Frases de Camille Paglia (334 citações, página 11)

Camille Paglia: 334 citações 14 Curtidas

Camille Paglia Frases famosas

“Os estudantes estão sendo doutrinados pelo dogma do relativismo e do niilismo por professores pós-estruturalistas ou pós-construtivistas que parecem não ter valores ou paixão real pelo aprendizado. Por exemplo, Michel Foucault considerou "Esperando Godot", de Samuel Beckett, uma influência marcante na geração de pensadores da França pós-guerra. Eu sempre desprezei Godot pelo pessimismo reacionário e visão neurótica da fragmentação da cultura. A grande forma de arte da minha geração foi o rock, música empática, emocional, sensorial e conduzida pelos ritmos sublimes da natureza.”

Camille Paglia

Entrevista para a Folha de S.Paulo - 27.3.06

“Essa é a segunda razão pela qual o neoconservadorismo aumentou seu poder. O humanismo secular, com o qual estou comprometida, tornou-se vazio. Eu sou atéia, mas reverencio as grandes religiões como formas espirituais de relacionar a humanidade e o cosmos. Os neoconservadores oferecem a sensação de tradição, estabilidade e propósito para quem repele o individualismo narcisista e hedonista do nosso tempo. Minha estratégia como escritora é oferecer a arte como uma alternativa à religião.”

Camille Paglia

Entrevista para a Folha de S.Paulo - 27.3.06

“A educação universitária de elite nos Estados Unidos virou uma indústria comercial frenética, um espetáculo repulsivo de esnobismo de marca e materialismo explícito. Pais que pagam mais de US$ 40 mil ao ano por um diploma de Harvard para seus filhos estão ávidos por status, mas não há evidência de que a educação em Harvard seja superior à de centenas de outras boas universidades.”

Camille Paglia

Entrevista para a Folha de S.Paulo - 27.3.06

“As feministas foram marginalizadas nos Estados Unidos por causa dos excessos dos anos 80 e início dos 90. A visão é negativa, de estridência e extremismo. É uma situação desconcertante, mas é culpa das próprias líderes feministas. Elas ficaram obcecadas com aborto e assédio sexual e negligenciaram assuntos muito mais importantes que afetam as mulheres no mundo. Eu acredito em igualdade de oportunidade: os obstáculos para o avanço devem ser removidos, mas sem proteções especiais.”

Camille Paglia

Entrevista para a Folha de S.Paulo - 27.3.06

“Não há liderança, coragem, programa para o futuro. É assustadora a patética inabilidade dos nossos senadores de capitalizar os erros de George W. Bush.”

Camille Paglia

Entrevista para a Folha de S.Paulo - 27.3.06

“A veneração dos egípcios pelos gatos não era nem tola nem infantil. Por meio do gato, o Egito definiu e refinou sua complexa estética.”

Camille Paglia

"Personas Sexuais" - Camille Paglia pg. 70/72 http://www.fezocaonline.com/mistygray/gatos.html

“O discurso anti-pornografia das feministas sempre ignora a gigantesca indústria do pornô gay masculino, já que qualquer menção a isso derrubaria completamente o argumento absurdo de que a pornografia é por definição, a subordinação da mulher.”

Camille Paglia

"Feminist anti-porn discourse virtually always ignore the gigantic gay male porn industry, since any mention of the latter would bring crashing to the ground the absurd argument that pornography is by definition the subordination of women."
Camille Paglia, Vamps & Tramps: New Essays, Knopf Doubleday Publishing Group, 2011, p. 65 https://books.google.com.br/books?id=f_LlAmt--pkC&pg=PA65

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“A Terra está repleta das ruínas de impérios que acreditavam ser eternos.”

Camille Paglia

Camille Paglia: Frases em inglês

“He was a revealing symbol. He called himself passive-aggressive. There was self-pity, whining. There was a diminishment, a diminution. He was sitting there in his sweater, hunched over his guitar, looking like a little lost boy. Compare that with the great figures of my generation: Jimi Hendrix. Pete Townshend. Keith Richards.”

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Camille Paglia

On Kurt Cobain
Playboy interview (May 1995)

“Sappho and Emily Dickinson are the only woman geniuses in poetic history.”

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Camille Paglia

Fonte: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 203

“I’ve watched therapy getting more and more mushy in the past fifteen years in America…. It’s become what I call coercive compassion. It’s disgusting, it’s condescending, it’s insulting, it’s coddling, it keeps everyone in an infantile condition rather than in the adult condition that was the ultimate goal of Freudian analysis.”

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Camille Paglia

Fonte: Sex, Art and American Culture : New Essays (1992), The Rape Debate, Continued, p. 61

“Freud says, “Man fears that his strength will be taken from him by woman, dreads becoming infected with her femininity and then proving himself a weakling.” Masculinity must fight off effeminacy day by day. Woman and nature stand ever ready to reduce the male to boy and infant.”

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Camille Paglia

Fonte: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 27

“In every premenstrual woman struggling to govern her temper, sky-cult wars again with earth-cult.”

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Camille Paglia

Fonte: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 12

“Society is a system of inherited forms reducing our humiliating passivity to nature. We may alter these forms, slowly or suddenly, but no change in society will change nature.”

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Camille Paglia

Fonte: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 1

“Modern liberalism suffers unresolved contradictions. It exalts individualism and freedom and, on its radical wing, condemns social orders as oppressive. On the other hand, it expects governments to provide materially for all, a feat manageable only by an expansion of authority and a swollen bureaucracy. In other words, liberalism defines government as tyrant father but demands it behave as nurturant mother. Feminism has inherited these contradictions.”

