Frases de P. D. Ouspensky

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P. D. Ouspensky

Data de nascimento: 4. Março 1878
Data de falecimento: 2. Outubro 1947

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'Piotr Demianovitch Uspenski, em russo: Пётр Демьянович Успенский, foi um matemático e filósofo russo. Seus trabalhos se concentraram na discussão da existência de dimensões mais elevadas que a terceira, a partir de análises tanto do ponto de vista geométrico quanto psicológico. Durante seus anos em Moscou, Uspenski escreveu vários jornais e se interessou pela ideia da quarta dimensão, então em voga. Ele é mais conhecido, entretanto, pelas exposições dos trabalhos iniciais do místico russo George Ivanovich Gurdjieff.

Seu primeiro livro, A Quarta Dimensão, foi publicado em 1909. Além destes, Uspenski também publicou os livros Tertium Organum e Um Novo Modelo de Universo . Este último trabalho focou a ideia do esoterismo; a ideia de que o conhecimento dos ancestrais não estão somente preservados, mas também são palpáveis para os iniciados. Outra de suas obras foi a novela O Estranho Conto de Ivan Osokin, que explorou o conceito do eterno retorno. Suas viagens pela europa e Ásia procurando centros de conhecimento esotérico foram infrutíferas. Em sua volta à Rússia, Uspenski foi apresentado a Gurdjieff, e passou os anos seguintes estudando com ele.

Após a Revolução Bolchevique, Uspenski viajou a Londres, passando por Istambul. Durante essa época, depois que Gurdjieff fundasse na França o Instituto para o Desenvolvimento Harmonioso do Homem, Uspenski chegou à conclusão que não estava mais apto a entender seu professor antigo, e decidiu romper com ele. Não obstante, Uspenski escreveu sobre as ideias de Gurdieff em um livro original, cujo título foi Fragmentos de um Ensinamento Desconhecido, publicado postumamente, em 1947, sob o título de Na Busca pelo Milagre. Esse livro geralmente é considerado a exposição mais clara dos ensinos de Gurdjieff.

Pouco depois de sua morte em 1947, foi também publicado o livro A Psicologia da Possível Evolução do Homem. Os textos originais de Uspenski são mantidos nos arquivos da Biblioteca da Universidade Yale.

Citações P. D. Ouspensky

„When I possessed the keys, read the book and understood the symbols, I was permitted to lift the curtain of the Temple and enter.“

—  P. D. Ouspensky
Context: When I possessed the keys, read the book and understood the symbols, I was permitted to lift the curtain of the Temple and enter. its inner sanctum. And there I beheld a Woman with a crown of gold and a purple mantle. She held a sword in one hand and scales in the other. I trembled with awe at her appearance, which was deep and mysterious, and drew me like an abyss. "You see Truth," said the voice. "On these scales everything is weighed. This sword is always raised to guard justice, and nothing can escape it." "But why do you avert your eyes from the scales and the sword? They will remove the last illusions. How could you live on earth without these illusions? "You wished to see Truth and now you behold it! But remember what happens to the mortal who beholds a Goddess!" Card XI : Justice http://www.sacred-texts.com/tarot/sot/sot22.htm

„He knows that it is he who stands before an altar with magic symbols, and reaches from earth to heaven; that he also walks on a dusty road under a scorching sun to a precipice where a crocodile awaits him“

—  P. D. Ouspensky
Context: And then I saw a man in terrible suffering, hung by one leg, head downward, to a high tree. And I heard the voice: — "Look! This is a man who saw Truth. Suffering awaits the man on earth, who finds the way to eternity and to the understanding of the Endless. "He is still a man, but he already knows much of what is inaccessible even to Gods. And the incommensurableness of the small and the great in his soul constitutes his pain and his golgotha. "In his own soul appears the gallows on which he hangs in suffering, feeling that he is indeed inverted. "He chose this way himself. "For this he went over a long road from trial to trial, from initiation to initiation, through failures and falls. "And now he has found Truth and knows himself. "He knows that it is he who stands before an altar with magic symbols, and reaches from earth to heaven; that he also walks on a dusty road under a scorching sun to a precipice where a crocodile awaits him; that he dwells with his mate in paradise under the shadow of a blessing genius; that he is chained to a black cube under the shadow of deceit; that he stands as a victor for a moment in an illusionary chariot drawn by sphinxes; and that with a lantern in bright sunshine, he seeks for Truth in a desert. "Now he has found Her." Card XII : The Hanged Man http://www.sacred-texts.com/tarot/sot/sot23.htm

