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Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public.
The Art of the Theatre (1925), p. 171

“Um homem sem um país é um exilado no mundo; um homem sem Deus é um órfão na eternidade.”
A man without a country is an exile in the world, and a man without God is an orphan in eternity.
Henry van Dyke, citado em "The Missionary review of the world" - vol. 26, página 528, de Royal Gould Wilder, James Manning Sherwood - Missionary Review Publishing Co., 1903