Frases de Paul Gauguin
Paul Gauguin
Data de nascimento: 7. Junho 1848
Data de falecimento: 8. Maio 1903
Eugène-Henri-Paul Gauguin foi um pintor francês do pós-impressionismo.
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Citações Paul Gauguin
„Life being what it is, one dreams of revenge — and has to content oneself with dreaming.“
— Paul Gauguin
Quote in Avant et Après, (1903); taken from Paul Gauguin's Intimate Journals, trans. (1923) Van Wyck Brooks [Dover, 1997, ], p. 2
„In my figures [of his famous painting 'Vision After the Sermon'] I have achieved a great simplicity, which is both rustic and superstitious..... In this picture the landscape and the struggle [between Jacob wrestling with the angel ] exist only in the imagination of the people whom the sermon has moved to prayer. That's why there is a contrast between the people, depicted naturally, and the struggle in its unnatural and dis-proportioned landscape.“
— Paul Gauguin
p. 24: quote in his letter to Vincent van Gogh, c. 1888
„In Europe men and women have intercourse because they love each other. In the South Seas they love each other because they have had intercourse. Who is right?“
— Paul Gauguin
Quoted by Bengt Danielsson in Gauguin in the South Seas http://books.google.com/books?id=u41CAAAAIAAJ&q=%22In+Europe+men+and+women+have+intercourse+because+they+love+each+other+In+the+South+Seas+they+love+each+other+because+they+have+had+intercourse+Who+is+right%22&pg=PA137#v=onepage (1966)
„Copying nature — what is that supposed to mean? Follow the masters! But why should one follow them? The only reason they are masters is that they didn't follow anybody!“
— Paul Gauguin
p. 108: cited by Eugène Tardieu, 'Interview with Paul Gauguin,' in L'Écho de Paris, (13 May 1895)
„How do you see this tree? Is it really green? Use green, then, the most beautiful green on your palette. And that shadow, rather blue? Don't be afraid to paint it as blue as possible.“
— Paul Gauguin
Comment voyez-vous cet arbre? Il est bien vert? Mettez donc du vert, le plus beau vert de votre palette; — et cette ombre, plutôt bleue? Ne craignez pas la peindre aussi bleue que possible.
Quote from a conversation in 1888, Pont-Aven, with Paul Sérusier as cited by w:Maurice Denis, inL'influence de Paul Gauguin, in Occident (October 1903) and published in Du symbolisme au classicisme. Théories (1912), ed. Olivier Revault d'Allonnes (Paris, 1964), p. 51.
„I am a great artist and I know it. It's because of what I am that I have endured so much suffering, so as to pursue my vocation, otherwise I would consider myself a rogue — which is what many people think I am, for that matter. Oh well, what difference does it make. What upsets me the most is not so much the poverty as the things that perpetually get in the way of my art, which I cannot carry out the way I feel and which I would carry out if it weren't for the poverty that is like a straitjacket. You tell me I am wrong to stay away from the artist[ic] center. No, I am right; I've known for a long time what I am doing and why I am doing it. My artistic center is in my brain and nowhere else, and I am strong because I am never thrown off-course by other people and because I do what is in me.“
— Paul Gauguin
Original: Je suis un grand artiste et je le sais. C'est parce que je le suis que j'ai tellement enduré de souffrances. Pour poursuivre ma voie, sinon je me considérerai comme un brigand. Ce que je suis du reste pour beaucoup de personnes. Enfin, qu'importe! Ce qui me chagrine le plus c'est moins la misère que les empêchements perpétuels à mon art que je ne puis faire comme je le sens et comme je pourais le faire sans la misère qui me lie les bras. Tu me dis que j'ai tort de rester éloigné du centre artistique. Non, j'ai raison, je sais depuis longtemps ce que je fais et pourquoi je le fais. Mon centre artistique est dans mon cerveau et pas ailleurs et je suis fort parce que je ne suis jamais dérouté par les autres et je fais ce qui est en moi.
pp. 53-54: Quote in a letter to his wife, Mette (Tahiti, March 1892)
„As I wanted to suggest a luxuriant and untamed type of nature, a tropical sun that sets aglow everything around it, I was obliged to give my figures a suitable setting.It is indeed the outdoor life — yet intimate at the same time, in the thickets and the shady streams, these women whispering in an immense palace decorated by nature itself, with all the riches that Tahiti has to offer. This is the reason behind all these fabulous colors, this subdued and silent glow."But none of this exists!""Oh yes it does, as an equivalent of the grandeur, the depth, the mystery of Tahiti, when you have to express it on a canvas measuring only one square meter."Very subtle, very knowing in her naïveté is the Tahitian Eve. The riddle hiding in the depth of her childlike eyes is still incommunicable to me.“
— Paul Gauguin
p. 137: Diverse Choses, his notebook (1896 - 1898)
„In art, there are only two types of people: revolutionaries and plagiarists. And in the end, doesn't the revolutionary's work become official, once the State takes it over?“
— Paul Gauguin
p. 107: in his letter, published in Le Soir, (25 April 1895)
„Life at Papeete soon became a burden.It was Europe, the Europe which I had thought to shake off — and that under the aggravating circumstances of colonial snobbism, and the imitation, grotesque even to the point of caricature, of our customs, fashions, vices, and absurdities of civilization.Was I to have made this far journey, only to find the very thing which I had fled?“
— Paul Gauguin
Quote from Noa Noa ,(1893) [Dover, 1985, ], p. 2.
„If we observe the totality of Camille Pissarro's works, we find there, despite the fluctuations, not only an extreme artistic will which never lies, but what is more, an essentially intuitive pure-bred art... He looked at everybody, you say! Why not? Everyone looked at him, too, but denied him. He was one of my masters and I do not deny him.“
— Paul Gauguin
Quote c. 1902, in Racontars d'un Rapin, Paul Gauguin; as quoted in 'Introduction' of Camille Pissarro - Letters to His Son Lucien, ed. John Rewald, with assistance of Lucien Pissarro – (translated from the unpublished French letters by Lionel Abel); Pantheon Books Inc. New York, second edition, 1943, p. 15
After Paul Cezanne it was Gauguin who came to ask advice and painted landscape at the side of the much elder Pissarro. The traces of this apprenticeship as an impressionist were soon to disappear from Gauguin's works, but shortly before he died, he wrote these sentences about his former teacher
„I am leaving in order to have peace and quiet, to be rid of the influence of civilization. I want only to do simple, very simple art, and to be able to do that, I have to immerse myself in virgin nature, see no one but savages, live their life, with no other thought in mind but to render, the way a child would, the concepts formed in my brain and to do this with the aid of nothing but the primitive means of art, the only means that are good and true.“
— Paul Gauguin
p. 48: quoted in the interview 'Paul Gauguin Discussing His Paintings', Jules Huret, printed in L'Écho de Paris, (23 February 1891)
