„I did not care for Wagner. My tastes are more classical. Der Fuhrer had no musical taste and liked Wagner because of the bombastic Teutonic glories.“

—  Hans Frank, To Leon Goldensohn, February 12, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004
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Hans Frank
1900 - 1946
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„Wagner's music is better than it sounds.“

—  Mark Twain American author and humorist 1835 - 1910
Actually by Bill Nye, possibly confused due to Nye quoting Twain in More Tramps Abroad, 1897. (See also autobiography, vol. 1, p. 288.)

Mark Twain photo

„The late Bill Nye once said "I have been told that Wagner's music is better than it sounds."“

—  Mark Twain American author and humorist 1835 - 1910
p. 288.

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Brian Greene photo

„Like modern and classical music, it’s not that one approach is right and the other wrong – the methods one chooses to use are largely a matter of taste and training.“

—  Brian Greene American physicist 1963
Context: Physicists are more like avant-garde composers, willing to bend traditional rules and brush the edge of acceptability in the search for solutions. Mathematicians are more like classical composers, typically working within a much tighter framework, reluctant to go to the next step until all previous ones have been established with due rigor. Each approach has its advantages as well as drawbacks; each provides a unique outlet for creative discovery. Like modern and classical music, it’s not that one approach is right and the other wrong – the methods one chooses to use are largely a matter of taste and training. The Elegant Universe : Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory (1999), p. 271

Tom Stoppard photo
Michael Chabon photo
Michael Swanwick photo
Daniel Barenboim photo
Pierre-Auguste Renoir photo

„He [ Richard Wagner ] was very happy but very nervous [Renoir proposed him to paint his portrait]... In short, I think I spent my time well, thirty five minutes is not long, but if I had stopped sooner it would have been better, because my model [Wagner] ended up by losing some of his good humor, and he became stiff. I followed these changes too closely [in the portrait]... At the end Wagner asked to see it. He said 'Ah! Ah! It's true that I look like a Protestant minister'. But I [Renoir] was very happy it wasn't too much of a flop: There is something of that admirable face in it“

—  Pierre-Auguste Renoir French painter and sculptor 1841 - 1919
Quote of Renoir, in his letter to a friend, 15 Jan. 1882; as cited in 'Pierre Auguste Renoir - Richard Wagner', text of museum D'Orsay http://www.musee-orsay.fr/en/collections/works-in-focus/search/commentaire/commentaire_id/richard-wagner-11042.html?no_cache=1 At the beginning of 1882, Renoir was travelling in the south of Italy and visited Palermo where Wagner was staying. Renoir proposed a short sitting for the following day and Wagner agreed; he had just finished his 'Parsifal'.

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Francesco Balilla Pratella photo

„All innovators, logically speaking, have been Futurists in relation to their time. Palestrina would have thought that Bach was crazy, and Bach would have thought Beethoven the same, and Beethoven would have thought Wagner equally so.
Rossini liked to boast that he had finally understood the music of Wagner—by reading it backward; Verdi, after listening to the overture to Tannhäuser, wrote to a friend that Wagner was mad.
So we stand at the window of a glorious mental hospital, even while we unhesitatingly declare that counterpoint and the fugue, which even today are still considered the most important branches of musical instruction...“

—  Francesco Balilla Pratella Italian composer 1880 - 1955
p. 80 Original text: :Tutti gli innovatori sono stati logicamente futuristi, in relazione ai loro tempi. Palestrina avrebbe giudicato pazzo Bach, e così Bach avrebbe giudicato Beethoven, e così Beethoven avrebbe giudicato Wagner. :Rossini si vantava di aver finalmente capito la musica di Wagner leggendola a rovescio! Verdi, dopo un’audizione dell’ouverture del Tannhäuser, in una lettera a un suo amico chiamava Wagner matto. :Siamo dunque alla finestra di un manicomio glorioso, mentre dichiariamo, senza esitare, che il contrappunto e la fuga, ancor oggi considerati come il ramo più importante dell’insegnamento musicale...

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Art Buchwald photo

„I like champagne— because it always tastes like my foot's asleep.“

—  Art Buchwald journalist, humorist, United States Marine 1925 - 2007
Some Heady Phrases on Wine http://books.google.com/books?id=uFDq4ORNvPkC&q=%22I+like+champagne+because+it+always+tastes+like+my+foot's+asleep%22&pg=PA143#v=onepage, New York Herald Tribune (1954) http://goodgrape.com/index.php/articles/comments/wine_sediments6

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Ralph Vaughan Williams photo

„Film contains potentialities for the combination of all the arts such as Wagner never dreamt of.“

—  Ralph Vaughan Williams English composer 1872 - 1958
"Film Music", The R. C. M. Magazine, February 1944.

Friedrich Nietzsche photo

„Is Wagner a human being at all? Is he not rather a disease? He contaminates everything he touches - he has made music sick.“

—  Friedrich Nietzsche German philosopher, poet, composer, cultural critic, and classical philologist 1844 - 1900
Der Fall Wagner (1888)

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