Frases de Dylan Moran

Dylan William Moran é um comediante, ator e autor irlandês, ganhador de dois prêmios BAFTA e um Prêmio Perrier de comédia. Ele é mais famoso pela sua comédia de observação, o sitcom Black Books do qual é coautor, e pelos seus trabalhos com Simon Pegg em Shaun of the Dead e Run Fatboy Run. Moran normalmente aparece em apresentações de comédia, tanto nacionais quanto internacionais, incluindo o Edinburgh Festival Fringe, Festival de Comédia de Montreal Just for Laughs, Festival Internacional de Melborne de Comédia e o Festival de Comédia Kilkenny. Wikipedia

✵ 3. Novembro 1971

Dylan Moran photo

Fernando de Sousa of Melbourne, Australia, Cropped from here / CC BY-SA 2.0

Dylan Moran: 121 citações0 Curtidas

Dylan Moran frases e citações

“Quando você diz a uma criança "Hora de ir dormir, agora é hora de ir dormir" não é isso que que a criança ouve. O que ela ouve é "Vá e deite no [escuro] por horas. Por horas. E não se mexa. Eu estou trancando a porta agora."”

When you say 'Bedtime, bedtime, bedtime!' that's not what the child hears. What the child hears is 'Lie down in the dark... for hours... and don't move... I'm locking the door now.'
Dylan Moran; Like, Totally (2006)

Dylan Moran: Frases em inglês

“Everybody does that now. We all take pics… you do the same with holiday photos. You record something to look back on it, even though you’re not really there when you’re taking the picture ‘cause you’re too busy recording it; so you retrospectively go to look back on where you weren’t and tell yourself you had a good time.”

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On taking pics.
Monster (2004)

“I got bored of the tedious conversations, talking to the dealer in a stairwell where you're not supposed to be, then going back to a depressing room and spending nine hours locked up going "eeerh", then going back to get more with what little money you have left.”

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On drugs.
Like, Totally (2006)

“You laugh at the North, you think they’re all funny little short people who live in a big pie. Trying to sort out their relationship with the definite article. Throwing darts at their dinner.”

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on Northern people.
Yeah, Yeah (2011)

“My ideal body, you know, would be just probably something like, ahm… One eye, you probably only need one. A kind of sucker thing instead of teeth, because they just give you grief in the end, you know. And a long, long tube with my arse way over there so I don't have to deal with it. That would be ideal.”

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Describing ideal body.
Monster (2004)

“Men look at breasts the way women look at babies. 'Aw, isn't that lovely.”

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Like, Totally (2006)

“If you're a young man, you know, you live in a sexual tyranny anyway and your penis is Kim Jong. Sex decides everything. You can have a car crash. You lie in the ditch thinking: "What is the erotic twist in the situation? I can't quite seem to see it yet."”

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on men.
Yeah, Yeah (2011)

“So, what else is going on? Music? Fine, here is The Beatles, The Stones come here later this evening, there is The Velvet Underground, Janis Joplin has just gone to lunch. So, do you want something to do in between now and then, I'd grow my hair and fornicate if I were you.”

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Monster (2004)

“People who get implants, it's so depressing, you know… People— I don't know. The route of that, you know, maybe they want more love or attention, or what it is, but they always go for the most obvious place, you know? Here… Well if you really want more attention, why not get them in your eyes? And then move you eyes down to where you nipples used to be, put you breasts up on your head, EVERYBODY will pay attention!”

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On implants.
Monster (2004)

“I asked a women I was with once, simple question, I asked her 'Have you ever eaten pheasant?' See, it's direct, isn't it?! It's enclosed, it contains everything that needs to be said! And she said a wonderful thing. She said "Erm…"—she thought about it—and she said "Er, not really." What does that mean? On any level? I mean, did you suck it and throw it away? Did someone drop it in your drink? What happened? Was it a speeding car, one lick? WHAT, WHAT?!?!”

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On women.
Monster (2004)

“You should be as alive as you can, until you're totally dead!”

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On getting old.
What It Is (2009)

“People will kill you. Over time. They will shave out every last morsel of fun in you with little, harmless sounding phrases that people uses every day, like: "Be realistic!"[…] You never hear someone go "Be realistic! Let me oil you."”

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What It Is (2009)

“I remember when singers were singers. Ugly people. Aretha Franklin needed a lot of room to eat her chicken wings. Janis Joplin used to come out in clothes woven from her own vomit. Nina Simone, amazing singer, could look at a railway track and buckle it. It didn’t matter; They were beautiful people because of what they could do.”

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Monster (2004)

“The meaning of the word "gay" has changed. It used to mean all colourful and happy and homosexual, but now it's a word children use to describe something that's a little bit meh. "You're eating Weetabix? Oh, that's so gay."”

