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Frases de August Macke

August Macke foi um pintor expressionista alemão.

✵ 3. Janeiro 1887 – 26. Setembro 1914
August Macke photo
August Macke: 10   citações 1   Curtida

August Macke frases e citações

“Era o desejo de viver, expressão vital … que construiu catedrais góticas, que criou sonatas de Mozart. Eu acredito que vai ficar assim por muito tempo.”

August Macke

It was the desire for living,vital expression.. ..which built Gothic cathedrals, which created Mozart sonatas. I believe it is going to stay that way for long time to come.
Fonte: 'The New Program' (1914) - apareceu pela primeira vez no Das neue Program, Kunst und Künstler 12. (março de 1914)

Tempo , Vai

“Acabei de pensar que o Blaue Reiter (Blue Rider) não representa o meu trabalho. Eu sempre fui convencido de que outras coisas minhas são mais importantes … O narcizismo, o heroísmo falso e a cegueira têm muito para responder, no Blaue Reiter. Todas essas palavras de alto som sobre o nascimento de um grande momento espiritual ainda ressoam em meus ouvidos. Kandinsky pode transmitir sua opinião pessoal sobre isso ou qualquer outra revolução que ele se preocupe em mencionar. Mas eu não gosto da coisa toda.... Tome meu conselho - trabalhe, e não passei tanto tempo pensando em cavaleiros azuis ou cavalos azuis.”

August Macke

I have just been thinking that the Blaue Reiter (Blue Rider) does not really represent my work. I have always been convinced that other things of mine are more important.. .Narcism, fake heroism, and blindness have a lot to answer for, in the Blaue Reiter. All those high-sounding words about the birth of a great spiritual moment still resounding in my ears. Kandinsky can air his personal opinion about that or any other revolution he cares to mention. But I dislike the whole thing.. ..Take my advice – work, and don’t spent so much time thinking about blue riders or blue horses.
Em uma carta a seu amigo Franz Marc (janeiro de 1912), citado em 'Meseure 38'; como citado em Moviment, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, 14 de setembro de 2004, p. 73, (nota 19)

Nascimento , Cavalo , Pensando , Tempo

August Macke: Frases em inglês

“I have been in Munich this week, and got to know the whole 'Neue Künstlervereinigung' at [gallery] Tannhauser's – Jawlensky, Kandinsky etc... For Munich they are very, very good, I was interested.”

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August Macke

Quote in Macke's letter to Franz Marc, September 1910; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 137

“Cubism, Futurism, Expressionism, abstract painting, are only names given to a change which our artistic thinking wants to make and is thinking. Nobody has ever painted fallen raindrops suspended in the air, they've always been depicted as streaks (even the cave-men drew herds of reindeer in the same way). Now people are painting cabs rattling, lights flickering, people dancing, all-in the same way (this is how we all see movement). That is thew whole frightfully simple secret of Futurism. Its very easy to prove its artistic feasibility, for all the philosophizing that has been raised against it. Space, surface and time are different things, which ought not to be mixed together, is the continuous cry. If only it were possible to separate them. I can't do it.”

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August Macke

in a letter to philosopher de:Eberhard Grisebach, March 1913; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, pp. 144-45

“It was the desire for living, vital expression.... which built Gothic cathedrals, which created Mozart sonatas. I believe it is going to stay that way for long time to come.”

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August Macke

In 'The New Program' (1914) - first appeared in Das neue Program, Kunst und Künstler 12. (March 1914)

“The new discovery that I have made in painting is the following. There are chords of colors, let's say a certain red and green, which move, shimmer when you look at them. Now if you're looking at a tree in a landscape, you can either look at the tree, or at the landscape, but not both, because of the stereoscopic effect. Now, when you are painting something three-dimensional, the chromatic sound which shimmers is the three-dimensional effect of colour, and when you paint a landscape, and the green foliage shimmers a little with the blue sky showing through it, that happens because the green is on a different plane from the sky in nature too. Finding the space-shaping energies of colour, instead of contenting ourselves with a dead chiaroascuro, is our finest task.”

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August Macke

in a letter to artist de:Hans Thuar, 1913, from Lake Thun in Switzerland; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145

“He Robert Delaunay gives movement itself [in his pictures], the Futurists only illustrate movement..”

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August Macke

c. 1913; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145
Macke visited Delaunay in 1912, in Paris, and Robert Delaunay came to Macke in Bonn, 1913

“I have just been thinking that the Blaue Reiter (Blue Rider) does not really represent my work. I have always been convinced that other things of mine are more important… Narcism, fake heroism, and blindness have a lot to answer for, in the 'Blaue Reiter'. All those high-sounding words about the birth of a great spiritual moment still resounding in my ears. Kandinsky can air his personal opinion about that or any other revolution he cares to mention. But I dislike the whole thing… Take my advice – work, and don't spent so much time thinking about blue riders or blue horses.”

Help us translate this quote
August Macke

In a letter to his friend Franz Marc (Jan. 1912), quoted in 'Meseure 38'; as quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 73, (note 19)

“I have been to [gallery] Hagen, saw two Matisses, which enchanted me. A large collection of Japanese masks. Sublime! 'Neue [Künstler] Vereinigung' were hung in a bad light.... Kandinsky, Jawlensky, Bechteleff and Erbslöh have immense artistic sensibility. But the means of expression are to big for what they have to say. The sound of their voice is so good, so fine, that what is being said get lost. Consequently a human element is missing. They concentrate, too much, I think, on form. There is much to be learnt from their efforts. But early things by Kandinsky, and a few by Jawlensky too, seem a little empty to me. And Jawlensky's heads looked at me a little bit too much with colors. With blue and green. I hope you understand what I mean.”

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August Macke

in a letter to Franz Marc, 26 December 1910; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 137

“Time' has a large part to play in looking at a picture. A picture (a stupid empty surface to begin with) gets covered in the course of its creation by a rhythmically measured network of colors, lines and dots, which evokes in its final form a total of living movement. The eye jumps from a blue to red, to green (even if there is only a change of form), to a black line, suddenly comes upon a sharp white eruption, follows it, floats on to... It is impossible to take it all-in at once. Time is inseparable from surface.”

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August Macke

Quote in Macke's letter to philosopher de:Eberhard Grisebach, March 1913; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145