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Frases de Michael Haneke

Michael Haneke é um cineasta e roteirista austríaco.

Executa trabalhos para a televisão desde 1974, estreando-se no cinema em 1989 com o filme Der Siebente Kontinent. Atingiu sucesso internacional com La pianiste , em 2001, e Le temps du loup, em 2003.

Haneke estudou psicologia, filosofia e teatro na Universidade de Viena. Começou no teatro e TV.

Entre seus primeiros filmes incluem-se O Vídeo de Benny , 71 Fragmente einer Chronologie des Zufalls , Violência Gratuita e Código Desconhecido .

Seu filme A Professora de Piano lhe rendeu o Grand Prix no Festival de Cannes daquele ano.

Com o longa-metragem Caché , ganhou o Prêmio de Melhor Diretor do ano no Festival de Cannes. No elenco está Juliette Binoche, em história de suspense psicológico.

Refilmou seu trabalho de 1997, Violência Gratuita nos Estados Unidos, tendo no elenco Naomi Watts, Tim Roth e Michael Pitt.



Na 62a. edição do Festival de Cannes, Michael Haneke recebeu, no dia 24 de maio de 2009, a Palma de Ouro de melhor filme com Das weiße Band sobre o modo como a educação familiar interfere diretamente na educação social e política de um país. Rodado em alemão e em preto-e-branco, o filme se passa na Alemanha anterior à Primeira Guerra Mundial.Em 2012 recebeu novamente a Palma de Ouro, pelo filme Amour.

Ainda por Amour, Haneke recebeu o prêmio de Melhor Filme Estrangeiro no Globo de Ouro 2013 e foi indicado a cinco categorias do Oscar: Melhor Filme, Melhor Direção, Melhor Roteiro Original, Melhor Atriz e Melhor Filme Estrangeiro, tendo recebido o prêmio na categoria Melhor filme estrangeiro.

Haneke já recebeu o Prémio do Cinema Europeu de melhor realizador em 2013, 2010 e 2006 e o Prémio do Cinema Europeu de melhor argumentista em 2006.

Em 2013 ele recebeu o Prêmio Príncipe das Astúrias na categoria Artes e em 2014 ganhou o Prêmio Sonning.

Michael Haneke já explicou dessa forma o seu propósito em relação ao seu trabalho com o cinema: "Meus filmes se insurgem contra o cinema fast-food norte-americano e sua descapacitação do espectador. Eles são um apelo para um cinema de perguntas insistentes em vez de respostas falsas , um apelo por um cinema que clarifica a distância ao invés de violar a proximidade, por um cinema da provocação e do diálogo ao invés do consumo e do consenso." Wikipedia  

✵ 23. Março 1942
Michael Haneke photo
Michael Haneke: 9   citações 0   Curtidas

Michael Haneke: Frases em inglês

“All of my films constitute a reaction against mainstream cinema. Every serious form of art sees the receiver as a partner in the undertaking. In fact, that's one of the preconditions of humanistic thought. In cinema, this fact, which should be self-evident, has been overlooked and replaced by an emphasis on the commercial aspects of the medium.”

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Michael Haneke

In response to the question, "You're well known for not wanting to impose interpretations on your films. Is this because you believe that audiences have become accustomed to being spoon-fed and told what to think?"
as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

“Today's conventional cinema, or mass cinema, doesn't take the receiver seriously as a partner. It sees the audience member as a bank machine, whose only function is to spit out money.”

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Michael Haneke

as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

“Film is an artificial construct. It pretends to reconstruct reality. But it doesn't do that—it's a manipulative form. It's a lie that can reveal the truth. But if a film isn't a work of art, it's just complicit with the process of manipulation.”

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Michael Haneke

as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

“I know very well the sorts of pressures you're under in television. I don't work in television anymore myself, but I'm constantly hearing from colleagues who present scripts to networks and are told, "The script is too complex. You have to keep it simple because the audience is dumb. You can make more money for the advertisers that way."”

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Michael Haneke

as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

“Consider the pigeon just a pigeon...There are lots of pigeons in Paris.”

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Michael Haneke

On the meaning of pigeons in his movies, "Michael Haneke talks about Amour http://www.afc.at/jart/prj3/afc/main.jart?content-id=1164272180506&artikel_id=1332442011817 16 January 2014 https://web.archive.org/web/20140116073823/http://www.afc.at/jart/prj3/afc/main.jart?content-id=1164272180506&artikel_id=1332442011817,, interview by Karin Schiefer, Austrian Film Commission, May 2012

“I do think that our perception of reality is fragmentary, and in 20th-century literature, it's totally normal to not describe reality as something whole and completely transportable and explicable. That's been accepted in novels. But genre films always pretend that reality is transportable, which means that it is explicable.”

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Michael Haneke

Lawrence, Chua. "Michael Haneke" http://bombsite.com/issues/80/articles/2489, BOMB Magazine, Summer, 2002. Retrieved 29 July 2011.

“Film is 24 lies per second at the service of truth, or at the service of the attempt to find the truth.”

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Michael Haneke

[Ignoramous, Lamos, Watch "24 Realities Per Second" Michael Haneke Documentary, http://filmslie.com/24-realities-per-second-michael-haneke-documentary/, FilmsLie.com, 10 August 2016]

“Pornography, it seems to me, is no different from war films or propaganda films in that it tries to make the visceral, horrific, or transgressive elements of life consumable. Propaganda is far more pornographic than a home video of two people fucking.”

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Michael Haneke

[Christopher Sharrett, http://www.kinoeye.org/04/01/interview01.php, Austrian film: Michael Haneke interviewed, Kinoeye, 20 September 2011]

“My films are intended as polemical statements against the American 'barrel down' cinema and its dis-empowerment of the spectator. They are an appeal for a cinema of insistent questions instead of false (because too quick) answers, for clarifying distance in place of violating closeness, for provocation and dialogue instead of consumption and consensus.”

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Michael Haneke

From "Film as catharsis". Haneke, Michael – "Film als Katharsis": in Austria (in)felix: zum österreichischem Film der 80er Jahre – Bono, Francesco (ed.), 1992. ISBN 3-901272-00-3