Publicidade

„With his hands he unites heaven and earth, and the four elements that form the world are controlled by him.“

—  P. D. Ouspensky
Context: With his hands he unites heaven and earth, and the four elements that form the world are controlled by him. The four symbols before him are the four letters of the name of God, the signs of the four elements, fire, water, air, earth." I trembled before the depth of the mysteries A touched... The words I heard seemed to be littered by the Great Magician himself, and it was as though he spoke in me. I was in deep trepidation and at moment I felt there was nothing, before me except the blue sky; but within me a window opened through which I could see unearthly things. and hear unearthly words. Card I : The Magician

„Knowledge must start from some foundation, something must be recognized as known; otherwise we shall be obliged always to define one unknown by means of another.“

—  P. D. Ouspensky
Context: The most difficult thing is to know what we do know, and what we do not know. Therefore, desiring to know anything, we shall before all else determine WHAT we accept as given, and WHAT as demanding definition and proof; that is, determine WHAT we know already, and WHAT we wish to know. In relation to the knowledge of the world and of ourselves, the conditions would be ideal could we venture to accept nothing as given, and count all as demanding definition and proof. In other words, it would be best to assume that we know nothing, and make this our point of departure. But unfortunately such conditions are impossible to create. Knowledge must start from some foundation, something must be recognized as known; otherwise we shall be obliged always to define one unknown by means of another. Ch. I

„The absurdity of both these propositions shows that they cannot refer to our world.“

—  P. D. Ouspensky
Context: The logical formula: A is both A and Not-A, corresponds to the mathematical formula: A magnitude can be greater or less than itself. The absurdity of both these propositions shows that they cannot refer to our world. Of course absurdity, as such, is indeed not an index of the attributes of noumena, but the attributes of noumena will certainly be expressed in what are absurdities to us. To hope to find in the world of causes anything logical from our standpoint is just as useless as to think that the world of things can exist in accordance with the laws of a world of shadows or stereometry according to the laws of planimetry. To master the fundamental principles of higher logic means to master the fundamentals of the understanding of a space of higher dimensions, or of the world of the wondrous. In order to approach to a clear understanding of the relations of the multi-dimensional world, we must free ourselves from all the "idols" of our world, as Bacon calls them, i. e., from all obstacles to correct receptivity and reasoning. Then we shall have taken the most important step toward an inner affinity with the world of the wondrous. Ch. XXI

„The strangest and most fantastic fact about negative emotions is that people actually worship them.“

—  P. D. Ouspensky
Context: People who think they can control their negative emotions and manifest them when they want to, simply deceive themselves. Negative emotions depend on identification; if identification is destroyed in some particular case, they disappear. The strangest and most fantastic fact about negative emotions is that people actually worship them. I think that, for an ordinary mechanical man, the most difficult thing to realise is that his own and other people's negative emotions, have no value whatever and do not contain anything noble, anything beautiful or anything strong. In reality negative emotions contain nothing but weakness and very often the beginning of hysteria, insanity or crime. The only good thing about them is that, being quite useless and artificially created by imagination and identification, they can be destroyed without any loss. And this is the only chance of escape that man has. Fourth Lecture, p. 70.

