Frases de Robert Graves

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Robert Graves

Data de nascimento: 24. Julho 1895
Data de falecimento: 7. Dezembro 1985

Robert Von Ranke Graves foi um poeta, romancista e crítico britânico.

Foi o autor de Eu, Cláudio , adaptado à televisão em 1976.

Citações Robert Graves

„Men feared, adored, and obeyed the matriarch; the hearth which she tended in a cave or hut being their earliest social centre, and motherhood their prime mystery.“

—  Robert Graves, livro The Greek Myths
The Greek Myths (1955), Context: Ancient Europe had no gods. The Great Goddess was regarded as immortal, changeless, and omnipotent; and the concept of fatherhood had not been introduced into religious thought. She took lovers, but for pleasure, not to provide her children with a father. Men feared, adored, and obeyed the matriarch; the hearth which she tended in a cave or hut being their earliest social centre, and motherhood their prime mystery. Volume 1, Introduction.

„His wiles were witty and his fame far known,
Every king's daughter sought him for her own,
Yet he was nothing to be won or lost.“

—  Robert Graves
Poems, Context: His wiles were witty and his fame far known, Every king's daughter sought him for her own, Yet he was nothing to be won or lost. All lands to him were Ithaca: love-tossed He loathed the fraud, yet would not bed alone. "Ulysses" from Poems 1930-1933 (1933)<!-- li -->

„None of all the magic hosts,
None remain but a few ghosts
Of timorous heart, to linger on
Weeping for lost Babylon.“

—  Robert Graves
Fairies and Fusiliers (1917), Context: Robin, and Red Riding Hood Take together to the wood, And Sir Galahad lies hid In a cave with Captain Kidd. None of all the magic hosts, None remain but a few ghosts Of timorous heart, to linger on Weeping for lost Babylon. "Babylon"

„He is older than the seas,
Older than the plains and hills,
And older than the light that spills
From the sun's hot wheel on these.“

—  Robert Graves
Country Sentiment (1920), Context: He is older than the seas, Older than the plains and hills, And older than the light that spills From the sun's hot wheel on these. He wakes the gale that tears your trees, He sings to you from window sills. "The God Called Poetry".

„Violent disorders call for violent remedies.
Yet I am, I must remember, Old King Log.
I shall float inertly in the stagnant pool.
Let all the poisons that lurk in the mud hatch out.“

—  Robert Graves
Claudius the God (1935), Context: The frog-pool wanted a king. Jove sent them Old King Log. I have been as deaf and blind and wooden as a log. The frog-pool wanted a king. Let Jove now send them Young King Stork. Caligula's chief fault: his stork-reign was too brief. My chief fault: I have been far too benevolent. I repaired the ruin my predecessors spread. I reconciled Rome and the world to monarchy again. Rome is fated to bow to another Caesar. Let him be mad, bloody, capricious, wasteful, lustful. King Stork shall prove again the nature of kings. By dulling the blade of tyranny I fell into great error. By whetting the same blade I might redeem that error. Violent disorders call for violent remedies. Yet I am, I must remember, Old King Log. I shall float inertly in the stagnant pool. Let all the poisons that lurk in the mud hatch out. Ch. 30.

„Poet, never chase the dream.
Laugh yourself and turn away.
Mask your hunger, let it seem
Small matter if he come or stay“

—  Robert Graves
Fairies and Fusiliers (1917), Context: Poet, never chase the dream. Laugh yourself and turn away. Mask your hunger, let it seem Small matter if he come or stay; But when he nestles in your hand at last, Close up your fingers tight and hold him fast. "A Pinch of Salt".

„The chief trouble with the official style is that it spreads far beyond the formal contexts to which it is suited. Most civil servants, having learned to write in this way, cannot throw off the habit.“

—  Robert Graves
The Reader Over Your Shoulder (1943), Context: The chief trouble with the official style is that it spreads far beyond the formal contexts to which it is suited. Most civil servants, having learned to write in this way, cannot throw off the habit. The obscurity of their public announcements largely accounts for the disrepute into which Departmental activities have fallen: for the public naturally supposes that Departments are as muddled and stodgy as their announcements. The habit of obscurity is partly caused by a settled disinclination among public servants to give a definite refusal even where assent is out of the question; or to convey a vigorous rebuke even where, in private correspondence, any person with self-respect would feel bound to do so. The mood is conveyed by a polite and emasculated style — polite because, when writing to a member of the public, the public servant is, in theory at least, addressing one of his collective employers; emasculated because, as a cog in the Government machine, he must make his phrases look as mechanical as possible by stripping them of all personal feeling and opinion. Ch.4: "The Use and Abuse of Official English"

„Let statesmen bluster, bark and bray,
And so decide who started
This bloody war, and who's to pay,
But he must be stout-hearted,
Must sit and stake with quiet breath,
Playing at cards with Death.“

—  Robert Graves
Fairies and Fusiliers (1917), Context: Let statesmen bluster, bark and bray, And so decide who started This bloody war, and who's to pay, But he must be stout-hearted, Must sit and stake with quiet breath, Playing at cards with Death. Don't plume yourself he fights for you; It is no courage, love, or hate, But let us do the things we do; It's pride that makes the heart be great; It is not anger, no, nor fear — Lucasta he's a Fusilier, And his pride keeps him here. "To Lucasta on Going to the War — For the Fourth Time"

„Wisdom made him old and wary
Banishing the Lords of Faery.“

—  Robert Graves
Fairies and Fusiliers (1917), Context: Wisdom made him old and wary Banishing the Lords of Faery. Wisdom made a breach and battered Babylon to bits: she scattered To the hedges and ditches All our nursery gnomes and witches. "Babylon".

