The Good Man Jesus and the Scoundrel Christ
Philip Pullman Frases famosas
The Good Man Jesus and the Scoundrel Christ
Philip Pullman: Frases em inglês
Fonte: His Dark Materials, The Amber Spyglass (2000), Ch. 26 : The Abyss
Contexto: Your dæmon can only live its full life in the world it was born in. Elsewhere it will eventually sicken and die. We can travel, if there are openings into other worlds, but we can only live in our own. Lord Asriel’s great enterprise will fail in the end for the same reason: we have to build the Republic of Heaven where we are, because for us there is no elsewhere.
Lyra to Pan in Ch. 38 : The Botanic Garden
His Dark Materials, The Amber Spyglass (2000)
Contexto: "I remember. He meant the Kingdom was over, the Kingdom of Heaven, it was all finished. We shouldn’t live as if it mattered more than this life in this world, because where we are is always the most important place."
"He said we had to build something…"
"That’s why we needed our full life, Pan... we wouldn’t have been able to build it. No one could if they put themselves first. We have to be all those difficult things like cheerful and kind and curious and patient, and we’ve got to study and think and work hard, all of us, in all our different worlds, and then we’ll build…"
“Every Indication of Inadvertant Solitude”
Fonte: Richard Dawkins: How a Scientist Changed the Way We Think (2006), Chapter: Every Indication of Inadvertant Solitude I think it's fair to guess that most of Richard Dawkins' many readers are not using The Selfish Gene and its successors as textbooks to help them pass science exams. That he is a highly distinguished scientist is not in question, but many scientists have achieved great distinction - and indeed written textbooks - without once writing a popular best-seller.
“And yet I respect Lewis more than I do Tolkien.”
Slate interview, 2015
Contexto: His (C. S. Lewis's) work is not frivolous in the way that Tolkien is frivolous, though it seems odd to call a novel of great intricacy and enormous popularity frivolous. I just don’t like the conclusions Lewis comes to, after all that analysis, the way he shuts children out from heaven, or whatever it is, on the grounds that the one girl is interested in boys. She’s a teenager! Ah, it’s terrible: Sex — can’t have that. And yet I respect Lewis more than I do Tolkien.
“I just don’t like the conclusions Lewis comes to,”
Slate interview, 2015
Contexto: His (C. S. Lewis's) work is not frivolous in the way that Tolkien is frivolous, though it seems odd to call a novel of great intricacy and enormous popularity frivolous. I just don’t like the conclusions Lewis comes to, after all that analysis, the way he shuts children out from heaven, or whatever it is, on the grounds that the one girl is interested in boys. She’s a teenager! Ah, it’s terrible: Sex — can’t have that. And yet I respect Lewis more than I do Tolkien.
Fonte: His Dark Materials, The Subtle Knife (1997), Ch. 8 : The Tower of the Angels
Contexto: "Now," said Giacomo Paradisi, "here you are, take the knife, it is yours."
"I don't want it," said Will. "I don't want anything to do with it."
"You haven't got the choice," said the old man. "You are the bearer now."
"I thought you said you was," said Lyra.
"My time is over," he said. "The knife knows when to leave one hand and settle in another, and I know how to tell..."
“It tells you the truth. As for how to read it, you'll have to learn by yourself.”
The Master and Lyra, in Ch. 4 : The Alethiometer
His Dark Materials, The Golden Compass (1995)
Contexto: "Lyra, I'm going to give you something, and you must promise to keep it private. Will you swear to that?"
"Yes," Lyra said.
He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disk of gold and crystal. It might have been a compass or something of the sort.
"What is it?" she said.
"It's an alethiometer. It's one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs. Coulter didn't know about it. Your uncle — "
"But what does it do?"
"It tells you the truth. As for how to read it, you'll have to learn by yourself. Now go — it's getting lighter — hurry back to your room before anyone sees you."
Stanislaus Grumman in Ch. 10 : The Shaman
His Dark Materials, The Subtle Knife (1997)
Contexto: People here cannot conceive of worlds where dæmons are a silent voice in the mind and no more. Can you imagine my astonishment, in turn, at learning that part of my own nature was female, and bird-formed, and beautiful?
