„The one irreducible truth about humanity is diversity.“

"The One Irreducible Truth about Humanity" (2005)

Martin Firrell photo
Martin Firrell66
British artist and activist 1963

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„But O the truth, the truth! the many eyes
That look on it! the diverse things they see!“

—  George Meredith British novelist and poet of the Victorian era 1828 - 1909

A Ballad of Fair Ladies in Revolt https://www.poemhunter.com/poem/a-ballad-of-fair-ladies-in-revolt/ st. 16 (1883).

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„The interdependence of word and idea shows clearly that languages are not actually means of representing a truth already known, but rather of discovering the previously unknown. Their diversity is not one of sounds and signs, but a diversity of world perspectives [Weltansichten].“

—  Wilhelm Von Humboldt German (Prussian) philosopher, government functionary, diplomat, and founder of the University of Berlin 1767 - 1835

As quoted in The Linguistic Relativity Principle and Humboldtian Ethnolinguistics : A History And Appraisal (1963) by Robert Lee Miller, and The Linguistic Turn in Hermeneutic Philosophy (2002) by Cristina Lafont
Contexto: The interdependence of word and idea shows clearly that languages are not actually means of representing a truth already known, but rather of discovering the previously unknown. Their diversity is not one of sounds and signs, but a diversity of world perspectives [Weltansichten]. … The sum of the knowable, as the field to be tilled by the human mind, lies among all languages, independent of them, in the middle. Man cannot approach this purely objective realm other than through his cognitive and sensory powers, that is, in a subjective manner.

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Karel Čapek photo

„I think it is possible, and that is the most dramatic element in modern civilization, that a human truth is opposed to another human truth no less human, ideal against ideal, positive worth against worth no less positive, instead of the struggle being as we are so often told, one between noble truth and vile selfish error.“

—  Karel Čapek Czech writer 1890 - 1938

R.U.R. supplement in The Saturday Review (1923)
Contexto: Be these people either Conservatives or Socialists, Yellows or Reds, the most important thing is — and that is the point I want to stress — that all of them are right in the plain and moral sense of the word... I ask whether it is not possible to see in the present social conflict of the world an analogous struggle between two, three, five equally serious verities and equally generous idealisms? I think it is possible, and that is the most dramatic element in modern civilization, that a human truth is opposed to another human truth no less human, ideal against ideal, positive worth against worth no less positive, instead of the struggle being as we are so often told, one between noble truth and vile selfish error.

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„Faith and reason are like two wings on which the human spirit rises to the contemplation of truth; and God has placed in the human heart a desire to know the truth—in a word, to know himself—so that, by knowing and loving God, men and women may also come to the fullness of truth about themselves.“

—  Pope John Paul II 264th Pope of the Catholic Church, saint 1920 - 2005

Encyclical Fides et Ratio, 14 September 1998
Fonte: www.vatican.va http://www.vatican.va/holy_father/john_paul_ii/encyclicals/documents/hf_jp-ii_enc_14091998_fides-et-ratio_en.html

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„There's no need to talk about it, because the truth of what one says lies in what one does.“

—  Bernhard Schlink, livro O Leitor

Variante: ... So I stopped talking about it. There's no need to talk, because the truth of what one says lies in what one does.
Fonte: The Reader

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Ingmar Bergman photo

„People ask what are my intentions with my films — my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it.“

—  Ingmar Bergman Swedish filmmaker 1918 - 2007

Four Screenplays of Ingmar Bergman (1960).
Contexto: People ask what are my intentions with my films — my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct. I prefer to describe what I would like my aim to be. There is an old story of how the cathedral of Chartres was struck by lightning and burned to the ground. Then thousands of people came from all points of the compass, like a giant procession of ants, and together they began to rebuild the cathedral on its old site. They worked until the building was completed — master builders, artists, labourers, clowns, noblemen, priests, burghers. But they all remained anonymous, and no one knows to this day who built the cathedral of Chartres.
Regardless of my own beliefs and my own doubts, which are unimportant in this connection, it is my opinion that art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God. He lived and died without being more or less important than other artisans; 'eternal values,' 'immortality' and 'masterpiece' were terms not applicable in his case. The ability to create was a gift. In such a world flourished invulnerable assurance and natural humility. Today the individual has become the highest form and the greatest bane of artistic creation.
The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy. Thus we finally gather in one large pen, where we stand and bleat about our loneliness without listening to each other and without realizing that we are smothering each other to death. The individualists stare into each other's eyes and yet deny the existence of each other.
We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal. Thus if I am asked what I would like the general purpose of my films to be, I would reply that I want to be one of the artists in the cathedral on the great plain. I want to make a dragon's head, an angel, a devil — or perhaps a saint — out of stone. It does not matter which; it is the sense of satisfaction that counts.
Regardless of whether I believe or not, whether I am a Christian or not, I would play my part in the collective building of the cathedral.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“