Frases de Ernst Gombrich (18 citações) | Citações e frases famosas

Ernst Gombrich: 18 citações 0 Curtidas

Ernst Gombrich frases e citações

“Não acredito na idéia de vanguarda, como não acredito em progresso na arte. Na ciência, essas idéias são aceitáveis, mas em arte o que vale é a obra encantar e provocar admiração, ou não.”

Ernst Gombrich

citado em "Arte é o que eu e você chamamos arte: 801 definições sobre arte e o sistema da arte"‎ - Página 287, de Frederico Morais - Editora Record, 2002, ISBN 8501050024, 9788501050021 - 320 páginas

De arte , Idéia , Ciência

“Nada existe a que se possa dar o nome Arte. Existem somente artistas.”

Ernst Gombrich

Genaugenommen gibt es die Kunst gar nicht. Es gibt nur Künstler
citado em Jahrbuch fur Aesthetik und allgemeine Kunstwissenschaft‎ - v.3, Página 77, 1958

De arte

Ernst Gombrich: Frases em inglês

“If Van Eyck’s patrons had all been Buddhists he would neither have painted the Adoration of the Lamb nor, for that matter, the Hunting of the Otter, but though the fact that he did is therefore trivially connected with the civilization in which he worked, there is no need to place these works on the periphery of the Hegelian wheel and look for the governing cause that explains both otter hunting and piety in the particular form they took in the early decades of the fifteenth century, and which is also expressed in Van Eyck’s new technique.”

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Ernst Gombrich

In Search of Cultural History (1969)

“One never finishes learning about art. There are always new things to discover. Great works of art seem to look different every time one stands before them. They seem to be as inexhaustible and unpredictable as real human beings.”

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Ernst Gombrich livro The Story of Art

Fonte: The Story of Art (1978), p. 33.

“We are all inclined to accept conventional forms or colours as the only correct ones. Children sometimes think that stars must be star-shaped, though naturally they are not. The people who insist that in a picture the sky must be blue, and the grass green, are not very different from these children. They get indignant if they see other colours in a picture, but if we try to forget all we have heard about green grass and blue skies, and look at the world as if we had just arrived from another planet on a voyage of discovery and were seeing it for the first time, we may find that things are apt to have the most surprising colours.”

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Ernst Gombrich livro The Story of Art

Fonte: The Story of Art (1978), p. 26.

“Anyone who can handle a needle convincingly can make us see a thread which is not there.”

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Ernst Gombrich Art and Illusion

Quoted in: Willie Maartens (2006). Mapping Reality, p. 185.
Art and Illusion (1960)

“I hope and believe cultural history will make progress if it also fixes its attention firmly on the individual human being. Movements, as distinct from periods, are started by people. Some of them are abortive, others catch on. Each movement in its turn has a core of dedicated souls, a crowd of hangers-on, not to forget a lunatic fringe. There is a whole spectrum of attitudes and degrees of conversion. Even within the individual there may be various levels of conviction, various conscious and unconscious fluctuations in loyalty. What seemed acceptable during the mass rally or revivalist meeting may look pretty crazy on the way home. But movements would not be movements if they did not have their badges, their outward signs, their style of behaviour, style of speech and of dress. Who can probe the motives which prompt individuals to adopt some of these, and who would venture in every case to pronounce on the completeness of the conversion this adoption may express? Knowing these limitations, the cultural historian will be a little wary of the claims of cultural psychology.”

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Ernst Gombrich

In Search of Cultural History (1969)

“Whether we know it or not, we always approach the past with some preconceived ideas, with a rudimentary theory we wish to test. In this as in many other respects the cultural historian does not differ all that much from his predecessor, the traveller to foreign lands. Not the professional traveller who is only interested in one particular errand, be it the exploration of a country’s kinship system or its hydroelectric schemes, but the broad-minded traveller who wants to understand the culture of the country in which he finds himself.”

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Ernst Gombrich

In Search of Cultural History (1969)

“If you want to do anything new you must first make sure you know what people have tried before.”

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Ernst Gombrich livro A Little History of the World

Fonte: A Little History of the World (2005), p. 90.

“Our memory is like that burning scrap of paper. We use it to light up the past. First of all our own, and then we ask old people to tell us what they remember. After that we look for letters written by people who are already dead. And in this way we light our way back. There are buildings that are just for storing old scraps of paper that people once wrote on – they are called archives. In them you can find letters written hundreds of years ago. In an archive, I once found a letter which just said: 'Dear Mummy, Dear Mummy, Yesterday we ate some lovely truffles, love from William.”

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Ernst Gombrich livro A Little History of the World

William was a little Italian prince who lived four hundred years ago.
Fonte: A Little History of the World (2005), p. 2.

“The true miracle of the language of art is not that it enables the artist to create the illusion of reality. It is that under the hands of a great master the image becomes translucent. In teaching us to see the visible world afresh, he gives us the illusion of looking into the invisible realms of the mind - if only we know, as Philostratus says, how to use our eyes.”

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Ernst Gombrich Art and Illusion

Art and Illusion (1960)

“Images apparently occupy a curious position somewhere between the statements of language, which are intended to convey a meaning, and the things of nature, to which we only can give a meaning.”

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Ernst Gombrich

E. H. Gombrich, Symbolic Images, (1972).

“The beginning of the sixteenth century, the Cinquecento, is the most famous period of Italian art, one of the greatest periods of all time. This was the time of Leonardo da Vinci and Michelangelo, of Raphael and Titian, of Correggio and Giorgione, of Dürer and Holbein in the north, and of many other famous masters. One may well ask why it was that all these great masters were born in the same period, but such questions are more easily asked than answered. One cannot explain the existence of genius. It is better to enjoy it.”

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Ernst Gombrich livro The Story of Art

Fonte: The Story of Art (1978), p. 217-218, as cited in: Molyneux, John. " Michelangelo and human emancipation http://www.isj.org.uk/index.php4?id=685&issue=128." Issue: 128, Posted: 14 October 2010.