Frases de Georges Braque

Georges Braque foi um pintor e escultor francês, que fundou o cubismo juntamente com Pablo Picasso.

Braque iniciou a sua ligação às cores na empresa de pintura decorativa de seu pai. A maior parte da sua adolescência foi passada em Le Havre, mas no ano de 1899, mudou-se para Paris onde, em 1906, no Salão dos Independentes, expôs as suas primeiras obras no estilo de formas simples e de cores puras .

No Outono de 1907, conheceu Picasso com quem, se deu quase diariamente até que em 1914, devido à Grande Guerra se separaram.

Braque foi ferido na cabeça em 1915, tendo sido agraciado com a Cruz de Guerra e da Legião de Honra. Durante dois anos, devido ao ferimento esteve afastado da pintura, tendo retornado em 1917 focando-se em naturezas-mortas e pinturas figurativas, sempre dentro de uma formulação cubista. Wikipedia

✵ 13. Maio 1882 – 31. Agosto 1963

Georges Braque photo

Georges Braque: 63 citações1 Curtida

Georges Braque Frases famosas

“O futuro é a projeção do passado, condicionada pelo presente.”

L'avenir est la projection du passé, conditionnée par le présent. <br class="br">G. Braque: Exposition, Galerie Beyeler, Bâle, juillet-septembre 1968. (Catalogue)‎, de Georges Braque, Galerie Beyeler - the Gallery, 1968 - 84 páginas <br class="br">Fonte: Revista Caras http://www.caras.com.br, Edição de Terça-feira, 17 de outubro de 2006.

“A verdade existe. Só a mentira é inventada.”

La vérité existe, on n'invente que le mensonge
G. Braque‎ - Página 1942, de Georges Braque, Kunsthalle Basel - publicado por Kunsthalle Basel, 1954 - 8 páginas

“A arte é para perturbar, e a ciência para tranquilizar.”

l'Art est fait pour troubler, la Science rassure
"Le jour et la nuit, Cahiers, 1917-1952", de Georges Braque, Paris, publicado por Gallimard, 1952, p. 11

“O quadro está acabado quando apagou a idéia que o motivou.”

Le tableau est fini quand il a effacé l'idée
Le Jour et la nuit, Gallimard, 1952.

“Na arte só uma coisa importa: aquilo que não se pode explicar.”

Il n'est en art qu'une chose qui vaille : celle qu'on ne peut expliquer.
Georges Braque citado em "Jean Paulhan à travers ses peintres: Exposition Grand Palais, 1er février-15 avril 1974‎" - Página 174, de André Berne-Joffroy, Galeries nationales du Grand Palais (France) - Éditions des musées nationaux, 1974 - 246 páginas
Atribuídas

“O vaso dá uma forma ao vazio e a música ao silêncio”

Le vase donne une forme au vide et la musique au silence
Georges Braque, citado em "Proust: the creative silence‎" - Página 81, de Angelo Caranfa - Bucknell University Press, 1990, ISBN 0838751652, 9780838751657 - 202 páginas
Atribuídas

Citações de arte de Georges Braque

“A emoção não pode crescer, nem ser imitada; ela representa a semente, a obra de arte representa o botão.”

“A arte é feita para perturbar, a ciência tranqüiliza.”

“A arte é feita para perturbar. A ciência dá-nos segurança.”

Georges Braque frases e citações

“Um procura algo que lhe favoreça as ideias, outro procura algo que as destrua.”

“Temos de nos contentar em descobrir, abstendo-nos de explicar.”

“Não se pode pedir ao artista mais do que ele pode dar, nem ao crítico mais do que ele pode ver.”

“Não é o objetivo que tem interesse, são os meios para o alcançar.”

Variante: Não é o objectivo que tem interesse, são os meios para o alcançar.

“Em busca do destino a pessoa descobre-se a si mesma.”

“A verdade existe. Apenas se inventa a mentira.”

“Não é o fim que é interessante, mas os meios para lá chegar.”

“Para mim o ato de pintar é sempre mais importante do que a coisa pintada.”

Variante: Para mim o acto de pintar é sempre mais importante do que a coisa pintada.

“As aspirações de cada época são limitadas: daí a ilusão do progresso.”

“Quando se apela ao talento, é porque falta a imaginação.”

“Não faço o que quero; faço o que posso.”

Georges Braque: Frases em inglês

“Evidence exhausts the truth.”

Help us translate this quote

as quoted in Conversations with Samuel Beckett and Bram van Velde, ed. Charles Juliet, First Dalkey Archive edition, 2009, London and Champaign pp. 60-61
posthumous quotes

“It is the limitation of means that determine style, gives rise to new forms and makes creativity possible.”

Help us translate this quote

1921 - 1945

“Whatever is valuable in painting is precisely what one is incapable of talking about.”

Help us translate this quote

two quotes by Braque, in 'Les Problèmes de la Peinture', interview with Gaston Diehl Paris 1945
1921 - 1945

“You put a blob of yellow here, and another at the further edge of the canvas: straight away a rapport is established between them. Colour acts in the way that music does, if you like... There is more sensitivity in technique than in the rest of the picture.”

Help us translate this quote

Fonte: 1946 - 1963, Cahiers d'art', 1954, p. 16

“Colour could give rise to sensations which would interfere with our [Braque & Picasso's, in the start of Cubism] conception of space.”

Help us translate this quote

Fonte: posthumous quotes, Braque', (1968), p. 55

“One day I noticed that I could go on working art my motif no matter what the weather might be. I no longer needed the sun, for I took my light everywhere with me.”

Help us translate this quote

Fonte: posthumous quotes, Braque', (1968), p. 30 - Braque's quote from the book, written by John Rusell, London 1959

“It is the act of painting, not the finished painting.”

Help us translate this quote

1946 - 1963, interview with John Richardson' (1957)

“At that time I was very friendly with Picasso. Our temperaments were very different, but we had the same idea. Later on it became clear, Picasso is Spanish and I am French; as everyone knows that mean a lot of differences, but during those days the differences did not count… We were living in Montmartre, we used to meet every day, we used to talk... In those years Picasso and I said things to each other that nobody will ever say again, that nobody could say any more... It was rather like a pair of climbers roped together.”

Help us translate this quote

Fonte: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264 - Braque's quote is referring to the early common starting years of Cubism in Paris with Picasso, ca. 1907 -1910

“If we had never met Picasso, would Cubism have been what it is? I think not. The meeting with Picasso was a circumstance in our lives.”

Help us translate this quote

Fonte: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265

“What greatly attracted me – and it was the main line of advance of Cubism – was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still life's, because in nature there is a tactile, I would almost say a manual space. I wrote about this moreover 'When a still-life is no longer within reach, it ceases to be a still-life…'. For me that expressed the desire I have always had to touch a thing, not just to look at it. It was that space that attracted me strongly, for that was the earliest Cubist painting – the quest for space.”

Help us translate this quote

Fonte: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264

“The only valid thing in art is that which cannot be explained. To explain away the mystery of a great painting – if such a feat were possible – would be irreparable harm… If there is no mystery then there is no 'poetry', the quality I value above all else in art. What do I mean by 'poetry'? It is to a painting what life is to man… For me it is a matter of harmony, of rapports, of rhythm and – most important for my own work – of 'metamorphosis”

Help us translate this quote

1946 - 1963, interview with John Richardson' (1957)

“I considered that the painter's personality should be kept out of things, and therefore pictures should be anonymous. It was I who decided that pictures should not be signed, and for a time Picasso did the same. I thought that from the moment someone else could do the same as myself, there was no difference between the pictures and they should not be signed. Afterwards I realized it was not so and began to sign my pictures again. Picasso had begun again anyhow. I realized that one cannot reveal oneself without mannerism, without some evident trace of one's personality. But all the same one should not go too far in that direction..”

Help us translate this quote

Fonte: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265

“…when objects shattered into fragments appeared in my painting about 1909; this for me was a way of getting closest to the object... Fragmentation helped me to establish space and movement in space.”

Help us translate this quote

Fonte: posthumous quotes, Braque', (1968), p. 55

“When we were so friendly with Picasso, there was a time when we had difficulty in recognizing our own pictures. Later, when the revelation went deeper, differences appeared. Revelation is the one thing that cannot be taken from you. But before the revelation took place, there was still a marked intention of carrying painting in a direction that could re-establish the bond between Picasso and ourselves.”

Help us translate this quote

Braque is referring in this quote to the early common start of Cubism ca. 1907 -1910, in Paris with Picasso
Fonte: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265

“Take the birds which you'll have noticed in so many of my recent paintings. I never thought them up, they just materialized of their own accord, they were born on the canvas; that is why it is absurd to read any sort of symbolic significance into them.”

Help us translate this quote

1946 - 1963, interview with John Richardson' (1957)

“I will try to explain what I mean by metamorphosis. For me no object can be tied down to any sort of reality. A stone may be part of a wall, a piece of sculpture, a lethal weapon, a pebble on a beach or anything else you like.... when you ask me whether a particular in one of my paintings depicts a woman's head, a fish, a vase, a bird, or all four at once, I can't give you a categorical answer, for this 'metamorphosic' confusion is fundamental to the poetry.”

