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Veda Vyasa , filho do notável maharishi Parashara, é uma figura central de devoção na maioria das tradições hinduístas. É considerado o autor do famoso poema épico hindu “Mahabharata” que pode ser tomado como uma espécie de autobiografia de Vyasa, narrando a sua história pessoal e da guerra fratricida entre os seu netos, os Pandavas e os Kauravas.

Vyasa é reverenciado como o divisor dos Vedas na versão dos nossos dias. Foi o supervisor e editor de toda a vasta literatura védica atual tanto dos shruti quanto dos smirti .

Diz a tradição hindu que em um período de tempo de 4,2 milhões de anos ocorrem quatro yugas ou ciclos de criação material, de duração variável, conforme o ciclo. O período inicial é de 1,8 milhão de anos e a escritura sagrada é única, não é escrita, e todos a conhecem perfeitamente, uma vez que o intelecto humano nessa era é cem mil vezes o da era atual. O período subsequente se estende por 1,2 milhão de anos e é chamado Era de Prata ou Tetra-yuga, nesse período surge a civilização e a escrita, a escritura sagrada, o Veda passa a ter registro escrito dos seus hinos e o registro é necessário devido à degradação da memória, que é ainda dez mil vezes maior do que a de um ser humano atual.

A era que se segue é a Era de Bronze ou Dvapara-yuga, que dura oitocentos mil anos, e a escritura sagrada, o Veda, recebe todos os registros escritos, uma vez que a memória se degrada ainda mais e ainda assim, é cerca de mil vezes a de uma pessoa atual.

A quarta e última era é a Era de Ferro ou kali-yuga, onde a memória é ínfima e a escritura sagrada original, o Veda, jamais pode ser aprendida em uma única versão, dada à pequena inteligência dos humanos. Sendo assim, em toda a Kali-yuga surge um Vyasa, ou sábio divisor do Veda, que divide a literatura védica em quatro Vedas e também nos textos corolários.

Na última Kali-yuga, o sábio divisor dos Vedas foi Parashara Muni, pai do atual divisor, Krishna Dvapayana Vyasa. Wikipedia  

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Vyãsa frases e citações

“É oportuno fazer-se temeroso enquanto o perigo estiver distante, mas, ao vê-lo aproximar-se, é preciso combatê-lo sem medo.”

Vyãsa

no épico Mahãbhãrata.
Fonte: Revista Caras, Edição 664

De medo , Distante

“O relógio não conta nas horas felizes.”

Vyãsa

Vyãsa: Frases em inglês

“The gods, the Rishis and the Siddhas become visible to him who is given to study, and they do take part in his work.”

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Vyasa

in p, 173.
Sources, The Yoga Darsana Of Patanjali With The Sankhya Pravacana Commentary Of Vyasa

“The happiness which comes from long practice, which leads to the end of suffering, which at first is like poison, but at last like nectar - this kind of happiness arises from the serenity of one's own mind.”

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Vyasa

Sources, Veda Vyasa Maharshi

“Pain is removed on the removal of the cause of pain. In the removal of pain consists the establishment of the Purusa in its own nature. What then is the means of attaining the state of this removal of pain? Discriminative knowledge undisturbed is the means of removal.”

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Vyasa

In p. 151
Sources, The Yoga Darsana Of Patanjali With The Sankhya Pravacana Commentary Of Vyasa

“Guru Purnimma is also called Vyasa Purnimna. On this day Bhagavan Veda Vyasa was born to sage Parashara and a fisherwoman. On this day Bhagavan Vedavyasa is said to have commenced the great work Brahma Sutra. Hence this day is also dedicated to the study of Brahma Sutra. He represents the entire Guru Parampara and he is worshipped very well.”

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Vyasa

Anonymous, in Awakening Indians to India http://books.google.co.in/books?id=AIU4LzftaPAC&pg=PA167, p. 167.

“Veda Vyas did not possess four faces, yet he was like Brahma. He did not have four hands yet he acted like Vishnu. He did not have third eye and yet he was like Shiva. “I bow to Vishnu embodied in Vyas and Vyas embodied in Vishnu. One who enriched India through his speech, I bow to thee O Veda Vyas, the poet and creator of destiny and the knower of all.”

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Vyasa

In P.44.
Sources, Glimpses of Indian Culture

“The repulsion, the anxiety, the wish for removal and the anger at pain and the means thereof, which stick in the mind in consequence of feeling of pain, in the case of him who has felt the pain, preceded by a remembrance of the pain, is aversion.”

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Vyasa

In p. 104.
Sources, The Yoga Darsana Of Patanjali With The Sankhya Pravacana Commentary Of Vyasa

“Cleanliness, Contentment, Purificatory Action, Study and the making of Ishvara, the motive of all actions, are observances.
Of these Cleanliness is external when brought about by earth and water etc., and consists in the eating of pure things, etc. It is internal when it consists in the washing away of impurities of the mind.
Contentment is the absence of desire to secure more of the necessities of life than one already processes.
Contentment is the absence of desire to secure more of the necessities of life than one already possesses…”

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Vyasa

In p. 163.
Sources, The Yoga Darsana Of Patanjali With The Sankhya Pravacana Commentary Of Vyasa

“In the religious traditions of the Hindus, the most important author of sacred texts is Krishna Dvaipayana Vyasa. He is traditionally credited with the arrangement of the Veda into four texts as well as the composition of the epic Mahbharata (Mbh), many Puranas, and other works. Vyasa, however, has been described as mythical as his existence is impossible to prove except in myths and legends such as are preserved in the epic.”

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Vyasa

In p. 1.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata

“Shri Krishna says in the Gita, “I am Vyas among Munis [sages].” Veda Vyas is the heart of our culture, the founder and spokesperson of Vedic dharma. Vyasa was endowed with divine energy. He was great yogi, unfathomable scholar, poet par excellence, accomplished philosopher, great preacher, mighty metaphysical as well as a revered singer and preacher of Krishna bhakthi. Vyasa was a personification of Vishnu and god incarnate.”

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Vyasa

in P.44.
Sources, Glimpses of Indian Culture

“Vyasa:literally one who spreads, also known as Veda Vyasa and Krishnadvaipayana, traditionally recognized as the author) as well as protagonist) of the Sanskrit Mahabharata, the Puranas, and Upansishads and the compiler of the Vedas.”

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Vyasa

Kumkum Roy, in Historical Dictionary of Ancient India http://books.google.co.in/books?id=RIUZjYEuqskC&pg=PA371, p 471.
Sources

“I am Time, the great destroyer of the world”

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Vyasa

Bhagavad Gita 11.32
Sources, Veda Vyasa Maharshi

“He will be a man with strength of a myriad elephants, a great and royal rsi, of great fortune, great power, and great intelligence. And 100 powerful sons will be his, but because of his mother’s lack of virtue, he shall be born blind.”

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Vyasa

Vyasa’s curse to the first widowed wife of his half brother on the son to be born to them. His mother [Satyavati] had asked him to produce heirs to the throne with the two widows of his half-brother. The first princess closed her eyes as Vyasa was in fearful ascetic condition when he slept with her. In due time Dhritarshtra was born blind. Quoted in p. 58.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata

“Because you paled on seeing my ugliness, your son shall be pale (pandu), and that will be his name, O, woman with the beautiful face.”

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Vyasa

Vyasa’s curse to the second widowed wife of his half brother on the son to be born to them. The second widowed princess was frightened at the ugly sight of Vyasa during their union. Thus, Pandu, a pale looking son was born to them. Quoted in P.58.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata