„“One day I rode in company with ‘Alã-ul-mulk and arrived at a plain called Tarna at a distance of seven miles from the city. There I saw innumerable stone images and animals, many of which had undergone a change, the original shape being obliterated. Some were reduced to a head, others to a foot and so on. Some of the stones were shaped like grain, wheat, peas, beans and lentils. And there were traces of a house which contained a chamber built of hewn stone, the whole of which looked like one solid mass. Upon it was a statue in the form of a man, the only difference being that its head was long, its mouth was towards a side of its face and its hands at its back like a captive’s. There were pools of water from which an extremely bad smell came. Some of the walls bore Hindî inscriptions. ‘Alã-ul-mulk told me that the historians assume that on this site there was a big city, most of the inhabitants of which were notorious. They were changed into stone. The petrified human form on the platform in the house mentioned above was that of their king. The house still goes by the name of ‘the king’s house’. It is presumed that the Hindî inscriptions, which some of the walls bear, give the history of the destruction of the inhabitants of this city. The destruction took place about a thousand years ago…”“

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— Ibn Battuta, Lahari Bandar (Sindh) . The Rehalã of Ibn Battûta translated into English by Mahdi Hussain, Baroda, 1967, p. 10.

Ibn Battuta

1304 - 1377

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In the middle of the city there was a temple larger and firmer than the rest, which can neither be described nor painted. The Sultan thus wrote respecting it: - "If any should wish to construct a building equal to this, he would not be able to do it without expending an hundred thousand, thousand red dinars, and it would occupy two hundred years even though the most experienced and able workmen were employed."...
The Sultan gave orders that all the temples should be burnt with naptha and fire, and levelled with the ground.“

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— Mahmud of Ghazni Sultan of Ghazni 971 - 1030
About the capture of Mathura. Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 44-45 Also quoted (in part) in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

„His wastefulness showed most of all in the architectural projects. He built a palace, stretching from the Palatine to the Esquiline, which he called…"The Golden House". The following details will give some notion of its size and magnificence. The entrance-hall was large enough to contain a huge statue of himself, 120 feet high…Parts of the house were overlaid with gold and studded with precious stones and mother-of pearl. All the dining-rooms had ceilings of fretted ivory, the panels of which could slide back and let a rain of flowers, or of perfume from hidden sprinklers, shower upon his guests. The main dining-room was circular, and its roof revolved, day and night, in time with the sky. Sea water, or sulphur water, was always on tap in the baths. When the palace had been decorated throughout in this lavish style, Nero dedicated it, and condescended to remark: "Good, now I can at last begin to live like a human being!"“

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— Sueton Roman historian 70 - 126
Ch. 31

„Iron Pillar: “…In our opinion this pillar was made in the ninth century before (the birth of) Lord Jesus… When Rai Pithora built a fort and an idol-house near this pillar, it stood in the courtyard of the idol-house. And when Qutbu’d-Din Aibak constructed a mosque after demolishing the idol-house, this pillar stood in the courtyard of the mosque…
”Idol-house of Rai Pithora: “There was an idol-house near the fort of Rai Pithora. It was very famous… It was built along with the fort in 1200 Bikarmi [Vikrama SaMvat] corresponding to AD 1143 and AH 538. The building of this temple was very unusual, and the work done on it by stone-cutters is such that nothing better can be conceived. The beautiful carvings on every stone in it defy description… The eastern and northern portions of this idol-house have survived intact. The fact that the Iron Pillar, which belongs to the Vaishnava faith, was kept inside it, as also the fact that sculptures of Kirshan avatar and Mahadev and Ganesh and Hanuman were carved on its walls, leads us to believe that this temple belonged to the Vaishnava faith. Although all sculptures were mutilated in the times of Muslims, even so a close scrutiny can identify as to which sculpture was what. In our opinion there was a red-stone building in this idol-house, and it was demolished. For, this sort of old stones with sculptures carved on them are still found.
”Quwwat al-Islam Masjid: “When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…”“

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— Syed Ahmed Khan Indian educator and politician 1817 - 1898
About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16

„These houses are intended to have stone walls.“

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— Ernest Flagg American architect 1857 - 1947
Context: These houses are intended to have stone walls.... The fact that a stone house is better in many ways than a wooden one, and also more economical in the long run has, for the most part, been overlooked... The conditions are... ripe for a change from wood to stone or other incombustible material, but it will doubtless come about slowly.<!-- Introduction

„[I]f neuroses were swimming pools one might, like Cheever's swimmer, steer a course from my house to the city limits and never touch dry land.“

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— Michael Chabon Novelist, short story writer, essayist 1963

„Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.“

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— Shirley Jackson, The Haunting of Hill House
Context: No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone. Ch. 1

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— Edmund Blunden English poet, author and literary critic 1896 - 1974

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Ch. 1.

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— Henri Poincaré French mathematician, physicist, engineer, and philosopher of science 1854 - 1912
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— Cees Nooteboom Dutch writer 1933

„The most heaven-like spots I have ever visited, have been certain rooms in which Christ's disciples were awaiting the summons of death. So far from being a "house of mourning," I have often found such a house to be a vestibule of glory.“

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— Theodore L. Cuyler American minister 1822 - 1909
P. 183.

„As far as country houses were concerned, the functions of the lower ranks within the hierarchy were now only those of respectful service to their superiors. They lived in the basement, or in subordinate wings to either side of the house. The main rooms were designed as the orderly setting for meetings between gentlemen, lords, and princes, who seldom forgot their rank. But behind the rigid etiquette which regulated their intercourse, continual jockeying for power, position and favours went on. The central government was a rich source of jobs and perquisites, which were distributed either by the king himself, or by his ministers and favourites. The main power of the court aristocracy now lay in its power of patronage; it was constantly being solicited for favours.“

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— Mark Girouard British architectural historian 1931

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— Alexander Cunningham
Archaeological Survey of India, Volume I: Four Reports Made During the Years 1862-63-64-65, Varanasi Reprint, 1972, Pp. 440-41. Quoted from Goel, Sita Ram (editor) (1993). Hindu temples: What happened to them. Volume I.

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— Sita Ram Goel Indian activist 1921 - 2003

„Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:
Aye, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.“

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— Walter de la Mare English poet and fiction writer 1873 - 1956

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