Frases de John Keats

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“Oh, se eu ao menos pudesse ter uma vida de sensações em vez de uma vida de pensamentos.”

“Eu amo você ainda mais pelo fato de que acredito que você tenha gostado de mim só por mim mesmo e por nada mais.”

“Beleza é verdade, verdade é beleza' - isto é tudo / o que conheceis sobre a Terra, e é tudo o que precisais conhecer.”

“Aí de quando a paixão é simultaneamente modesta e arrebatada!”

“Se a poesia não surgir tão naturalmente como as folhas de uma árvore, é melhor que não surja mesmo.”

“No mesmo templo do deleite / A velada Melancolia tem o seu santuário.”

“Toda a beleza é alegria que permanece.”

“Eu de nada tenho certeza, a não ser da realidade das afeições do coração e da verdade da Imaginação. A beleza apreendida pela Imaginação deve ser verdade. A Imaginação pode ser comparada ao sonho de Adão. Adão despertou e viu que era verdadeiro.”

“Meu amor é egoísta. Não posso respirar sem você.”

“He play'd an ancient ditty long since mute,
In Provence call'd "La belle dame sans mercy."”

“I have nothing to speak of but my self-and what can I say but what I feel”

“O for ten years, that I may overwhelm
Myself in poesy; so I may do the deed
That my own soul has to itself decreed.”

“Sudden a thought came like a full-blown rose,
Flushing his brow, and in his pained heart
Made purple riot.”

“I am certain I have not a right feeling towards women - at this moment I am striving to be just to them, but I cannot. Is it because they fall so far beneath my boyish imagination? When I was a schoolboy I thought a fair woman a pure Goddess; my mind was a soft nest in which some one of them slept, though she knew it not.”

“Many have original minds who do not think it — they are led away by custom — Now it appears to me that almost any man may like the spider spin from his own inwards his own citadel.”

“I stood tip-toe upon a little hill,
The air was cooling, and so very still,
That the sweet buds which with a modest pride
Pull droopingly, in slanting curve aside,
Their scantly leaved, and finely tapering stems,
Had not yet lost those starry diadems
Caught from the early sobbing of the morn.”

“Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty," — that is all
Ye know on earth, and all ye need to know.”

“Pleasure is oft a visitant; but pain
Clings cruelly to us.”

“Unclasps her warmed jewels one by one;
Loosens her fragrant bodice; by degrees
Her rich attire creeps rustling to her knees.”

“Ever let the Fancy roam,
Pleasure never is at home.”

“My restless spirit never could endure
To brood so long upon one luxury,
Unless it did, though fearfully, espy
A hope beyond the shadow of a dream.”

“Wherein lies happiness? In that which becks
Our ready minds to fellowship divine,
A fellowship with essence; till we shine,
Full alchemiz’d, and free of space. Behold
The clear religion of heaven!”

“But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose.”

“Sometimes goldfinches one by one will drop
From low hung branches; little space they stop;
But sip, and twitter, and their feathers sleek;
Then off at once, as in a wanton freak:
Or perhaps, to show their black, and golden wings
Pausing upon their yellow flutterings.”

“And still she slept an azure-lidded sleep,
In blanched linen, smooth, and lavender’d.”

“So let me be thy choir, and make a moan
Upon the midnight hours”

“And then there crept
A little noiseless noise among the leaves,
Born of the very sigh that silence heaves.”

“My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
Tis not through envy of thy happy lot,
But being too happy in thine happiness, —
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.”

“And thou art distant in humanity. ”

“Byron! how sweetly sad thy melody!
Attuning still the soul to tenderness,
As if soft Pity, with unusual stress,
Had touched her plaintive lute, and thou, being by,
Hadst caught the tones, nor suffered them to die.
O'ershading sorrow doth not make thee less
Delightful: thou thy griefs dost dress
With a bright halo, shining beamily,
As when a cloud a golden moon doth veil,
Its sides are tinged with a resplendent glow,
Through the dark robe oft amber rays prevail,
And like fair veins in sable marble flow;
Still warble, dying swan! still tell the tale,
The enchanting tale, the tale of pleasing woe. ”

“But though I'll gladly trace these scenes with thee,
Yet the sweet converse of an innocent mind,
Whose words are images of thoughts refin'd,
Is my soul's pleasure; and it sure must be
Almost the highest bliss of human-kind,
When to thy haunts two kindred spirits flee. Быть одному — ”

“Bright star, would I were stedfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death.”

“The poetical character… is not itself — it has no self — it is every thing and nothing — It has no character — it enjoys light and shade; it lives in gusto, be it fair or foul, high or low, rich or poor, mean or elevated.”

“In Poetry I have a few axioms, and you will see how far I am from their centre. I think Poetry should surprise by a fine excess and not by singularity — it should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance — Its touches of Beauty should never be halfway thereby making the reader breathless instead of content: the rise, the progress, the setting of imagery should like the Sun come natural to him — shine over him and set soberly although in magnificence leaving him in the luxury of twilight — but it is easier to think what Poetry should be than to write it — and this leads me on to another axiom. That if Poetry comes not as naturally as the leaves to a tree it had better not come at all.”

“To Sorrow
I bade good-morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her
And so leave her,
But ah! she is so constant and so kind.”

“Heard melodies are sweet, but those unheard
Are sweeter: therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone.
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal — yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!”

“We hate poetry that has a palpable design upon us — and if we do not agree, seems to put its hand in its breeches pocket. Poetry should be great and unobtrusive, a thing which enters into one's soul, and does not startle or amaze with itself, but with its subject.”

“I will give you a definition of a proud man: he is a man who has neither vanity nor wisdom one filled with hatreds cannot be vain, neither can he be wise.”