiction, The Call of Cthulhu (1926)
Contexto: There had been aeons when other Things ruled on the earth, and They had had great cities. Remains of Them, he said the deathless Chinamen had told him, were still be found as Cyclopean stones on islands in the Pacific. They all died vast epochs of time before men came, but there were arts which could revive Them when the stars had come round again to the right positions in the cycle of eternity. They had, indeed, come themselves from the stars, and brought Their images with Them.
These Great Old Ones, Castro continued, were not composed altogether of flesh and blood. They had shape — for did not this star-fashioned image prove it? — but that shape was not made of matter. When the stars were right, They could plunge from world to world through the sky; but when the stars were wrong, They could not live. But although They no longer lived, They would never really die...

“Without interest there can be no art.”

"The Defence Remains Open!" (April 1921), published in Collected Essays, Volume 5: Philosophy edited by S. T. Joshi, p. 53
Non-Fiction
Contexto: The opinions of the masses are of no interest to me, for praise can truly gratify only when it comes from a mind sharing the author's perspective. There are probably seven persons, in all, who really like my work; and they are enough. I should write even if I were the only patient reader, for my aim is merely self-expression. I could not write about "ordinary people" because I am not in the least interested in them. Without interest there can be no art. Man's relations to man do not captivate my fancy. It is man's relation to the cosmos—to the unknown—which alone arouses in me the spark of creative imagination. The humanocentric pose is impossible to me, for I cannot acquire the primitive myopia which magnifies the earth and ignores the background. Pleasure to me is wonder—the unexplored, the unexpected, the thing that is hidden and the changeless thing that lurks behind superficial mutability. To trace the remote in the immediate; the eternal in the ephemeral; the past in the present; the infinite in the finite; these are to me the springs of delight and beauty. Like the late Mr. Wilde, "I live in terror of not being misunderstood."

“In his house at R'lyeh, dead Cthulu waits dreaming”

H.P. Lovecraft livro The Call of Cthulhu and Other Weird Stories

Fonte: The Call of Cthulhu and Other Weird Stories

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