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Roger Joseph Ebert foi um crítico de cinema e roteirista norte-americano.

Era conhecido por sua coluna na qual fazia críticas e análises de filmes e por dois programas de televisão, Sneak Previews e Siskel & Ebert at the Movies, que ele apresentou ao longo de 23 anos juntamente com Gene Siskel. Com a morte de Siskel, em 1999, Roger continuou o programa com Richard Roeper, com o novo título de Ebert & Roeper at the Movies. Embora seu nome permanecesse no título, ele deixou de aparecer no programa após meados de 2006, quando sofreu complicações pós-cirúrgicas relacionadas ao câncer na tiroide, que lhe deixaram incapaz de falar. Ebert terminou sua associação com o programa em julho de 2008, porém em fevereiro de 2009 declarou que ele e Roeper continuariam seu trabalho num novo programa. Em abril de 2010 foi anunciado o fim do programa.As críticas de Ebert eram republicadas em mais de 200 jornais ao redor dos Estados Unidos e do mundo. Escreveu mais de 15 livros, incluindo seu guia anual de filmes, que reúne as suas críticas de cada ano. Em 1975 Ebert se tornou o primeiro crítico de cinema a vencer um Prémio Pulitzer de Crítica. Seus programas de televisão também foram amplamente retransmitidos, e indicados para prêmios Emmy. Em fevereiro de 1995 o trecho da Rua Erie, em Chicago, situado próximo aos Estúdios da CBS, recebeu o nome honorário de Siskel & Ebert Way. Em junho de 2005 Ebert recebeu uma estrela na Calçada da Fama de Hollywood, o primeiro profissional da crítica a receber tal honra. No fim de 2007 a revista Forbes o nomeou "o mais poderoso pundit da América", destronando Bill O'Reilly, Lou Dobbs e Geraldo Rivera. Ebert tem um diploma honorário da Universidade do Colorado, do Conservatório AFI e da Escola do Instituto de Arte de Chicago.

Desde 1994 tinha escrito uma série de críticas, Great Movies, daqueles que considera os filmes mais importantes de todos os tempos. Esta lista e as críticas associadas a ela foram ampliadas, e contém atualmente mais de 300 filmes. A partir de 1999, Ebert apresentou anualmente o Festival de Cinema Roger Ebert, em Champaign, Illinois.

Ebert perdeu a voz em 2006, em decorrência de uma cirurgia para restauração da mandíbula, em face de um câncer diagnosticado no ano de 2002. Em 2011 apresentou à imprensa sua fala computadorizada, à qual deu o nome de Alex.Roger Ebert morreu em 4 de abril de 2013, resultado de complicações devido a um cancer. Wikipedia  

✵ 18. Junho 1942 – 4. Abril 2013   •   Outros nomes راجر ایبرت, రోజెర్ ఎబెర్ట్, Роджър Еберт, Ռոջեր Էբերթ
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Roger Ebert: 264   citações 0   Curtidas

Roger Ebert: Frases em inglês

“It's the kind of movie where you ask people how they liked it, and they say, "Well, it was well made," and then they wince.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/dead-ringers-1988 of Dead Ringers (23 September 1988)
Reviews, Two-and-a-half star reviews

“Attending this new version, I felt oddly as if I were watching a provincial stock company doing the best it could without the Broadway cast. I was reminded of the child prodigy who was summoned to perform for a famous pianist. The child climbed onto the piano stool and played something by Chopin with great speed and accuracy. The great musician then patted the child on the head and said, 'You can play the notes. Someday, you may be able to play the music.”

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Review http://www.rogerebert.com/reviews/psycho-1998 of Psycho (6 December 1998)
Reviews, One-and-a-half star reviews

“Call me hardhearted, call me cynical, but please don't call me if they make Home Alone 3.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/home-alone-2-lost-in-new-york-1992 of Home Alone 2: Lost in New York (20 November 1992)
Reviews, Two star reviews

“Showgirls is the first big-budget "adults only" movie in a few years and, to be sure, it contains so much nudity that the sexy parts are when the girls put on their clothes. It contains no true eroticism, however, and that's why I think it reflects a grounding in sexual fantasy: Eroticism requires a mental connection between two people, while masturbation requires only the other person's image.”

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Review http://www.rogerebert.com/reviews/showgirls-1995 of Showgirls (22 September 1995)
Reviews, Two star reviews

“A depressing number of people seem to process everything literally. They are to wit as a blind man is to a forest, able to find every tree, but each one coming as a surprise.”

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First published in the "Movie Answer Man" column (18 September 2005) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050918/ANSWERMAN/509180304/1023

“But now here is the director's cut, which is 20 minutes shorter, lops off a couple of characters and a few of the infinite subplots, and is even more of a mess. I recommend that Kelly keep right on cutting until he whittles it down to a ukulele pick.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/southland-tales-2007 of Southland Tales (16 November 2007)
Reviews, One-star reviews

“"This sucks on so many levels." — Dialogue from "Jason X" Rare for a movie to so frankly describe itself. "Jason X" sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought.”

