Virginia Woolf: Frases em inglês (página 16)

“There was no freedom in life, and certainly there was none in death…”

“And it was awfully strange, he thought, how she still had the power, as she came tinkling, rustling, still had the power as she came across the room, to make the moon, which he detested, rise at Bourton on the terrace in the summer sky.”

“I like people to be unhappy because I like them to have souls.”

“… a book is not made of sentences laid end to end, but of sentences built, if an image helps, into arcades or domes.”

“There is no doubt in my mind, that I have found out how to begin (at 40) to say something in my own voice.”

“Lies will flow from my lips, but there may perhaps be some truth mixed up with them; it is for you to seek out this truth and to decide whether any part of it is worth keeping.”

“When you are silent you are again beautiful.”

“Yes, I miss you, I miss you.”

“But one only woke people if one knew what one wanted to say to them. And she wanted to say not one thing, but everything. Little words that broke up the thought and dismembered it said nothing. 'About life, about death; about Mrs Ramsay”

“It was enemies one wanted, not friends.”

“Now, through my own infirmity I recover what he was to me: my opposite. Being naturally truthful, he did not see the point of these exaggerations, and was borne on by a natural sense of the fitting, was indeed a great master of the art of living so that he seems to have lived long, and to have spread calm round him, indifference one might almost say, certainly to his own advancement, save that he had also great compassion. […] We have no ceremonies, only private dirges and no conclusions, only violent sensations, each separate. Nothing that has been said meets our case. […] After a long lifetime, loosely, in a moment of revelation, I may lay hands on it, but now the idea breaks in my hand. Ideas break a thousand times for once that they globe themselves entire. […] I am yawning. I am glutted with sensations. I am exhausted with the strain and the long, long time — twenty-five minutes, half an hour — that I have held myself alone outside the machine.”

“The merest schoolgirl [school girl, ] when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer [try to] describe a pain in his head to a doctor and language at once runs dry.”

“I like the copious, shapeless, warm, not so very clever, but extremely easy and rather coarse aspect of things; the talk of men in clubs and public-houses; of miners half naked in drawers — the forthright, perfectly unassuming, and without end in view except dinner, love, money and getting along tolerably; that which is without great hopes, ideals, or anything of that kind; what is unassuming except to make a tolerably, good job of it. I like all that.”

“But the novels of women were not affected only by the necessarily narrow range of the writer's experience. They showed, at least in the nineteenth century, another characteristic which may be traced to the writer's sex. In Middlemarch and in Jane Eyre we are conscious not merely of the writer's character, as we are conscious of the character of Charles Dickens, but we are conscious of a woman's presence — of someone resenting the treatment of her sex and pleading for its rights.”

“For some reason, we know not what, his childhood was sharply severed. It lodged in him whole and entire. He could not disperse it.”

“For our penitence deserves a glimpse only; our toil respite only.”

“Thought and theory must precede all salutary action; yet action is nobler in itself than either thought or theory.”

“We may enjoy our room in the tower, with the painted walls and the commodious bookcases, but down in the garden there is a man digging who buried his father this morning, and it is he and his like who live the real life and speak the real language.”

“Outwardly, what is simpler than to write books? Outwardly, what obstacles are there for a woman rather than for a man? Inwardly, I think, the case is very different; she has still many ghosts to fight, many prejudices to overcome. Indeed it will be a long time still, I think, before a woman can sit down to write a book without finding a phantom to be slain, a rock to be dashed against. And if this is so in literature, the freest of all professions for women, how is it in the new professions which you are now for the first time entering?”