Help us translate this quote

1946 - 1963, interview with John Richardson' (1957)

“By using a white paint applied to the canvas I make a napkin. But I am sure the white shape is something conceived before knowing what it was to become. This means that a certain transformation has taken place... In a painting, what counts is the unexpected.”

Help us translate this quote

Quote by Braque, from 'Le Monologue du Peintre', George Charbonnier, Paris 1959
1946 - 1963

“We [ Picasso and Braque], were living in Montmartre, we saw each other every day.... We were like two mountaineers roped together.”

Help us translate this quote

[Braque refers to their common years in Paris, c. 1907 - 1912]
Fonte: posthumous quotes, Braque', (1968), p. 10

“To avoid a projection towards infinity I am interposing overlaid planes a short way off. To make it understood that things are in front of each other instead of being scattered in space.”

Help us translate this quote

Quote from: 'Entretien avec Jauqes Lassaigne' - 1961; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 94
1946 - 1963

“I would say that it was 'poetry' which distinguishes the cubist paintings which Picasso and I arrived at intuitively from the lifeless sort of painting which those who followed us tried, with such unfortunate results, to arrive at theoretically.”

Help us translate this quote

1946 - 1963, interview with John Richardson' (1957)

“Tactile space separates us from objects, as opposed to visual space, which separates objects from one another. I have spent my life trying to paint the former kind.”

Help us translate this quote

Quote of Braque to John Richardson, in 'Braque Discusses His Art', in 'Realités', no. 93, August 1958, p. 28
1946 - 1963

“There are certain mysteries, certain secrets in my own work, which even I don't understand, nor do I try to do so.... Critics should help people see for themselves; they should never try to define things, or impose their own explanations, though I admit that if – as nearly always happens – a critic's explanations serve to increase the general obscurity that’s all to the good. French poets are particularly helpful in this respect.”

Help us translate this quote

1946 - 1963, interview with John Richardson' (1957)

“What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].... was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space... This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.... In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.”

Help us translate this quote

Fonte: posthumous quotes, Braque', (1968), p. 41

“I couldn't portray a women in all her natural loveliness.... I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.”

Help us translate this quote

Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34 <br class="br">1908 - 1920

“I started to introduce letters into my pictures [his first collage art]. These were forms which could not be deformed, because, being two-dimensional, they existed outside three-dimensional space; their inclusion in a picture allowed a distinction to be made between objects which were situated in space and those which belonged outside space”

Help us translate this quote

the letters
Fonte: posthumous quotes, Braque', (1968), p. 68

“The arts which achieve their effect through purity have never been arts that were good for everything. Greek sculpture (among others) with its decadence, teaches us this.”

Help us translate this quote

Fonte: 1908 - 1920, quotes from Artists on Art...(1972), p. 422 - Braque's quote, Paris 1917

“In art progress does not consist in extension, but in the knowledge of limits.
Limitation of means determines style, engenders new form, and give impulses to creation.
Limited means often constitute the charm and force of primitive painting. Extension, on the contrary, leads the arts to decadence.
New means, new subjects.
The subject is not the object; it is a new unity, a lyricism which grows completely from the means.”

Help us translate this quote

Fonte: 1908 - 1920, quotes from Artists on Art...(1972), p. 423 - short quotes by Georges Braque on 'Means' - Paris, 1917

“Picasso and I said things to each other during those particular years [c. 1908 -1913] that nobody would any longer know how to say, that nobody would be able to understand any.... things that would be incomprehensible, and which gave us so much pleasure.”

Help us translate this quote

Fonte: 1946 - 1963, Cahiers d'art', 1954, p. 14 - In: 'Braque, la peinture et nous'

“If I have called Cubism a new order, it is without any revolutionary ideas or any reactionary ideas... One cannot escape form one's own epoch, however revolutionary one may be. I do not think my painting has ever been revolutionary. It was not directed against any kind of painting. I have never wanted to prove that I was right and someone else wrong... If there is a touch of reaction, since life imposes that, it is minute. And then it is so difficult to judge a thing historically, separated from its environment: it is the relationship between a man and what he does that counts. That's what good and touches us.”

Help us translate this quote

Fonte: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265

“Whatever is in common is true; but likeness is false. Trouillebert's work bears a likeness to that of Corot, but they have nothing in common.”

Help us translate this quote

Braque admired Corot and frequently used Corot's young country-ladies as models, for instance in his painting 'Souvenirs de Corot' he made in 1922/23
Fonte: 1921 - 1945, p. 96 - quote of Braque from 'Cahiers d'art', No. 10, 1935, ed. Christian Zervos - quote of Braque is referring to Corot's impact on his painting art