Slate interview, 2015 http://www.slate.com/articles/arts/books/2015/11/philip_pullman_interview_the_golden_compass_author_on_young_adult_literature.single.html
Contexto: They’re often bracketed together, Tolkien and Lewis, which I suppose is fair because they were great friends — both Oxford writers and scholars, both Christians. Tolkien’s work has very little of interest in it to a reader of literature, in my opinion. When I think of literature — Dickens, George Eliot, Joseph Conrad — the great novelists found their subject matter in human nature, emotion, in the ways we relate to each other. If that’s what Tolkien’s up to, he’s left out half of it. The books are wholly male-oriented. The entire question of sexual relationships is omitted.
“If you're the bearer of the knife, you have a task that's greater than you can imagine.”
Fonte: His Dark Materials, The Subtle Knife (1997), Ch. 15 : Bloodmoss
Contexto: If you're the bearer of the knife, you have a task that's greater than you can imagine. A child... How could they let it happen? Well, so it must be.... There is a war coming, boy. The greatest war there ever was. Something like it happened before, and this time the right side must win. We've had nothing but lies and propaganda and cruelty and deceit for all the thousands of years of human history. It's time we started again, but properly this time...."
He stopped to take in several rattling breaths.
"The knife," he went on after a minute. "They never knew what they were making, those old philosophers. They invented a device that could split open the very smallest particles of matter, and they used it to steal candy. They had no idea that they'd made the one weapon in all the universes that could defeat the tyrant. The Authority. God. The rebel angels fell because they didn't have anything like the knife; but now..."
"I didn't want it! I don't want it now!" Will cried. "If you want it, you can have it! I hate it, and I hate what it does — "
"Too late. You haven't any choice: you're the bearer. It's picked you out. And, what's more, they know you've got it; and if you don't use it against them, they'll tear it from your hands and use it against the rest of us, forever and ever."
Interview at Achuka Children's Books
Contexto: I knew I was telling a story that would be gripping enough to take readers with it, and I have a high enough opinion of my readers to expect them to take a little difficulty in their stride. My readers are intelligent: I don't write for stupid people. Now mark this carefully, because otherwise I shall be misquoted and vilified again — we are all stupid, and we are all intelligent. The line dividing the stupid from the intelligent goes right down the middle of our heads. Others may find their readership on the stupid side: I don't. I pay my readers the compliment of assuming that they are intellectually adventurous.
Dying thoughts of Lena Feldt as a Spectre "eats the life out of her", Ch. 15 : Bloodmoss <!-- p. 315 -->
His Dark Materials, The Subtle Knife (1997)
Contexto: She felt a nausea of the soul, a hideous and sickening despair, a melancholy weariness so profound that she was going to die of it. Her last conscious thought was disgust at life; her senses had lied to her. The world was not made of energy and delight but of foulness, betrayal, and lassitude. Living was hateful, and death was no better, and from end to end of the universe this was the first and last and only truth.
Thus she stood, bow in hand, indifferent, dead in life.
“I'm caught between the words 'atheistic' and 'agnostic'.”
Surefish interview (2002)
Contexto: I'm caught between the words 'atheistic' and 'agnostic'. I've got no evidence whatever for believing in a God. But I know that all the things I do know are very small compared with the things that I don't know. So maybe there is a God out there. All I know is that if there is, he hasn't shown himself on earth.
But going further than that, I would say that those people who claim that they do know that there is a God have found this claim of theirs the most wonderful excuse for behaving extremely badly. So belief in a God does not seem to me to result automatically in behaving very well.
Fonte: His Dark Materials, The Subtle Knife (1997), Ch. 15 : Bloodmoss
Contexto: If you're the bearer of the knife, you have a task that's greater than you can imagine. A child... How could they let it happen? Well, so it must be.... There is a war coming, boy. The greatest war there ever was. Something like it happened before, and this time the right side must win. We've had nothing but lies and propaganda and cruelty and deceit for all the thousands of years of human history. It's time we started again, but properly this time...."
He stopped to take in several rattling breaths.
