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Frases de Alfred Horsley Hinton
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Alfred Horsley Hinton was an English landscape photographer, best known for his work in the pictorialist movement in the 1890s and early 1900s. As an original member of the Linked Ring and editor of The Amateur Photographer, he was one of the movement's staunchest advocates. Hinton wrote nearly a dozen books on photographic technique, and his photographs were exhibited at expositions throughout Europe and North America. Wikipedia  

✵ 1863 – 25. Fevereiro 1908
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Alfred Horsley Hinton: Frases em inglês

“…we might now formulate a maxim to the effect that art -- that is, in our case, pictorial representation --- employs the image of concrete things to create abstract ideas.”

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Alfred Horsley Hinton

Fonte: Practical Pictorial Photography, 1898, The application of the foregoing principles, p. 13

“…let it be remembered that as photography is our chosen medium, then if photography unaided will give us the effect we want there is no especial virtue in altering it.”

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Alfred Horsley Hinton

Fonte: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 79

“If we are to select our subjects or arrange our groups with a pictorial motive we must absolutely and entirely sacrifice every other consideration, and be prepared to cut out of our composition the prettiest and most interesting item, if by so doing composition pure and simple is improved. And if some subject you are attached to will not admit of composition or will not admit of your treating it pictorially, then photograph it if you wish, but never suppose that it will form a picture.”

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Alfred Horsley Hinton

Fonte: Practical Pictorial Photography, 1898, Methods - The practical application of means to end, p. 29

“… it may suggest whether a negative made by camera and lens is always an essential, or indeed if a negative at all is needed so long as we can produce a light-painted image at our will.”

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Alfred Horsley Hinton

Fonte: Part II : Practical Pictorial Photography, Fidelity to nature and justifiable untruth, p. 24