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Camille Paglia

Fonte: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 3

“The Seventies theory explosion [i. e., Literary theory, deconstruction, etc. ] was a panic reaction by headlocked pedants unable to cope with the emotional and sensory flux of the Sixties. It was a desperate search for new authority, new dogma.”

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Camille Paglia

Fonte: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 218

“Beware of the manipulativeness of rich students who were neglected by their parents. They love to turn the campus into hysterical psychodramas of sexual transgression, followed by assertions of parental authority and concern. And don’t look for sexual enlightenment from academe, which spews out mountains of books but never looks at life directly.”

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Camille Paglia

Fonte: Sex, Art and American Culture : New Essays (1992), Rape and Modern Sex War, p. 53

“The Sixties attempted a return to nature that ended in disaster.”

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Camille Paglia

Fonte: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 216

“At the opening of the Odyssey, Telemachus, inspired by the male-born Athena, searches for his father by turning against his mother. Jesus too publicly spurns his mother to be about his father’s business. Male adulthood begins with the breaking of female chains.”

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Camille Paglia

Fonte: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 89

“I think it is one of the greatest pictures ever taken of a woman.”

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Camille Paglia

On Robert Mapplethorpe’s portrait of Patti Smith on the cover of Smith’s debut album Horses (1975), p. 45
Sex, Art and American Culture : New Essays (1992)

“In 'A Room of One's Own', Virginia Woolf satirically describes her perplexity at the bulging card catalog of the British Museum: why, she asks, are there so many books written by men about women but none by women about men? The answer to her question is that from the beginning of time men have been struggling with the threat of woman's dominance.”

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Camille Paglia

Fonte: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 295

“The Devil is a woman.”

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Camille Paglia

Fonte: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 11

“Ten thousand years ago, when man the nomad took root in one place, he brought animals with him into human service. But domestication was to be his fate too, as he fell under architecturally reinforced female control.”

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Camille Paglia

pg. 8
The Birds

“Hitchcock finds women captivating but dangerous. She allures by nature but she is chief artificer in civilisation, a magic fabricator of persona whose very smile is an arc of deception.”

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Camille Paglia

Fonte: The Birds, p. 7

“In a media age where books are no longer the primary medium for information storage and exchange, language must be reclaimed from the hucksters and the pedants and imaginatively reinforced. To save literature, educators must take command of the pre-rational world of images. The only antidote to the magic of images is the magic of words.”

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Camille Paglia

The Magic of Images: Word and Picture in a Media Age (2004)

“Because boys lack a biological marker like menstruation, to be man is to be not female.”

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Camille Paglia

Contemporary feminism called this "misogyny," but it was wrong. Masculine identity is embattled and fragile. In the absence of opportunity for heroic physical action, as in the modern office world, women's goodwill is crucial for preserving the male ego, which requires, alas, daily maintenance. It is in the best interests of the human race, and of women themselves, for men to be strong.
Fonte: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 85

“Films of the mating behavior of most other species — a staple of public television of America — demonstrate that the female chooses.”

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Camille Paglia

Males pursue, show off, brawl, scuffle, and make general fools of themselves for love. A major failing of most feminist ideology is its dumb, ungenerous stereotyping of men as tyrants and abusers, when in fact — as I know full well from my own mortifying lesbian experience — men are tormented by women’s flirtatiousness and hemming and hawing, their manipulations and changeableness, their humiliating rejections. Cock teasing is a universal reality. It is part of women’s merciless testing and cold-eyed comparison shopping for potential mates. Men will do anything to win the favor of women.
Fonte: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 35

“Foucault is the Cagliostro of our time.”

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Camille Paglia

Fonte: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 224

“It’s these guys in the Ivy League schools who get used to obeying women. They’re sedentary guys. It’s ironic that you’re getting the biggest bitching about men from the schools where the men are just eunuchs and bookworms.”

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Camille Paglia

Fonte: Sex, Art and American Culture : New Essays (1992), The Rape Debate, Continued, p. 61

“If you want to see what’s wrong with Ivy League education, look at The Beauty Myth, that book by Naomi Wolf. This is a woman who graduated from Yale magna cum laude, is a Rhodes scholar, and she cannot write a coherent paragraph. This is a woman who cannot do historical analysis, and she is a Rhodes scholar? If you want to see the damage done to intelligent women today in the Ivy League, look at that book. It’s a scandal. Naomi Wolf is an intelligent woman. She has been ill-served by her education. But if you read Lacan, this is the result. Your brain turns to pudding. She has a case to make. She cannot make it. She’s full of paranoid fantasies about the world. Her education was completely removed from reality.”

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Camille Paglia

Fonte: Sex, Art and American Culture : New Essays (1992), p. 262

“When in doubt, I read Oscar Wilde.”

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Camille Paglia

Fonte: Sex, Art and American Culture : New Essays (1992), p. xi

“Feminism was always wrong to pretend that women could “have it all.””

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Camille Paglia

It is not male society but mother nature who lays the heaviest burden on woman. No husband or day care can adequately substitute for a mother’s attention. My feminist heroes are the boldly independent and childless Amelia Earhart and Katherine Hepburn, who has been outspoken in her opposition to the delusion of “having it all.”
Fonte: Sex, Art and American Culture : New Essays (1992), p. 89

“Everything great in western culture has come from the quarrel with nature.”

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Camille Paglia livro Sexual Personae

Fonte: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 28

“I don't want special protection for gays or transgender. I'm saying there should be protections for all dissident behavior and speech. Dissidents of every kind.”

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Camille Paglia

In an interview about the book. " Camille Paglia on her controversial feminism https://www.youtube.com/watch?v=69rgLvitaYM" (at 10m35s), CBC News: The National on YouTube, 7 May 2017.
Free Women, Free Men (2017)