Frases de Philip José Farmer

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Philip José Farmer

Data de nascimento: 26. Janeiro 1918
Data de falecimento: 25. Fevereiro 2009

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Philip José Farmer foi um escritor estadunidense de ficção científica e fantasia. Passou boa parte da vida em Peoria, Illinois, onde veio a falecer.

Citações Philip José Farmer

„The only gold is love,
A coin that we have minted from the light
Of others who have cared for us on Earth
And who have deposited in us the power
That nerves our nerves to seize the burning stars.“

—  Philip José Farmer
Context: The way is open, comrades, free as Space Alone is free. The only gold is love, A coin that we have minted from the light Of others who have cared for us on Earth And who have deposited in us the power That nerves our nerves to seize the burning stars.

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„Here and Now are needles which
Sew a pattern black as pitch,
Waiting for the rocket's light.“

—  Philip José Farmer
Context: Miles above the Earth we know, Fancy's rocket roars. Below, Here and Now are needles which Sew a pattern black as pitch, Waiting for the rocket's light. "Imagination" in America Sings (1949)

„Miles above the Earth we know,
Fancy's rocket roars.“

—  Philip José Farmer
Context: Miles above the Earth we know, Fancy's rocket roars. Below, Here and Now are needles which Sew a pattern black as pitch, Waiting for the rocket's light. "Imagination" in America Sings (1949)

„Unfortunately, not all can be permitted to possess immortality. Too many would make immortality miserable or hellish for the rest, and they would try to control others through their control of the resurrection machinery.“

—  Philip José Farmer
Context: The truth is that you can be immortal, relatively so, anyway. You won't last beyond the death of the universe and probably not nearly as long as the universe does. But you have the potentiality for living a million years, two, perhaps three or more. As long as you can find a Terrestrial-type planet with a hot core and have resurrection machinery available. Unfortunately, not all can be permitted to possess immortality. Too many would make immortality miserable or hellish for the rest, and they would try to control others through their control of the resurrection machinery. Even so, everybody, without exception, is given a hundred years after his Earthly death to prove that he or she can live peacefully and in harmony with himself and the others, within the tolerable limits of human imperfections. Those who can do this will be immortal after the two projects are completed.

„Know a man’s faith, and you knew at least half the man. Know his wife, and you knew the other half.“

—  Philip José Farmer
Context: Burton, though an infidel, made it his business to investigate thoroughly every religion. Know a man’s faith, and you knew at least half the man. Know his wife, and you knew the other half. Chapter 23 (p. 176)

„Beauty in this Iron Age must turn
From fluid living rainbow shapes to torn
And sootened fragments, ashes in an urn“

—  Philip José Farmer
Context: Beauty in this Iron Age must turn From fluid living rainbow shapes to torn And sootened fragments, ashes in an urn On whose gray surface runes are traced by a Norn Who hopes to wake the Future to arise In Phoenix-fashion, and to shine with rays To blast the sight of modern men whose dyes Of selfishness and lust have stained our days... "Beauty in This Iron Age" in Starlanes #11 (Fall 1953); re-published in Pearls From Peoria (2006)

„Eat rich strange fish, grow long bright feathers, press
Form's flesh around thought's rib, and so derive
From the act of beauty, beauty of the act.“

—  Philip José Farmer
Context: Sawbeaked epitome of bodiless Idea, tossed by gusts of ether, dive Through abstract mists and raid the sea of fact Eat rich strange fish, grow long bright feathers, press Form's flesh around thought's rib, and so derive From the act of beauty, beauty of the act. "The Pterodactyl" in Sky Hook #16, (Winter 1952-53); re-published in Pearls From Peoria (2006)

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„Drowned idols swirl like seeds in chaos' wine.“

—  Philip José Farmer
Context: Drowned idols swirl like seeds in chaos' wine. Look, Job! Caught Beauty, held to light, now apes A good, now evil, thing — the shifting sign And spectrum of archaic, psychic shapes. "Job's Leviathan" in JD Argassy #58 (1961); re-published in Pearls From Peoria (2006)

„Oh, I'd reach beyond the comma of you
To the invisible phrase, the dangling Omega!“

—  Philip José Farmer
Context: Oh, I'd reach beyond the comma of you To the invisible phrase, the dangling Omega! No use. No act Of mine or mind denies the ante-cerebellum fact Of furry you, poised fleetingly, bright flex, Black reflex, too leaping for me to ink and fix As period to end what has no period, no, no End... "Black Squirrel on Cottonwood Limb's Tip" in Skyhook #23 (Winter 1954-55); re-published in Pearls From Peoria (2006)

„Let's give this entity which you call soul another name. Soul has too many incorrect meanings for humans, too many verbal reverberations, too many contrary definitions.
Speak the word soul, and unbelievers will automatically become deaf to what follows. Those who believe in souls will always hear you through the mental constructs that they formed on Earth.“

—  Philip José Farmer
Context: Let's give this entity which you call soul another name. Soul has too many incorrect meanings for humans, too many verbal reverberations, too many contrary definitions. Speak the word soul, and unbelievers will automatically become deaf to what follows. Those who believe in souls will always hear you through the mental constructs that they formed on Earth. Let us call this nonmatter twin the... ah... ka. That is the old Egyptian word for one of the several souls in their religion. Except for the Egyptians this will have no special connotation. And they can adapt to it. Ch. 20

„Apparently, there was dissension even among those beings who we could account as gods.“

—  Philip José Farmer
Context: According to Burton, the Ethical who talked to him did not agree with his fellows. Apparently, there was dissension even among those beings who we could account as gods. Dispute or discord in Olympus, if I may draw such a parallel. Though I do not think that the so-called Ethicals are gods, angels, or demons. They are human beings like us but advanced to a higher ethical plane. What their disagreement is, I frankly do not know. Perhaps it is about the means used to achieve a goal. Ch. 19

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„It was like no hell or heaven of which he had ever heard or read, and he had thought that he was acquainted with every theory of the afterlife.“

—  Philip José Farmer
Context: It was like no hell or heaven of which he had ever heard or read, and he had thought that he was acquainted with every theory of the afterlife. He had died. Now he was alive. He had scoffed all his life at a life-after-death. For once, he could not deny that he had been wrong. But there was no one present to say, "I told you so, you damned infidel!" Of all the millions, he alone was awake. Chapter 1 (pp. 3-4)

„The visitor said that his kind called themselves the Ethicals, though they had other names for themselves.“

—  Philip José Farmer
Context: The visitor said that his kind called themselves the Ethicals, though they had other names for themselves. They were on a higher plane of ethical development than most Earthlings. Notice that he said most. This indicates that there have been some of us who have achieved the same level as the Ethicals. Ch. 19

„We hope to breed a race of men whose power
Dwells in hearts as open as all Space
Itself, who ask for nothing but the light
That rinses the heart of hate so that the stars
Above will be below when man has Love.“

—  Philip José Farmer
Context: Yes, we hope to seed a new, rich earth. We hope to breed a race of men whose power Dwells in hearts as open as all Space Itself, who ask for nothing but the light That rinses the heart of hate so that the stars Above will be below when man has Love.

„We too. No wisdom to utter.
You've beauty, flux, and terror
To tell. So've I.“

—  Philip José Farmer
Context: We too. No wisdom to utter. You've beauty, flux, and terror To tell. So've I. And they're Very hard to mutter Through so much chatter and stutter. "Black Squirrel on Cottonwood Limb's Tip" in Skyhook #23 (Winter 1954-55); re-published in Pearls From Peoria (2006)

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