Frases de Robert Crumb

Robert Crumb é um artista gráfico e ilustrador, reconhecido como um dos fundadores do movimento underground dos quadrinhos americanos, sendo considerado por muitos como uma das figuras mais proeminentes desse movimento, cujo ponto de partida foi publicação do gibi artesanal, Zap Comix , idealizado por ele. Wikipedia  

✵ 30. Agosto 1943
Robert Crumb photo
Robert Crumb: 32   citações 2   Curtidas

Robert Crumb Frases famosas

“Embora eu possa gostar muito de indivíduos específicos, a humanidade em geral me enche de desprezo e desespero.”

Robert Crumb, cartunista americano, em sua autobiografia póstuma; citado em Revista Veja http://veja.abril.com.br/300305/vejaessa.html, Edição 1898 . 30 de março de 2005

“Bem, tive esse sonho em que vi Deus, em 2000. Foi intenso e vívido, teve efeito profundo em mim. Mas não pude olhar por muito tempo. A forma como o desenhei lembra só vagamente como era no sonho. Também me baseei em imagens de Deus na cultura ocidental, o patriarca de barba branca e expressão severa.”

Robert Crumb, cartunista americano, comentário sobre sua versão ilustrada do Gênesis; citado em Folha de SP http://www1.folha.uol.com.br/folha/ilustrada/ult90u624628.shtml. 16 de Setembro de 2009

“Nunca mais voltaria a viver nos EUA, tenho vergonha de ser americano. Tenho vergonha de viver no próprio planeta Terra, seres humanos são nojentos”

http://g1.globo.com/pop-arte/flip/noticia/2010/08/seres-humanos-sao-nojentos-diz-robert-crumb-em-coletiva-na-flip.html G1

Robert Crumb: Frases em inglês

“Before industrial civilization, local and regional communities made their own music, their own entertainment.”

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 180
Contexto: Before industrial civilization, local and regional communities made their own music, their own entertainment. The esthetics were based on traditions that went far back in time—i. e. folklore. But part of the con of mass culture is to make you forget history, disconnect you from tradition and the past. Sometimes that can be a good thing. Sometimes it can even be revolutionary. But tradition can also keep culture on an authentic human level, the homespun as opposed to the mass produced. Industrial civilization figured out how to manufacture popular culture and sell it back to the people. You have to marvel at the ingenuity of it! The problem is that the longer this buying and selling goes on, the more hollow and bankrupt the culture becomes. It loses its fertility, like worn out, ravaged farmland. Eventually, the yokels who bought the hype, the pitch, they want in on the game. When there are no more naive hicks left, you have a culture where everybody is conning each other all the time. There are no more earnest "squares" left—everybody's "hip", everybody is cynical.

“When I come up against the real world, I just vacillate.”

"Simon Hattenston talks to Robert Crumb" http://www.guardian.co.uk/books/2005/mar/07/robertcrumb.comics, The Guardian, 7 March 2005.

“Industrial civilization figured out how to manufacture popular culture and sell it back to the people. You have to marvel at the ingenuity of it!”

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 180
Contexto: Before industrial civilization, local and regional communities made their own music, their own entertainment. The esthetics were based on traditions that went far back in time—i. e. folklore. But part of the con of mass culture is to make you forget history, disconnect you from tradition and the past. Sometimes that can be a good thing. Sometimes it can even be revolutionary. But tradition can also keep culture on an authentic human level, the homespun as opposed to the mass produced. Industrial civilization figured out how to manufacture popular culture and sell it back to the people. You have to marvel at the ingenuity of it! The problem is that the longer this buying and selling goes on, the more hollow and bankrupt the culture becomes. It loses its fertility, like worn out, ravaged farmland. Eventually, the yokels who bought the hype, the pitch, they want in on the game. When there are no more naive hicks left, you have a culture where everybody is conning each other all the time. There are no more earnest "squares" left—everybody's "hip", everybody is cynical.

“Me, me, me…myself & I…oh no!!! Trapped in my stupid self!”

From his sketchbook (28 March 1998), reproduced in The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 372
Contexto: What the hell is this?? Who can tell me?? Does anybody know?? How can I find out more about it?? One thing's sure: the human mind can't "know" it... why does one want to "know"?? Is it a quest for "freedom"? One no longer wishes to be a puppet dancing on the strings of... of what? Animal instincts?? Learned reflexes? Programmed behavior?? Ingrained habits of perception?? How limited are we by the experience of our senses, by our physical nature?? To be fully alive is a stupendous struggle! We want the rewards without the struggle--- ---a fatal error!... No such thing as an easy life! Everybody has a hard time... struggle or die! To find out what's really going on it's necessary to get around the ego.. an art requiring persistent and determined effort... Me, me, me... myself & I... oh no!!! Trapped in my stupid self!

“I knew I was weird by the time I was four. I knew I wasn't like other boys. I knew I was more fearful. I didn't like the rough and tumble most boys were into. I knew I was a sissy.”

"Simon Hattenston talks to Robert Crumb" http://www.guardian.co.uk/books/2005/mar/07/robertcrumb.comics, The Guardian, 7 March 2005.

“Killing yourself is a major commitment, it takes a kind of courage. Most people just lead lives of cowardly desperation. It's kinda half suicide where you just dull yourself with substances.”

"Simon Hattenston talks to Robert Crumb" http://www.guardian.co.uk/books/2005/mar/07/robertcrumb.comics, The Guardian, 7 March 2005.

“The giant female bodybuilder proves unthinking people wrong who believe feminine beauty can never be harmonious with well developed musculature.”

As qtd. in the Picturing The Modern Amazon exhibition https://mnaves.wordpress.com/2000/06/19/picturing-the-modern-amazon-at-the-new-museum
Attributed

“My generation comes from a world that has been molded by crass TV programs, movies, comic books, popular music, advertisements and commercials. My brain is a huge garbage dump of all this stuff and it is this, mainly, that my work comes out of, for better or for worse. I hope that whatever synthesis I make of all this crap contains something worthwhile, that it's something other than just more smarmy entertainment—or at least, that it's genuine high quality entertainment. I also hope that perhaps it's revealing of something, maybe. On the other hand, I want to avoid becoming pretentious in the eagerness to give my work deep meanings! I have an enormous ego and must resist the urge to come on like a know-it-all. Some of the imagery in my work is sorta scary because I'm basically a fearful, pessimistic person. I'm always seeing the predatory nature of the universe, which can harm you or kill you very easily and very quickly, no matter how well you watch your step. The way I see it, we are all just so much chopped liver. We have this great gift of human intelligence to help us pick our way through this treacherous tangle, but unfortunately we don't seem to value it very much. Most of us are not brought up in environments that encourage us to appreciate and cultivate our intelligence. To me, human society appears mostly to be a living nightmare of ignorant, depraved behavior. We're all depraved, me included. I can't help it if my work reflects this sordid view of the world. Also, I feel that I have to counteract all the lame, hero-worshipping crap that is dished out by the mass-media in a never-ending deluge.”

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 363

“I’m an outsider. I will always be an outsider.”

"R. Crumb, The Art of Comics No. 1" http://www.theparisreview.org/interviews/6017/the-art-of-comics-no-1-r-crumb, The Paris Review, Summer 2010, No. 193.