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Like, Totally (2006)

“Cool, calm, and unemotional. Protestant, for short. It's a fantastic religion, it makes absolutely no demands upon you at all, which is why it's not a great religion. All great religions are built on shame. You don't have any of that if you're Protestant. You go to the church, sing a few hymns, have a cup of tea, everybody goes home and has a wank.”

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On Protestants.
Like, Totally (2006)

“You see the button with the picture of the guy with the tray, and you push it, AND HE ARRIVES WITH A SANDWICH! …And you think: "Yes! Yes! I control sandwich monkey! I live in magic land, magic land, magic land."”

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On hotel room telephone.
Monster (2004)

“Then this song came on—I will never forget it—it was called "The Funk Soul Brother." And I will always remember that because it was also all of the lyrics… and, er, it was that school of songwriting, you know, very easy on the words in case they get wasted, I don't know what— there's a shortage, and… it sounded like a million fire engines chasing ten million ambulances through a war zone and was played at a volume that made the empty chair beside me bleed. And it went, erm, "Funk soul brother… right about now… yeah… it's the, it's the funk soul brother… check it out. It's, er, well… it's the funk soul brother, essentially. He's, er, he's coming. He's coming at you. It's the… well… it's the funk soul brother." And after a while, I began to penetrate the meaning of this song, you know? I gathered that somebody was about to arrive, and everybody else was terribly excited—maybe he was bringing cake, or something, they didn't say—but the thing was, you see, he wasn't there yet. Ha ha, that was the hook! And I'm not saying it's a bad song, you know, or anything like that. All I'm saying is that if you get, I don't know, a broom, say, and dip it in some brake fluid, put the other end up my arse, stick me on a trampoline in a moving lift, and I would write a better song on the walls. That's all I'm saying.”

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On The Rockafeller Skank by Fatboy Slim
Monster (2004)

“Children are very overprotected now, in lots of ways. We're very nervous about them. You know, people go, "Don't go outside! Or inside! Get into the cupboard with some spinach!" When I was a child they'd kick you out and you weren't expected to come back until there were bats!”

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On modern parenting
What It Is (2009)

“They tell you, you can get everything you need from pulses and lentils and things like that. Yeah. Everything you need, except company, which is not to be had, because you are dying, bent double in a miasma of your own toxic farts.”

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on Green Party
Yeah, Yeah (2011)

“Days are stupid length. They are just long enough to get regret and then you have to go to bed.”

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on days.
Yeah, Yeah (2011)

“I'm quite a compulsive person—I only worked this out recently—I'm compulsive, but I'm also very indecisive. I don't know what I want, but I know that I want it now.”

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Like, Totally (2006)

“I have tried… believe me, I have tried to like rap music. It makes me feel so very, very old. I have tried to get home with the downies.”

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Monster (2004)

“You ask women, “You know how painful is it? What are talking about here?” And you don’t get an answer, you get anger… and it always starts with the melon…“IMAGINE A MELON!… COMING THROUGH YOUR FACE!… fuckin' stay there, I’ll get a melon!””

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On asking women about childbirth.
What It Is (2009)

“You cannot over estimate how infantile men are about sex! Men are people that have sex BECAUSE they have a headache… or are on fire, or have been shot in the head, or whatever it is!”

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On men.
Monster (2004)

“The truth is that women are like chick peas under a psychopath's hat. They can be cherishable and zingy and suprising. But you ask too many questions and you get killed.”

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Yeah, Yeah (2011)

“The ultimate human shopping list: I’d like some illegal, some forbidden, some frowned upon and some downright disgusting, please. I’ll have that to go, thank you!”

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What It Is (2009)

“It's not even a drink. It's a way for having the cops around without using a phone.”

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On Tequila.
What It Is (2009)

“The weak, sensual, pleasure-loving French. You know, not going to war because they’re all still in bed at two in the afternoon, with the sheets coiled about their knees, lying, there scratching themselves, smoking a Gauloise inside a Gitane, sweating Nice sancerre. Before one of them sloughs off the sheets to pad around the kitchen naked. No, not naked, naked from the waist down. To emphasise their nakedity. Picking up yesterday's croissant crumbs with their sweaty feet. Slashing yesterday's paintings.”

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Monster (2004)

“Fruit… it's just God showing off. "Look at all the colours I know!"”

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Like, Totally (2006)

“The candlelight dances off her mahogany-coloured skin as she un-robes, and she is smiling from the very middle of herself, and you look at them and you think "This is the one, this is it" and then—and then the cage comes down!”

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On love.
Like, Totally (2006)

“Children aren't like that, which is why they look so young, 'cause they always have a sense of style and purpose. When they're walking around, they have a very definite purpose, they're walking. And it's a great walk as well, it's not an adult's sort of bemused shuffle, it's that 'I'm going over here.' And you say 'Why are you going over there?' 'Because I have a harmonica.' 'What are you doing with the harmonica?' 'I'm going to put it in the toilet.”

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'Why are you doing tha—' 'Enough questions, goodbye!'
On children's attitude.
Like, Totally (2006)