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Review http://www.rogerebert.com/reviews/jason-x-2002 of Jason X (26 April 2002)
Reviews, Half-star reviews

“Battlefield Earth is like taking a bus trip with someone who has needed a bath for a long time. It's not merely bad; it's unpleasant in a hostile way. The visuals are grubby and drab. The characters are unkempt and have rotten teeth. Breathing tubes hang from their noses like ropes of snot. The soundtrack sounds like the boom mike is being slammed against the inside of a 55-gallon drum. The plot. … Some movies run off the rails. This one is like the train crash in The Fugitive. I watched it in mounting gloom, realizing I was witnessing something historic, a film that for decades to come will be the punch line of jokes about bad movies.”

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Review http://www.rogerebert.com/reviews/battlefield-earth-2000 of Battlefield Earth (12 May 2000)
Reviews, Half-star reviews

“You want loud, dumb, skillful, escapist entertainment? Twister works. You want to think? Think twice about seeing it.”

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Review http://www.rogerebert.com/reviews/twister-1996 of Twister (10 May 1996)
Reviews, Two-and-a-half star reviews

“I wonder who will find the film more uncomfortable - men or women? Both will recoil from the brutality of the scenes of the assault. But for some men, the movie will reveal a truth that most women already know. It is that verbal sexual harassment, whether crudely in a saloon back room or subtly in an everyday situation, is a form of violence - one that leaves no visible marks but can make its victims feel unable to move freely and casually in society.”

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Review http://www.rogerebert.com/reviews/the-accused-1988 of The Accused (14 October 1988)
Reviews, Three star reviews

“I wear a pedometer, a little device that counts every step. It works as a goad, because you walk additional distances to pile up the numbers. The average person walks 2,000 to 3,000 steps a day. I walk 10,000 steps a day. I have lost a lot of weight as a result.”

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Roger Ebert

"A Film Critic's Windy City Home' in The New York Times (13 February 2005) http://www.nytimes.com/2005/02/13/magazine/13DOMAINS.html?ex=1266987600&en=ee5831db9aa9dafb&ei=5088&partner=rssnyt

“The Golden Thumb is not as good as the Oscar, but it is a lot of fun.”

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"A Film Critic's Windy City Home' in The New York Times (13 February 2005)

“Once is the kind of film I've been pestered about ever since I started reviewing again. People couldn't quite describe it, but they said I had to see it. I had to. Well, I did. They were right.”

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Review http://www.rogerebert.com/reviews/once-2007 of Once (24 December 2007)
Reviews, Four star reviews

“I had a hard time watching Wolf Creek. It is a film with one clear purpose: To establish the commercial credentials of its director by showing his skill at depicting the brutal tracking, torture and mutilation of screaming young women. When the killer severs the spine of one of his victims and calls her "a head on a stick," I wanted to walk out of the theater and keep on walking.”

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Review http://www.rogerebert.com/reviews/wolf-creek-2005 of Wolf Creek (23 December 2005)
Reviews, Zero star reviews

“Sour Grapes is a comedy about things that aren't funny. It reminded me of Crash, an erotic thriller about things no one finds erotic. The big difference is that David Cronenberg, who made Crash, knew that people were not turned on by auto accidents. Larry David, who wrote and directed Sour Grapes, apparently thinks people are amused by cancer, accidental castration, racial stereotypes and bitter family feuds… The more I think of it, the more Sour Grapes really does resemble Crash (except that Crash was not a bad film). Both movies are like watching automobile accidents. Only one was intended to be.”

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Review http://www.rogerebert.com/reviews/sour-grapes-1998 of Sour Grapes (17 April 1998)
Reviews, Zero star reviews

“Hitchcock said a movie should play the audience like a piano. Death Race played me like a drum. It is an assault on all senses, including common. Walking out, I had the impression I had just seen the video game and was still waiting for the movie.”

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Review http://www.rogerebert.com/reviews/death-race-2008 of Death Race (22 August 2008)
Reviews, Half-star reviews

“Clerks spoke with the sure, clear voice of an original filmmaker. In Mallrats the voice is muffled, and we sense instead advice from the tired, the establishment, the timid and other familiar Hollywood executive types. The year that Clerks played at the Cannes Film Festival, I was the chairman of a panel discussion of independent filmmakers. Most of them talked about their battles to stay free from Hollywood's playsafe strategies. But Kevin Smith cheerfully said he'd be happy to do whatever the studios wanted, if they'd pay for his films. At the time, I thought he was joking.”

