Frases de Andrei Tarkovski

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Andrei Tarkovski

Data de nascimento: 4. Abril 1932
Data de falecimento: 29. Dezembro 1986
Outros nomes: Andrej Arseňjevič Tarkovskij

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Andrei Arsenyevich Tarkovski foi um cineasta russo, nascido na então União Soviética.

Citações Andrei Tarkovski

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„Show them life, and they'll find within themselves the means to assess and appreciate it.“

—  Andrei Tarkovsky, livro Sculpting in Time
Sculpting in Time (1986), Context: Never try to convey your idea to the audience — it is a thankless and senseless task. Show them life, and they'll find within themselves the means to assess and appreciate it. p. 152

„The artist is always the servant, and is perpetually trying to pay for the gift that has been given to him as if by a miracle. Modern man, however, does not want to make any sacrifice, even though true affirmation of the self can only be expressed in sacrifice.“

—  Andrei Tarkovsky, livro Sculpting in Time
Sculpting in Time (1986), Context: Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken the wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own sake. What purports to be art begins to looks like an eccentric occupation for suspect characters who maintain that any personalised action is of intrinsic value simply as a display of self-will. But in an artistic creation the personality does not assert itself it serves another, higher and communal idea. The artist is always the servant, and is perpetually trying to pay for the gift that has been given to him as if by a miracle. Modern man, however, does not want to make any sacrifice, even though true affirmation of the self can only be expressed in sacrifice. We are gradually forgetting about this, and at the same time, inevitably, losing all sense of human calling. p. 38

„Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken the wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own sake.“

—  Andrei Tarkovsky, livro Sculpting in Time
Sculpting in Time (1986), Context: Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken the wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own sake. What purports to be art begins to looks like an eccentric occupation for suspect characters who maintain that any personalised action is of intrinsic value simply as a display of self-will. But in an artistic creation the personality does not assert itself it serves another, higher and communal idea. The artist is always the servant, and is perpetually trying to pay for the gift that has been given to him as if by a miracle. Modern man, however, does not want to make any sacrifice, even though true affirmation of the self can only be expressed in sacrifice. We are gradually forgetting about this, and at the same time, inevitably, losing all sense of human calling. p. 38

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„Art must must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith.“

—  Andrei Tarkovsky, livro Sculpting in Time
Sculpting in Time (1986), Context: Art must must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith. And the more hopeless the world in the artist's version, the more clearly perhaps must we see the ideal that stands in opposition — otherwise life becomes impossible! Art symbolises the meaning of our existence. p. 192

„What is the essence of the director's work? We could define it as sculpting in time.“

—  Andrei Tarkovsky, livro Sculpting in Time
Sculpting in Time (1986), Context: What is the essence of the director's work? We could define it as sculpting in time. Just as a sculptor takes a lump of marble, and, inwardly conscious of the features of his finished piece, removes everything that is not a part of it — so the film-maker, from a 'lump of time' made up of an enormous, solid cluster of living facts, cuts off and discards whatever he does not need, leaving only what is to be an element of the finished film, what will prove to be integral to the cinematic image. p. 63-4

„Conscience, both as a sense and as a concept, is a priori immanent in man, and shakes the very foundations of the society that has emerged from our ill-conceived civilisation.“

—  Andrei Tarkovsky, livro Sculpting in Time
Sculpting in Time (1986), Context: Freedom is inseparable from conscience. And even if it is true that all the ideas developed by the social conciousness are the product of evolution, conscience at least has nothing to do with the historic process. Conscience, both as a sense and as a concept, is a priori immanent in man, and shakes the very foundations of the society that has emerged from our ill-conceived civilisation. p. 234

„Perhaps the meaning of all human activity lies in the artistic consciousness, in the pointless and selfless creative act?“

—  Andrei Tarkovsky, livro Sculpting in Time
Sculpting in Time (1986), Context: Perhaps the meaning of all human activity lies in the artistic consciousness, in the pointless and selfless creative act? Perhaps our capacity to create is evidence that we ourselves were created in the image and likeness of God? p. 241

„Art is realistic when it strives to express an ethical ideal. Realism is striving for truth, and truth is always beautiful.“

—  Andrei Tarkovsky, livro Sculpting in Time
Sculpting in Time (1986), Context: Art is realistic when it strives to express an ethical ideal. Realism is striving for truth, and truth is always beautiful. Here the aesthetic coincides with the ethical. p. 113

„I had the greatest difficulty in explaining to people that there is no hidden, coded meaning in the film, nothing beyond the desire to tell the truth. Often my assurances provoked incredulity and even disappointment. Some people evidently wanted more: they needed arcane symbols, secret meanings.“

—  Andrei Tarkovsky, livro Sculpting in Time
Sculpting in Time (1986), Context: [About Mirror] I had the greatest difficulty in explaining to people that there is no hidden, coded meaning in the film, nothing beyond the desire to tell the truth. Often my assurances provoked incredulity and even disappointment. Some people evidently wanted more: they needed arcane symbols, secret meanings. They were not accustomed to the poetics of the cinema image. And I was disappointed in my turn. Such was the reaction of the opposition party in the audience; as for my own colleagues, they launched a bitter attack on me, accusing me of immodesty, of wanting to make a film about myself. p. 133

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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