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Czesław Miłosz foi um poeta, romancista e ensaísta de língua polonesa.

Milosz nasceu em família de ascendência polonêsa na Lituânia, quando o país ainda pertencia ao Império Russo. Cresceu em Vilna, onde cumpriu parte dos estudos, outra parte na Polônia. Viveu em Paris , período em que absorveu as ideias estéticas e políticas dos círculos de vanguarda. Para ele, escrever sempre foi um ato político. Suas primeiras obras prevêem a iminência de um cataclismo internacional e o torna líder da escola catastrofista de poesia polonesa.Durante a Segunda Guerra Mundial, Milosz passou à clandestinidade e combateu as forças de ocupação nazistas em Varsóvia: publicou poemas de resistência, como Canção Invencível. Após o conflito, foi adido cultural do novo governo comunista da Polônia, mas, em 1951, desiludido com o regime, desertou para Paris. Em 1953, publicou A Mente Cativa, uma coletânea de ensaios sobre a submissão dos intelectuais poloneses ao comunismo. Em 1960, o poeta emigrou para os Estados Unidos, onde continuou ponderando sobre a fragilidade, crueldade e a corruptibilidade humana.Em reconhecimento por seu pensamento humanista sobre a liberdade, a consciência e o "poder do totalitarismo sobre corpos e mentes", foi laureado com o Nobel de Literatura de 1980. Wikipedia  

✵ 30. Junho 1911 – 14. Agosto 2004   •   Outros nomes 米禾舒, Milosh Cheslav, چسلاو میلوش
Czesław Miłosz photo
Czesław Miłosz: 107   citações 1   Curtida

Czesław Miłosz frases e citações

“Somos feitos assim, metade contemplação desinteressada e metade apetite.”

Czesław Miłosz

że jesteśmy tak ulepieni, w połowie z bezinteresownej kontemplacji, iw połowie z apetytu.
Czesław Miłosz citado em "Moje spotkania z Czesławem Miłoszem‎" - Página 207, de Ryszard Matuszewski - Publicado por Wydawn. Literackie, 2004, ISBN 8308036287, 9788308036280 - 239 páginas

Czesław Miłosz: Frases em inglês

“He returns years later, has no demands.
He wants only one, most precious thing:
To see, purely and simply, without name,
Without expectations, fears, or hopes,
At the edge where there is no I or not-I.”

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Czeslaw Milosz

“Now I am not ashamed of my defeat.
One murky island with its barking seals
Or a parched desert is enough
To make us say: yes, oui, si.”

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Czeslaw Milosz

"A Magic Mountain" (1975), trans. Czesław Miłosz and Lillian Vallee
Hymn of the Pearl (1981)

“How is it, Chloe, that your pretty skirt
Is torn so badly by the winds that hurt
Real people, you who, in eternity, sing
The hours, sun in your hair appearing
And disappearing? How is that your breasts
Are pierced by shrapnel, and the oak groves burn,
While you, charmed, caring not at all, turn
To run through forests of machinery and concrete
And haunt us with the echoes of your feet?”

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Czeslaw Milosz

"A Book in the Ruins" (1941)
Rescue (1945)

“And the city stood in its brightness when years later I returned,
My face covered with a coat though now no one was left
Of those who could have remembered my debts never paid,
My shames not eternal, base deeds to be forgiven.
And the city stood in its brightness when years later I returned.”

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Czeslaw Milosz

"And the City Stood in Its Brightness" (1963), trans. Czesław Miłosz and Peter Dale Scott
Bobo's Metamorphosis (1965)

“I swear, there is in me no wizardry of word.
I speak to you with silence like a cloud or a tree.”

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Czeslaw Milosz

Przysięgam, nie ma we mnie czarodziejstwa słów.
Mówię do ciebie milcząc, jak obłok czy drzewo.
"Dedication" (1945); quoted in Conversant Essays : Contemporary Poets on Poetry (1990) edited by James McCorkle, p. 69

“And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels' trumps
Do not believe it is happening now.”

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Czeslaw Milosz

"A Song On the End of the World"

“And if there is no lining to the world?
If a thrush on a branch is not a sign,
But just a thrush on the branch? If night and day
Make no sense following each other?”

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Czeslaw Milosz

"Meaning" (1991)

“What is this enigmatic impulse that does not allow one to settle down in the achieved, the finished? I think it is a quest for reality.”

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Czeslaw Milosz

Nobel lecture (8 December 1980)

“Long into the night we were walking on the Piazza del Duomo.
He: That I was too politicized.
And I answered him more or less as follows:If you have a nail in your shoe, what then?
Do you love that nail? Same with me.
I am for the moon amid the vineyards
When you see high up the snow on the Alps.”

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Czeslaw Milosz

"In Milan" (1955), trans. Czesŀaw Miŀosz and Robert Hass
King Popeil and Other Poems (1962)

“And space, what it is like? Is it mechanical,
Newtonian? A frozen prison?
Or the lofty space of Einstein, the relation
Between movement and movement? No reason to pretend
I know. I don't know, and if I did,
Still my imagination is a thousand years old.”

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Czeslaw Milosz

" An Appeal" (1954)
From the Rising of the Sun (1974)

“I liked beaches, swimming pools, and clinics
for there they were the bone of my bone, flesh of my flesh.
I pitied them and myself, but this will not protect me.
The word and the thought are over.”

