Frases de Nadine Gordimer

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Nadine Gordimer

Data de nascimento: 20. Novembro 1923
Data de falecimento: 13. Julho 2014

Publicidade

Nadine Gordimer foi uma escritora sul-africana. É autora de mais de 30 livros, na sua maioria crônicas sobre a deterioração social que afetou a África do Sul durante o regime do apartheid. Desde o romance de estreia, The Lying Days , até The Conservationist , obra com que foi vencedora do Prêmio Man Booker, dedicou-se a dramatizar as difíceis escolhas morais surgidas numa sociedade marcada pela segregação racial.

Recebeu o Nobel de Literatura de 1991 e, mais recentemente, a Legião da Honra, na França. Continua a explorar os problemas que assolam o país em livros como O engate e Beethoven Was One-Sixteenth Black , uma coletânea de contos ainda no prelo.

A escritora foi uma das mais importantes vozes contra o apartheid na África do Sul e, a maior parte dos seus mais de 30 livros, foi focada na situação social do país durante esse período.

Citações Nadine Gordimer

„The truth isn't always beauty, but the hunger for it is.“

— Nadine Gordimer
"Leaving School—II", London Magazine (May 1963)[http://www.thelondonmagazine.org/leaving-school-ii/][http://www.thelondonmagazine.org/wp-content/uploads/2016/08/May-1963-Cover.jpg]

Publicidade

„The best way a writer can serve a revolution is to write as well as he can.“

— Nadine Gordimer
Context: Camus dealt with the question best. He said that he liked individuals who take sides more than literatures that do. 'One either serves the whole of man or does not serve him at all. And if man needs bread and justice, and if what has to be done must be done to serve this need, he also needs pure beauty which is the bread of his heart.' So Camus called for 'Courage in and talent in one's work.' And Márquez redefined tender fiction thus: The best way a writer can serve a revolution is to write as well as he can. I believe that these two statements might be the credo for all of us who write. They do not resolve the conflicts that have come, and will continue to come, to contemporary writers. But they state plainly an honest possibility of doing so, they turn the face of the writer squarely to her and his existence, the reason to be, as a writer, and the reason to be, as a responsible human, acting, like any other, within a social context.

„There are many proven explanations for natural phenomena now; and there are new questions of being arising out of some of the answers. For this reason, the genre of myth has never been entirely abandoned, although we are inclined to think of it as archaic.“

— Nadine Gordimer
Context: There are many proven explanations for natural phenomena now; and there are new questions of being arising out of some of the answers. For this reason, the genre of myth has never been entirely abandoned, although we are inclined to think of it as archaic. If it dwindled to the children's bedtime tale in some societies, in parts of the world protected by forests or deserts from international megaculture it has continued, alive, to offer art as a system of mediation between the individual and being. And it has made a whirling comeback out of Space, an Icarus in the avatar of Batman and his kind, who never fall into the ocean of failure to deal with the gravity forces of life.

„Writing is indeed, some kind of affliction in its demands as the most solitary and introspective of occupations.“

— Nadine Gordimer
Context: I certainly find being the recipient at this celebratory dinner more pleasurable and rewarding than chicken-pox, having now in my life experienced both. But the small girl was not entirely wrong. Writing is indeed, some kind of affliction in its demands as the most solitary and introspective of occupations.

„Being here: in a particular time and place.“

— Nadine Gordimer
Context: Being here: in a particular time and place. That is the existential position with particular implications for literature.

Publicidade

„In the beginning was the Word. The Word was with God, signified God's Word, the word that was Creation. But over the centuries of human culture the word has taken on other meanings, secular as well as religious.“

— Nadine Gordimer
Context: In the beginning was the Word. The Word was with God, signified God's Word, the word that was Creation. But over the centuries of human culture the word has taken on other meanings, secular as well as religious. To have the word has come to be synonymous with ultimate authority, with prestige, with awesome, sometimes dangerous persuation, to have Prime Time, a TV talk show, to have the gift of the gab as well as that of speaking in tongues. The word flies through space, it is bounced from satellites, now nearer than it has ever been to the heaven from which it was believed to have come.

„It is in this sense, this inextricable, ineffable participation, that writing is always and at once an exploration of self and of the world; of individual and collective being.“

— Nadine Gordimer
Context: Like the prisoners incarcerated with the jaguar in Borges' story, 'The God's Script', who was trying to read, in a ray of light which fell only once a day, the meaning of being from the marking on the creature's pelt, we spend our lives attempting to interpret through the word the readings we take in the societies, the world of which we are part. It is in this sense, this inextricable, ineffable participation, that writing is always and at once an exploration of self and of the world; of individual and collective being.

„I have said that nothing factual that I write or say will be as truthful as my fiction. The life, the opinions, are not the work, for it is in the tension between standing apart and being involved that the imagination transforms both.“

— Nadine Gordimer
Context: I have said that nothing factual that I write or say will be as truthful as my fiction. The life, the opinions, are not the work, for it is in the tension between standing apart and being involved that the imagination transforms both. Let me give some minimal account of myself. I am what I suppose would be called a natural writer. I did not make any decision to become one. I did not, at the beginning, expect to earn a living by being read. I wrote as a child out of the joy of apprehending life through my senses — the look and scent and feel of things; and soon out of the emotions that puzzled me or raged within me and which took form, found some enlightenment, solace and delight, shaped in the written word.

„In their global eclecticism they recognize that no single society, no country or continent can presume to create a truly human culture for the world.“

— Nadine Gordimer
Context: What we had to do to find the world was to enter our own world fully, first. We had to enter through the tragedy of our own particular place. If the Nobel awards have a special meaning, it is that they carry this concept further. In their global eclecticism they recognize that no single society, no country or continent can presume to create a truly human culture for the world. To be among laureates, past and present, is at least to belong to some sort of one world.

Publicidade

„The process of standing apart and being involved has come.“

— Nadine Gordimer
Context: With adolescence comes the first reaching out to otherness through the drive of sexuality. For most children, from then on the faculty of the imagination, manifest in play, is lost in the focus on day dreams of desire and love, but for those who are going to be artists of one kind or another the first life-crisis after that of birth does something else in addition: the imagination gains range and extends by the subjective flex of new and turbulent emotions. There are new perceptions. The writer begins to be able to enter into other lives. The process of standing apart and being involved has come.

„Writing is making sense of life. You work your whole life and perhaps you've made sense of one small area.“

— Nadine Gordimer
Interview with Jannika Hurwitt, published in Paris Review, 88 (Summer 1983) 82–127; reprinted in Writers at Work: The Paris Review Interviews, Sixth Series (1984) (the interview took place in two parts: fall 1979/spring 1980)<!-- see Conversations with Nadine Gordimer, Univ. Press of Mississippi, 1990, p. 127-->

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