„Generally speaking, the significance of the indirect results may very often be of more importance than the significance of direct ones.“

—  P. D. Ouspensky
Context: Generally speaking, the significance of the indirect results may very often be of more importance than the significance of direct ones. And since we are able to trace how the energy of love transforms itself into instincts, ideas, creative forces on different planes of life; into symbols of art, song, music, poetry; so can we easily imagine how the same energy may transform itself into a higher order of intuition, into a higher consciousness which will reveal to us a marvelous and mysterious world. In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions. Tertium Organum (1922)

„This limitation of the field of vision of criminology together with the absence of an exact and permanent definition of the concept of crime is one of the chief characteristics of our culture.“

—  P. D. Ouspensky
Context: Existing criminology is insufficient to isolate barbarism. It is insufficient because the idea of "crime" in existing criminology is artificial, for what is called crime is really an infringement of "existing laws", whereas "laws" are very often a manifestation of barbarism and violence. Such are the prohibiting laws of different kinds which abound in modern life. The number of these laws is constantly growing in all countries and, owing to this, what is called crime is very often not a crime at all, for it contains no element of violence or harm. On the other hand, unquestionable crimes escape the field of vision of criminology, either because they have not recognized the form of crime or because they surpass a certain scale. In existing criminology there are concepts: a criminal man, a criminal profession, a criminal society, a criminal sect, and a criminal tribe, but there is no concept of a criminal state, or a criminal government, or criminal legislation. Consequently what is often regarded as "political" activity is in fact a criminal activity. This limitation of the field of vision of criminology together with the absence of an exact and permanent definition of the concept of crime is one of the chief characteristics of our culture. p. 37-38; "Consequently what is often regarded as "political" activity is in fact a criminal activity"' has also been translated as "Consequently, the biggest crimes actually escape being called crimes" in a 1984 edition.

Publicidade

„The fool always carries them, although he has long since forgotten what they mean. Nevertheless they belong to him, even though he does not know their use.“

—  P. D. Ouspensky
Context: "What has he in the bag?" I inquired, not knowing why I asked. And after a long silence the voice replied: "The four magic symbols, the sceptre, the cup, the sword and the pentacle. The fool always carries them, although he has long since forgotten what they mean. Nevertheless they belong to him, even though he does not know their use. The symbols have not lost their power, they retain it in themselves. Card 0 : The Fool

„The most difficult thing is to know what we do know, and what we do not know.“

—  P. D. Ouspensky
Context: The most difficult thing is to know what we do know, and what we do not know. Therefore, desiring to know anything, we shall before all else determine WHAT we accept as given, and WHAT as demanding definition and proof; that is, determine WHAT we know already, and WHAT we wish to know. In relation to the knowledge of the world and of ourselves, the conditions would be ideal could we venture to accept nothing as given, and count all as demanding definition and proof. In other words, it would be best to assume that we know nothing, and make this our point of departure. But unfortunately such conditions are impossible to create. Knowledge must start from some foundation, something must be recognized as known; otherwise we shall be obliged always to define one unknown by means of another. Ch. I

„Existing criminology is insufficient to isolate barbarism.“

—  P. D. Ouspensky
Context: Existing criminology is insufficient to isolate barbarism. It is insufficient because the idea of "crime" in existing criminology is artificial, for what is called crime is really an infringement of "existing laws", whereas "laws" are very often a manifestation of barbarism and violence. Such are the prohibiting laws of different kinds which abound in modern life. The number of these laws is constantly growing in all countries and, owing to this, what is called crime is very often not a crime at all, for it contains no element of violence or harm. On the other hand, unquestionable crimes escape the field of vision of criminology, either because they have not recognized the form of crime or because they surpass a certain scale. In existing criminology there are concepts: a criminal man, a criminal profession, a criminal society, a criminal sect, and a criminal tribe, but there is no concept of a criminal state, or a criminal government, or criminal legislation. Consequently what is often regarded as "political" activity is in fact a criminal activity. This limitation of the field of vision of criminology together with the absence of an exact and permanent definition of the concept of crime is one of the chief characteristics of our culture. p. 37-38; "Consequently what is often regarded as "political" activity is in fact a criminal activity"' has also been translated as "Consequently, the biggest crimes actually escape being called crimes" in a 1984 edition.

