Frases de Martin Amis

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Martin Amis

Data de nascimento: 25. Agosto 1949
Outros nomes:Martin Louis Amis

Publicidade

Martin Amis é um escritor britânico.

Filho do escritor Kingsley Amis, estudou na Inglaterra na Faculdade de Exeter , na Espanha e nos Estados Unidos da América. Filho de pais divorciados, teve dois irmãos .

A obra de Martin Amis sofreu grande influência da obra dos escritores Saul Bellow e Vladimir Nabokov.

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Citações Martin Amis

Publicidade

„Style is not neutral; it gives moral directions.“

—  Martin Amis
Novelists in Interview (1985) edited by John Haffenden

„This moment was the apotheosis of the postmodern era — the era of images and perceptions.“

—  Martin Amis
Context: This moment was the apotheosis of the postmodern era — the era of images and perceptions. Wind conditions were also favourable; within hours, Manhattan looked as though it had taken 10 megatons.

„It was the advent of the second plane, sharking in low over the Statue of Liberty: that was the defining moment.“

—  Martin Amis
Context: It was the advent of the second plane, sharking in low over the Statue of Liberty: that was the defining moment. Until then, America thought she was witnessing nothing more serious than the worst aviation disaster in history; now she had a sense of the fantastic vehemence ranged against her.

„A joke is by definition politically incorrect — it assumes a butt, and a certain superiority in the teller. The culture won't put up with that for much longer.“

—  Martin Amis
Context: I'd like to be remembered as someone who kept the comic novel going for another generation or so. I fear the comic novel is in retreat. A joke is by definition politically incorrect — it assumes a butt, and a certain superiority in the teller. The culture won't put up with that for much longer.

„The reaction against Larkin has been unprecedentedly violent as well as unprecedentedly hypocritical, tendentious and smug. Its energy does not, could not derive from literature — it derives from ideology, or from the vaguer promptings of a new ethos.“

—  Martin Amis
Context: The reaction against Larkin has been unprecedentedly violent as well as unprecedentedly hypocritical, tendentious and smug. Its energy does not, could not derive from literature — it derives from ideology, or from the vaguer promptings of a new ethos. … This is critical revisionism in an eye-catching new outfit. The reaction, like most reactions, is just an overreaction, and to get an overreaction you need plenty of overreactors — somebody has to do it. … I remember thinking when I saw the fiery Tom Paulin's opening shot, We're not really going to do this, are we? But the new ethos was already in place, and yes, we really were going to do this — on Paulin's terms, too. His language set the tone for the final assault and mop-up, which came with the publication of Andrew Motion's, Philip Larkin: A Writer's Life. Revolting. Sewer. Such language is essentially unstable. It calls for a contest of the passions and hopes that the fight will get dirty.

„All publicity isn't good publicity.“

—  Martin Amis
Context: All publicity isn't good publicity. As a New York publicist put it: "What: the guy's an asshole so I'll go and buy his novel?" Part I: Thinking with the Blood

Publicidade

„Terrorism undermines morality. Then, too, it undermines reason.“

—  Martin Amis
Context: Like all "acts of terrorism" (easily and unsubjectively defined as organised violence against civilians), September 11 was an attack on morality: we felt a general deficit. Who, on September 10, was expecting by Christmastime to be reading unscandalised editorials in the Herald Tribune about the pros and cons of using torture on captured "enemy combatants"? Who expected Britain to renounce the doctrine of nuclear no-first-use? Terrorism undermines morality. Then, too, it undermines reason. … No, you wouldn't expect such a massive world-historical jolt, which will reverberate for centuries, to be effortlessly absorbed. But the suspicion remains that America is not behaving rationally — that America is behaving like someone still in shock.

„People don't change or improve much, but they do evolve. It is very slow.“

—  Martin Amis
Context: Feminists have often claimed a moral equivalence for sexual and racial prejudice. There are certain affinities and one or two of these affinities are mildly and paradoxically encouraging. Sexism is like racism: we all feel such impulses. Our parents feel them more strongly than we feel them; our children, we trust, will feel them less strongly than we feel them. People don't change or improve much, but they do evolve. It is very slow.

„Ten years later, Larkin is now something like a pariah, or an untouchable.“

—  Martin Amis
Context: Philip Larkin, a big, fat, bald librarian at the University of Hull, was unquestionably England's unofficial laureate: our best-loved poet since the war; better loved for our poet than John Betjeman, who was loved also for his charm, his famous beagle, his patrician Bohemianism and his televisual charisma, all of which Larkin notably lacked. Ten years later, Larkin is now something like a pariah, or an untouchable.

„Larkin the man is separated from us historically by changes in the self. For his generation, you were what you were and that was that. It made you unswervable and adamantine. My father had this quality. I don't. None of us do. There are too many forces at work, there are too many fronts to cover.“

—  Martin Amis
Context: Larkin the man is separated from us historically by changes in the self. For his generation, you were what you were and that was that. It made you unswervable and adamantine. My father had this quality. I don't. None of us do. There are too many forces at work, there are too many fronts to cover. Still, a price has to be paid for not caring what others think of you, and Larkin paid it. He couldn't change the cards he was dealt. What poor hands we hold, when we face each other honestly. His poems insist on this helplessness...

Publicidade

„I'd like to be remembered as someone who kept the comic novel going for another generation or so.“

—  Martin Amis
Context: I'd like to be remembered as someone who kept the comic novel going for another generation or so. I fear the comic novel is in retreat. A joke is by definition politically incorrect — it assumes a butt, and a certain superiority in the teller. The culture won't put up with that for much longer.

„His indivisibility judges their hedging and trimming. His honesty judges their watchfulness.“

—  Martin Amis
Context: A life is one kind of biography and the letters are another kind of life, but the internal story, the true story is in the Collected Poems. The recent attempts by Motion and others to pass judgement on Larkin look awfully green and pale, compared with the self-examinations of the poetry. They think they judge him? No, he judges them. His indivisibility judges their hedging and trimming. His honesty judges their watchfulness.

„It's been said that happiness writes white. It doesn't show up on the page.“

—  Martin Amis
Context: It's been said that happiness writes white. It doesn't show up on the page. When you're on holiday and writing a letter home to a friend, no one wants a letter that says the food is good and the weather is charming and the accommodations comfortable. You want to hear about lost passports and rat-filled shacks. "The Sadistic Muse" - an interview with Laura Miller at salon.com (10 February 1998) http://web.archive.org/web/20000110052318/http://www.salon.com/books/int/1998/02/cov_si_10int.html

„I once wrote, in The Information, that an Englishman wouldn't bother to attend a reading even if the author in question was his favorite living writer, and also his long-lost brother — even if the reading was taking place next door.“

—  Martin Amis
Context: I once wrote, in The Information, that an Englishman wouldn't bother to attend a reading even if the author in question was his favorite living writer, and also his long-lost brother — even if the reading was taking place next door. Whereas Americans go out and do things. But Meeting the Author, for me, is Meeting the Reader. Some of the little exchanges that take place over the signing table I find very fortifying: they make up for some of the other stuff you get.

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