Frases de Alfred Cortot

Alfred Denis Cortot foi um pianista e maestro suíço. É um dos músicos mais populares do século XX, especialmente reconhecido por seu discernimento poético em trabalhos de piano do período romântico, particularmente os de Frédéric Chopin e Robert Schumann. Wikipedia

✵ 26. Setembro 1877 – 15. Junho 1962

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Alfred Cortot: 4 citações 0 Curtidas

Alfred Cortot: Frases em inglês

“Russian students? you ask. Yes, we have white Russians but not the Soviets. They have a wonderful school of their own which has produced superb musicians such as Sviatoslav Richter, Oistrakh, and Rostropovich. Those Russians that we have here chose freedom, but their Slavic temperament manifests itself just the same, and they have a marked talent for music.”

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Alfred Cortot

in "Visit with Alfred Cortot" by Alexander Kosloff, Music Educators Journal (Feb.-Mar., 1962)

“It seems to me that this last piece, The Poet Speaks, which is the title Schumann gave to this immortal work, should be a transition into a kind of intimate reverie. It is not just about making a beautiful sound and expressive phrasing. You also need to create a sense of dreaming. The truth is, you need to dream this piece, rather than play it.
Will you allow me to take your place? These two phrases are not connected. They are two different elements… of the same musical state. Here, like a question… And here again, another, tenderly asking the way. And from this moment, you should convey the music not just through the notes but through some kind of inspiration drawn from its immortal spirit. Now the sonorities should fade away…grow fainter and dimmer…and you are left simply in the presence of a reminiscent dream.”

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Alfred Cortot

Alfred Cortot: Master Class on Schumann Kinderszenen (1953) http://www.youtube.com/watch?v=rNUNNNNj_Qw

“Infant prodigies do not necessarily become great musicians. I have had over three thousand pupils, and I am convinced that the proficiency which some display is no more than a manifestation of dexterity and an extraordinary natural imitative faculty of children.”

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Alfred Cortot

"Do Infant Prodigies Become Great Musicians?", Music & Letters (Apr., 1935)

“The musician's technique, in fact, should be as protean as the actor's. The best method of attaining this is by combining the qualities of the artist and the technician. To do this it is essential, that in addition to concentrating upon musical technique, one should keep in touch with the other arts. They provide that general culture to the musician without which he will never become a great artist.”

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Alfred Cortot

"Do Infant Prodigies Become Great Musicians?", Music & Letters (Apr., 1935)