„I Saw the Man.
His figure reached from earth to heaven and was clad in a purple mantle.“

—  P. D. Ouspensky
Context: I Saw the Man. His figure reached from earth to heaven and was clad in a purple mantle. He stood deep in foliage and flowers and his head, on which was the head-band of an initiate, seemed to disappear mysteriously in infinity. Before him on a cube-shaped altar were four symbols of magic — the sceptre, the cup, the sword and the pentacle. His right hand pointed to heaven, his left to earth. Under his mantle he wore a white tunic girded with a serpent swallowing its tail. His face was luminous and serene, and, when his eyes met mine, I felt that he saw most intimate recesses of my soul. I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself. And I heard a voice saying: —"Look, this is the Great Magician! Card I : The Magician http://www.sacred-texts.com/tarot/sot/sot02.htm

Publicidade

„An unexpected vision appeared to me. A circle not unlike a wreath woven from rainbow and lightnings, whirled from heaven to earth with a stupendous, velocity, blinding me by its brilliance.“

—  P. D. Ouspensky
Context: An unexpected vision appeared to me. A circle not unlike a wreath woven from rainbow and lightnings, whirled from heaven to earth with a stupendous, velocity, blinding me by its brilliance. And amidst this light and fire I heard music and soft singing, thunderclaps and the roar of a tempest, the rumble of falling mountains and earthquakes. The circle whirled with a terrifying noise, touching the sun and the earth, and, in the centre of it I saw the naked, dancing figure of a beautiful young woman, enveloped by a light, transparent scarf, in her hand she held a magic wand. Presently the four apocalyptical beasts began to appear on the edges of the circle; one with the face of a lion, another with the face of a man, the third, of an eagle and the fourth, of a bull. Card XXI : The World http://www.sacred-texts.com/tarot/sot/sot05.htm

„People who think they can control their negative emotions and manifest them when they want to, simply deceive themselves.“

—  P. D. Ouspensky
Context: People who think they can control their negative emotions and manifest them when they want to, simply deceive themselves. Negative emotions depend on identification; if identification is destroyed in some particular case, they disappear. The strangest and most fantastic fact about negative emotions is that people actually worship them. I think that, for an ordinary mechanical man, the most difficult thing to realise is that his own and other people's negative emotions, have no value whatever and do not contain anything noble, anything beautiful or anything strong. In reality negative emotions contain nothing but weakness and very often the beginning of hysteria, insanity or crime. The only good thing about them is that, being quite useless and artificially created by imagination and identification, they can be destroyed without any loss. And this is the only chance of escape that man has. Fourth Lecture, p. 70.

„I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself.
And I heard a voice saying:
—"Look, this is the Great Magician!“

—  P. D. Ouspensky
Context: I Saw the Man. His figure reached from earth to heaven and was clad in a purple mantle. He stood deep in foliage and flowers and his head, on which was the head-band of an initiate, seemed to disappear mysteriously in infinity. Before him on a cube-shaped altar were four symbols of magic — the sceptre, the cup, the sword and the pentacle. His right hand pointed to heaven, his left to earth. Under his mantle he wore a white tunic girded with a serpent swallowing its tail. His face was luminous and serene, and, when his eyes met mine, I felt that he saw most intimate recesses of my soul. I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself. And I heard a voice saying: —"Look, this is the Great Magician! Card I : The Magician http://www.sacred-texts.com/tarot/sot/sot02.htm

„In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions.“

—  P. D. Ouspensky
Context: Generally speaking, the significance of the indirect results may very often be of more importance than the significance of direct ones. And since we are able to trace how the energy of love transforms itself into instincts, ideas, creative forces on different planes of life; into symbols of art, song, music, poetry; so can we easily imagine how the same energy may transform itself into a higher order of intuition, into a higher consciousness which will reveal to us a marvelous and mysterious world. In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions. Tertium Organum (1922)

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