"The knife," he went on after a minute. "They never knew what they were making, those old philosophers. They invented a device that could split open the very smallest particles of matter, and they used it to steal candy. They had no idea that they'd made the one weapon in all the universes that could defeat the tyrant. The Authority. God. The rebel angels fell because they didn't have anything like the knife; but now..."
"I didn't want it! I don't want it now!" Will cried. "If you want it, you can have it! I hate it, and I hate what it does — "
"Too late. You haven't any choice: you're the bearer. It's picked you out. And, what's more, they know you've got it; and if you don't use it against them, they'll tear it from your hands and use it against the rest of us, forever and ever."
And he pressed the silver spoon against the blade. Will, holding the knife, felt only the slightest resistance as the tip of the spoon's handle fell to the table, cut clean off.
"The other edge," the old man went on, "is more subtle still. With it you can cut an opening out of this world altogether. Try it now. Do as I say — you are the bearer. You have to know. No one can teach you but me, and I have not much time left. Stand up and listen."
Fonte: His Dark Materials, The Subtle Knife (1997), Ch. 8 : The Tower of the Angels
The Master and Lyra, in Ch. 4 : The Alethiometer
His Dark Materials, The Golden Compass (1995)
Contexto: "Lyra, I'm going to give you something, and you must promise to keep it private. Will you swear to that?"
"Yes," Lyra said.
He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disk of gold and crystal. It might have been a compass or something of the sort.
"What is it?" she said.
"It's an alethiometer. It's one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs. Coulter didn't know about it. Your uncle — "
"But what does it do?"
"It tells you the truth. As for how to read it, you'll have to learn by yourself. Now go — it's getting lighter — hurry back to your room before anyone sees you."
But if the Kingdom is dead, we still need those things. We can't live without those things because it's too bleak, it's too bare and we don't need to. We can find a way of creating them for ourselves if we think in terms of a Republic of Heaven.
This is not a Kingdom but a Republic, in which we are all free and equal citizens, with — and this is the important thing — responsibilities. With the responsibility to make this place into a Republic of Heaven for everyone. Not to live in it in a state of perpetual self-indulgence, but to work hard to make this place as good as we possibly can.
Surefish interview (2002)
Lee Scoresby and Stanislaus Grumman in Ch. 14 : Alamo Gulch
His Dark Materials, The Subtle Knife (1997)
Contexto: "You have a strange way about you, Dr. Grumman. You ever spend any time among the witches?"
"Yes," said Grumman. "And among academicians, and among spirits. I found folly everywhere, but there were grains of wisdom in every stream of it. No doubt there was much more wisdom that I failed to recognize. Life is hard, Mr. Scoresby, but we cling to it all the same."
"And this journey we're on? Is that folly or wisdom?"
"The greatest wisdom I know."
"Tell me again what your purpose is. You're going to find the bearer of this subtle knife, and what then?"
"Tell him what his task is."
"And that's a task that includes protecting Lyra," the aeronaut reminded him.
"It will protect all of us."
Surefish interview (2002)
Contexto: I'm caught between the words 'atheistic' and 'agnostic'. I've got no evidence whatever for believing in a God. But I know that all the things I do know are very small compared with the things that I don't know. So maybe there is a God out there. All I know is that if there is, he hasn't shown himself on earth.
But going further than that, I would say that those people who claim that they do know that there is a God have found this claim of theirs the most wonderful excuse for behaving extremely badly. So belief in a God does not seem to me to result automatically in behaving very well.
“All the history of human life has been a struggle between wisdom and stupidity.”
Fonte: The Amber Spyglass
Fonte: His Dark Materials, The Amber Spyglass (2000), Ch. 2 : Balthamos and Baruch
Contexto: Will considered what to do. When you choose one way out of many, all the ways you don’t take are snuffed out like candles, as if they’d never existed. At the moment all Will’s choices existed at once. But to keep them all in existence meant doing nothing. He had to choose, after all.
Acknowledgements, p. 549
Fonte: His Dark Materials, The Amber Spyglass (2000)
Fonte: His Dark Materials, The Golden Compass (1995), Ch. 18 : Fog and Ice