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„Another War soon gets begun,
A dirtier, a more glorious one;
Then, boys, you'll have to play, all in;
It's the cruellest team will win.
So hold your nose against the stink
And never stop too long to think.“

—  Robert Graves
Fairies and Fusiliers (1917), Context: Another War soon gets begun, A dirtier, a more glorious one; Then, boys, you'll have to play, all in; It's the cruellest team will win. So hold your nose against the stink And never stop too long to think. Wars don't change except in name; The next one must go just the same, And new foul tricks unguessed before Will win and justify this War. "The Next War".

„I, Tiberius Claudius Drusus Nero Germanicus … this, that and the other“

—  Robert Graves, livro I, Claudius
I, Claudius (1934), Context: I, Tiberius Claudius Drusus Nero Germanicus … this, that and the other (for I shall not trouble you yet with all my titles), who was once, and not so long ago either, known to my friends and relatives and associates as ‘Claudius the Idiot]’, or ‘That Claudius’, or ‘Claudius the Stammerer’, or ‘Clau-Clau-Claudius’, or at best as ‘Poor Uncle Claudius’, am now about to write this [[strange history of my life; starting from my earliest childhood and continuing year by year until I reach the fateful point of change where, some eight years ago, at the age of fifty-one, I suddenly found myself caught in what I may call the ‘golden predicament’ from which I have never since become disentangled. Ch. 1.

„We forget cruelty and past betrayal,
Heedless of where the next bright bolt may fall.“

—  Robert Graves, livro The White Goddess
Poems, Context: But we are gifted, even in November, Rawest of seasons, with so huge a sense Of her nakedly worn magnificence We forget cruelty and past betrayal, Heedless of where the next bright bolt may fall. "The White Goddess," lines 18–22, from Poems and Satires (1951).

„I am YES and I am NO,
Black as pitch and white as snow,
Love me, hate me, reconcile
Hate with love, perfect with vile,
So equal justice shall be done
And life shared between moon and sun.“

—  Robert Graves
Country Sentiment (1920), Context: Then speaking from his double head The glorious fearful monster said "I am YES and I am NO, Black as pitch and white as snow, Love me, hate me, reconcile Hate with love, perfect with vile, So equal justice shall be done And life shared between moon and sun. Nature for you shall curse or smile: A poet you shall be, my son." "The God Called Poetry".

„I do not love the Sabbath,
The soapsuds and the starch,
The troops of solemn people
Who to Salvation march.“

—  Robert Graves
Country Sentiment (1920), Context: I do not love the Sabbath, The soapsuds and the starch, The troops of solemn people Who to Salvation march. I take my book, I take my stick On the Sabbath day, In woody nooks and valleys I hide myself away. To ponder there in quiet God's Universal Plan, Resolved that church and Sabbath Were never made for man. "The Boy out of Church".

„Children, if you dare to think
Of the greatness, rareness, muchness,
Fewness of this precious only
Endless world in which you say
You live, you think of things like this“

—  Robert Graves
Poems, Context: Children, if you dare to think Of the greatness, rareness, muchness, Fewness of this precious only Endless world in which you say You live, you think of things like this: Blocks of slate enclosing dappled Red and green, enclosing tawny Yellow nets, enclosing white And black acres of dominoes, Where a neat brown paper parcel Tempts you to untie the string. "Warning to Children," lines 1–11, from Poems 1929 (1929).

„Love, Fear and Hate and Childish Toys
Are here discreetly blent“

—  Robert Graves
Country Sentiment (1920), Context: Love, Fear and Hate and Childish Toys Are here discreetly blent; Admire, you ladies, read, you boys, My Country Sentiment. "A First Review".

„But old Death, who can't forget,
Waits his time and watches yet,
Waits and watches by the door.“

—  Robert Graves
Fairies and Fusiliers (1917), Context: Through the window I can see Rooks above the cherry-tree, Sparrows in the violet bed, Bramble-bush and bumble-bee, And old red bracken smoulders still Among boulders on the hill, Far too bright to seem quite dead. But old Death, who can't forget, Waits his time and watches yet, Waits and watches by the door. "The Cottage".

„Though I am a poor old man
Worth very little,
Yet I suck at my long pipe
At peace in the sun,
I do not fret nor much regret
That my work is done.“

—  Robert Graves
Country Sentiment (1920), Context: I am an old man With my bones very brittle, Though I am a poor old man Worth very little, Yet I suck at my long pipe At peace in the sun, I do not fret nor much regret That my work is done. "Brittle Bones".

„Nobody is familiar with his own profile, and it comes as a shock, when one sees it in a portrait, that one really looks like that to people standing beside one.“

—  Robert Graves
Claudius the God (1935), Context: Nobody is familiar with his own profile, and it comes as a shock, when one sees it in a portrait, that one really looks like that to people standing beside one. For one's full face, because of the familiarity that mirrors give it, a certain toleration and even affection is felt; but I must say that when I first saw the model of the gold piece that the mint-masters were striking for me I grew angry and asked whether it was intended to be a caricature. My little head with its worried face perched on my long neck, and the Adam's apple standing out almost like a second chin, shocked me. But Messalina said: "No, my dear, that's really what you look like. In fact, it is rather flattering than otherwise." Ch. 6.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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