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Frases de Graeme Revell

Graeme Revell é um músico e compositor neozelandês que trabalhou com a colaboração com o cineasta australiano Phillip Noyce entre: Calma de Morte e O Santo .

Em 2005, Revell é conhecido por compôr o filme de acção e thriller Sin City - A Cidade do Pecado , juntamente com o compositor norte-americano John Debney e o realizador norte-americano Robert Rodriguez. Revell também trabalhou como compositor nos jogos eletrônicos Call of Duty 2 e no seu spin-off, Call of Duty 2: Big Red One. Wikipedia  

✵ 23. Outubro 1955
Graeme Revell: 2   citações 0   Curtidas

Graeme Revell: Frases em inglês

“I feel just as much compulsion to be an architect, for example, as I do a musician. And I feel inestimably guilty that I cannot fulfil the vocation for which I was trained - that of an economist specialising in problems of underdevelopment. My sadness stems from the fact that I do not have several lifetimes to lead.”

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Graeme Revell

Unsettling The Score: Graeme Revell, from SPK to Hollywood https://www.pantograph-punch.com/post/unsettling-the-score-graeme-revell-from-spk-to-hollywood (March 2, 2014)

“Here’s my attitude, and I’m sort of sorry to say this sometimes – but there are people who try and elevate film music - of all kinds – to being the great twentieth century classical music, and my opinion is it just isn’t. It’s very straightforward, major/minor or modal writing. The only time you get any kind of originality is usually in the timbres and the sounds and the mixture of elements. But to get through a scene it’s either happy, or sad – and it’s either going forward in action or it’s not – and it can be ironic, which means you’ve got to switch from major to minor frequently. But it’s not rocket science. It’s a lot of skills – a lot of political skills, frankly. It’s being in a room and playing off fifty opinions from studios, producers, directors, sometimes actors – and coming out the end with something that vaguely represents music. And frequently it doesn’t. The minute you try to get original or break the box – unless you’ve got either a very experimental or powerful director, it’s probably not going to happen.”

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Graeme Revell