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Czeslaw Milosz

"They Will Place There Telescreens" (1964), trans. Czesŀaw Miŀosz
Bobo's Metamorphosis (1965)

“You are a tongue of the debased,
of the unreasonable, hating themselves
even more than they hate other nations,
a tongue of informers,
a tongue of the confused,
ill with their own innocence.But without you, who am I?
Only a scholar in a distant country,
a success, without fears and humiliations.
Yes, who am I without you?
Just a philosopher, like everyone else.”

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Czeslaw Milosz

"My Faithful Mother Tongue" (1968), trans. Czesŀaw Miŀosz and Robert Pinsky
City Without a Name (1969)

“I will neither resurrect the past nor return.
Sleep, Romeo, Juliet, on your headrest of stone feathers.
I won't raise your bound hands from the ashes.
Let the cat visit the deserted cathedrals,
its pupil flashing on the altars. Let an owl
nest on the dead ogive.”

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Czeslaw Milosz

"Farewell" (1945), trans. Renata Gorczynski and Robert Hass
Rescue (1945)

“I knew that I would speak in the language of the vanquished
No more durable than old customs, family rituals,
Christmas tinsel, and once a year the hilarity of carols.”

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Czeslaw Milosz

"1945" (1985), trans. Czesław Miłosz and Robert Hass
New Poems (1985-1987)

“Earth, what have I to do with thee?
With your meadows where dumb beasts
Grazed before the deluge without lifting their heads?
What have I to do with your implacable births?
So why this gracious melancholia?
Is it because anger is no use?”

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Czeslaw Milosz

"A Portal" (1976), trans. Czesław Miłosz and Robert Hass
Hymn of the Pearl (1981)

“Wherever he steps, there always
Endures traced in sand
A large-toed footprint
Which clamors to be tried out
By his childish foot arriving
From the virgin forests.”

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Czeslaw Milosz

"Birth" (1947)
Daylight (1953)

“For a country without a past is nothing, a word
That, hardly spoken, loses its meaning,
A perishable wall destroyed by flame,
An echo of animal emotions.”

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Czeslaw Milosz

"A Legend" (1949), trans. Czesŀaw Miŀosz and Robert Hass
Daylight (1953)

“It is impossible to communicate to people who have not experienced it the undefinable menace of total rationalism.”

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Czeslaw Milosz livro The Captive Mind

The Captive Mind (1953)

“Only when two times, two forms are drawn
Together and their legibility
Disturbed, do you see that immortality
Is not very different from the present
And is for its sake. You pick a fragment
Of grenade which pierced the body of a song
On Daphnis and Chloe.”

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Czeslaw Milosz

"A Book in the Ruins" (1941), trans. Renata Gorczynski and Robert Hass
Rescue (1945)

“When I die, I will see the lining of the world.
The other side, beyond bird, mountain, sunset.”

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Czeslaw Milosz

"Meaning" (1991)

“I was left behind with the immensity of existing things. A sponge, suffering because it cannot saturate itself; a river, suffering because reflections of clouds and trees are not clouds and trees.”

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Czeslaw Milosz

"Esse" (1954), trans. Czesław Miłosz and Robert Pinsky
Uncollected Poems (1954-1969)

“Even if that is so, there will remain
A word wakened by lips that perish,
A tireless messenger who runs and runs
Through interstellar fields, through the revolving galaxies,
And calls out, protests, screams.”

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Czeslaw Milosz

"Meaning" (1991)

“Leaves glowing in the sun, zealous hum of bumblebees,
From afar, from somewhere beyond the river, echoes of lingering voices
And the unhurried sounds of a hammer gave joy not only to me.
Before the five senses were opened, and earlier than any beginning
They waited, ready, for all those who would call themselves mortals,
So that they might praise, as I do, life, that is, happiness.”

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Czeslaw Milosz

"An Hour" (1972), trans. Czesŀaw Miłosz and Lillian Vallee
From the Rising of the Sun (1974)

“The masses in highly industrialized countries like England, the United States, or France are largely de-Christianized. Technology, and the way of life it produces, undermines Christianity far more effectively than do violent measures.”

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Czeslaw Milosz livro The Captive Mind

The Captive Mind (1953)

“Every poet depends upon generations who wrote in his native tongue; he inherits styles and forms elaborated by those who lived before him. At the same time, though, he feels that those old means of expression are not adequate to his own experience.”

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Czeslaw Milosz

Nobel lecture http://nobelprize.org/nobel_prizes/literature/laureates/1980/milosz-lecture-en.html (8 December 1980)

“I have no wisdom, no skills, and no faith
but I received strength, it tears the world apart.
I shall break, a heavy wave, against its shores
and a young wave will cover my trace.”

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Czeslaw Milosz

"Hymn" (1935), trans. by Czesŀaw Miŀosz
Three Winters (1936)

“It's true that what is morbid is highly valued today,
and so you may think that I am only joking
or that I've devised just one more means
of praising Art with the help of irony.”

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Czeslaw Milosz

"Ars Poetica?"

“They say somebody has invented you
but to me this does not sound convincing
for humans invented themselves as well.”

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Czeslaw Milosz

"On Angels"