Frases de Paul Bourget
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Paul Charles Joseph Bourget foi um romancista e crítico literário francês, autor de romances psicológicos.

Bourget exerceu grande influência nas letras francesas no período que antecedeu o naturalismo, o qual combateu. Ele representava o tradicionalismo e a ordem moral, o que, posteriormente, o levaria a adotar as doutrinas da Action Française . Wikipedia  

✵ 2. Setembro 1852 – 25. Dezembro 1935   •   Outros nomes Paul Charles Bourget
Paul Bourget photo
Paul Bourget: 55   citações 2   Curtidas

Paul Bourget Frases famosas

“O sufrágio universal, a mais monstruosa e a mais iníqua das tiranias, pois a força do número é a mais brutal das forças, não tendo ao seu lado nem a audácia, nem o talento.”

Le suffrage universel, la plus monstrueuse et la plus inique des tyrannies, car la force du nombre est la plus brutale des forces, n'ayant même pas pour elle l'audace et le talent.
Le disciple‎ - Página 4, de Paul Bourget, Teodor de Wyzewa - Publicado por Nelson, 1932 - 355 páginas

“Em certos momentos, as palavras são nada; mas sim o tom em que são proferidas.”

At certain moments, words are nothing; it is the tone in which they are uttered.
Fonte: Cosmopolis (1892), capítulo 5, "Countess Steno" ("Condessa Steno")

Paul Bourget frases e citações

Paul Bourget: Frases em inglês

“Well, you must now imagine my friend at my age or almost there. You must picture him growing gray, tired of life and convinced that he had at last discovered the secret of peace. At this time he met, while visiting some relatives in a country house, a mere girl of twenty, who was the image, the haunting image of her whom he had hoped to marry thirty years before. It was one of those strange resemblances which extend from the color of the eyes to the 'timbre' of the voice, from the smile to the thought, from the gestures to the finest feelings of the heart. I could not, in a few disjointed phrases describe to you the strange emotions of my friend. It would take pages and pages to make you understand the tenderness, both present and at the same time retrospective, for the dead through the living; the hypnotic condition of the soul which does not know where dreams and memories end and present feeling begins; the daily commingling of the most unreal thing in the world, the phantom of a lost love, with the freshest, the most actual, the most irresistibly naïve and spontaneous thing in it, a young girl. She comes, she goes, she laughs, she sings, you go about with her in the intimacy of country life, and at her side walks one long dead. After two weeks of almost careless abandon to the dangerous delights of this inward agitation imagine my friend entering by chance one morning one of the less frequented rooms of the house, a gallery, where, among other pictures, hung a portrait of himself, painted when he was twenty-five. He approaches the portrait abstractedly. There had been a fire in the room, so that a slight moisture dimmed the glass which protected the pastel, and on this glass, because of this moisture, he sees distinctly the trace of two lips which had been placed upon the eyes of the portrait, two small delicate lips, the sight of which makes his heart beat. He leaves the gallery, questions a servant, who tells him that no one but the young woman he has in mind has been in the room that morning.”

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

“At certain moments, words are nothing; it is the tone in which they are uttered.”

A de certaines minutes, les mots ne sont rien, c’est le ton qui est tout.
Fonte: Cosmopolis (1892), Ch. 5 "Countess Steno"

“The forests have taught man liberty.”

Fonte: Cosmopolis (1892), Ch. 2 "The Beginning of a Drama"

“The cruelest revenge of a woman is to remain faithful to a man.”

La plus cruelle vengeance d'une femme est quelquefois de nous rester fidèle.
Physiologie de l'Amour Moderne http://books.google.com/books?id=5H5cAAAAMAAJ&q=%22La+plus+cruelle+vengeance+d'une+femme+est+quelquefois+de+nous+rester+fid%C3%A8le%22&pg=PA326#v=onepage (1889)