Frases de William Styron
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William Clark Styron, Jr. foi um escritor estadunidense.

William Styron ficou famoso por dois romances, As Confissões de Nat Turner, e A Escolha de Sofia. Este último foi adaptado para o cinema no início da década de oitenta, com Meryl Streep interpretando a personagem título, numa atuação antológica que lhe valeu o Óscar de Melhor Atriz. Embora tenham feito enorme sucesso, os dois livros foram bastante criticados, As Confissões de Nat Turner por supostamente 'distorcer' a história dos negros nos EUA, e A Escolha de Sofia por sua abordagem do drama dos judeus durante o Holocausto.

Morreu vitimado por pneumonia. Wikipedia  

✵ 11. Junho 1925 – 1. Novembro 2006   •   Outros nomes ویلیام استیرن, 威廉·斯蒂隆, Вільям Стайрон
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William Styron: 37   citações 0   Curtidas

William Styron frases e citações

“Mas, na minha idade, entupido de literatura inglesa a ponto de me tornar tão exigente como um Matthew Arnold, insistindo que a palavra escrita transmitisse apenas as mais altas verdades e seriedades, eu tratava esses tristes rebentos dos desejos frágeis e solitários de mil desconhecidos com o desprezo abstrato de um macaco catando piolhos do pelo.”

But at my age, with a snootful of English Lit. that made me as savagely demanding as Matthew Arnold in my insistence that the written word exemplify only the highest seriousness and truth, I treated these forlorn offspring of a thousand strangers' lonely and fragile desire with the magisterial, abstract loathing of an ape plucking vermin from his pelt.
"Sophie's Choice: A Novel" - Página 5; de William Styron - Publicado por Random House, 1979; ISBN 0394461096, 9780394461090 - 515 páginas

William Styron: Frases em inglês

“When I was first aware that I had been laid low by the disease, I felt a need, among other things, to register a strong protest against the word “depression.” Depression, most people know, used to be termed “melancholia,” a word which appears in English as early as the year 1303 and crops up more than once in Chaucer, who in his usage seemed to be aware of its pathological nuances. “Melancholia” would still appear to be a far more apt and evocative word for the blacker forms of the disorder, but it was usurped by a noun with a bland tonality and lacking any magisterial presence, used indifferently to describe an economic decline or a rut in the ground, a true wimp of a word for such a major illness. It may be that the scientist generally held responsible for its currency in modern times, a Johns Hopkins Medical School faculty member justly venerated — the Swiss-born psychiatrist Adolf Meyer — had a tin ear for the finer rhythms of English and therefore was unaware of the semantic damage he had inflicted by offering “depression” as a descriptive noun for such a dreadful and raging disease. Nonetheless, for over seventy-five years the word has slithered innocuously through the language like a slug, leaving little trace of its intrinsic malevolence and preventing, by its very insipidity, a general awareness of the horrible intensity of the disease when out of control.
As one who has suffered from the malady in extremis yet returned to tell the tale, I would lobby for a truly arresting designation. “Brainstorm,” for instance, has unfortunately been preempted to describe, somewhat jocularly, intellectual inspiration. But something along these lines is needed. Told that someone’s mood disorder has evolved into a storm — a veritable howling tempest in the brain, which is indeed what a clinical depression resembles like nothing else — even the uninformed layman might display sympathy rather than the standard reaction that “depression” evokes, something akin to “So what?” or “You’ll pull out of it” or “We all have bad days.””

William Styron livro Darkness Visible

The phrase “nervous breakdown” seems to be on its way out, certainly deservedly so, owing to its insinuation of a vague spinelessness, but we still seem destined to be saddled with “depression” until a better, sturdier name is created.
Fonte: Darkness Visible (1990), IV