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Review http://www.rogerebert.com/reviews/mallrats-1995 of Mallrats (20 October 1995)
Reviews, One-and-a-half star reviews

“The movie cheerfully offends all civilized notions of taste, decorum, manners and hygiene… is the movie vulgar? Vulgarity is when we don't laugh. When we laugh, it's merely human nature.”

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Review http://www.rogerebert.com/reviews/american-wedding-2003 of American Wedding (1 August 2003)
Reviews, Three star reviews

“Absolutists frighten me. During all the endless discussions on my blog about evolution, intelligent design, God, and the afterworld, numbering altogether thousands of comments, I have never named my beliefs, although readers have freely informed me that I am an atheist, and agnostic, or at the very least a secular humanist”

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which I am.
Fonte: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God

“It's like the high school production of something you saw at Steppenwolf, with the most gifted students in drama class playing the John Malkovich and Joan Allen roles.”

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Review http://www.rogerebert.com/reviews/the-pink-panther-2006 of The Pink Panther (10 February 2006)
Reviews, One-and-a-half star reviews

“[D]oes the real world have any more substance than visions and hallucinations — when we're having them? At any given moment, what's happening in our minds is all and everything that happens.”

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Review http://www.rogerebert.com/reviews/uncle-boonmee-who-can-recall-his-past-lives-2011 of Uncle Boonmee Who Can Recall His Past Lives (14 April 2011)
Reviews, Three-and-a-half star reviews

“I have always had my doubts about any form of divine intervention in sports contests. The power of prayer may be remarkable in many other arenas, but why should God want my team to win instead of the other side? Isn't it insulting to request God to even take an interest in baseball?”

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Review http://www.rogerebert.com/reviews/angels-in-the-outfield-1994 of Angels in the Outfield (15 July 1994)
Reviews, Two star reviews

“It was W. C. Fields who hated to appear in the same scene with a child, a dog, or a plunging neckline - because nobody in the audience would be looking at him. Jennifer Aniston has the same problem in this movie even when she's in scenes all by herself.”

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Review http://www.rogerebert.com/reviews/picture-perfect-1997 of Picture Perfect (1 August 1997)
Reviews, Two star reviews

“I remember when hard-core first became commonplace, and there were discussions about what it would be like if a serious director ever made a porn movie. The answer, judging by Anatomy of Hell, is that the audience would decide they did not require such a serious director after all.”

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Review http://www.rogerebert.com/reviews/anatomy-of-hell-2004 of Anatomy of Hell (12 November 2004)
Reviews, One-star reviews

“The movie is being revived around the country for midnight cult showings. Midnight is not late enough.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/the-beyond-1998 of The Beyond (3 July 1998)
Reviews, Half-star reviews

“…If there's one thing I've learned in this life, it's that you never say no to an old gypsy woman with a blind eye and leprous fingernails.”

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Review http://www.rogerebert.com/reviews/drag-me-to-hell-2009 of Drag Me to Hell (7 June 2009)
Reviews, Three star reviews

“The director, whose name is Pitof, was probably issued with two names at birth and would be wise to use the other one on his next project.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/catwoman-2004 of Catwoman (23 July 2004)
Reviews, One-star reviews

“Wild Things is lurid trash, with a plot so twisted they're still explaining it during the closing titles. It's like a three-way collision between a softcore sex film, a soap opera and a B-grade noir. I liked it. Movies such as this either entertain or offend audiences; there's no neutral ground. Either you're a connoisseur of melodramatic comic vulgarity, or you're not. You know who you are. I don't want to get any postcards telling me this movie is in bad taste. I'm warning you: It is in bad taste. Bad taste elevated to the level of demented sleaze.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/wild-things-1998 of Wild Things (20 March 1998)
Reviews, Three star reviews

“Guyana-Cult of the Damned has crawled out from under a rock and into local theaters, and will do nicely as this week's example of the depths to which people will plunge in search of a dollar. The movie is a gruesome version of the Jonestown massacre of 1978, so badly written and directed it illustrates a simple rule of movie exhibition: If a film is nauseating and reprehensible enough in the first place, it doesn't matter how badly it's made - people will go anyway.”

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Review http://www.rogerebert.com/reviews/guyana-cult-of-the-damned-1980 of Guyana-Cult of the Damned (29 January 1980)
Reviews, Zero star reviews

“…it is widely but wrongly believed that Beavis and Butt-Head celebrates its characters, and applauds their sublime lack of values, taste and intelligence. I've never thought so. I believe Mike Judge would rather die than share a taxi ride to the airport with his characters — that for him, B&B function like Dilbert's co-workers in the Scott Adams universe. They are a target for his anger against the rising tide of stupidity.”

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Review http://www.rogerebert.com/reviews/beavis-and-butt-head-do-america-1996 of Beavis and Butthead Do America (20 December 1996)
Reviews, Three star reviews