„The word art has in ordinary usage three senses. First, it means the creation of objects or the pursuit of activities called works of art, by people called artists; these works being distinguished from other objects and acts not merely as human products, but as products intended to be beautiful. Secondly, it means the creation of objects or the pursuit of activities called artificial as opposed to natural; that is to say objects created or activities pursued by human beings consciously free to control their natural impulses and to organize their life in a plan. Thirdly, it means that frame of mind which we call artistic, the frame of mind in which we are aware of beauty.“

—  Robin George Collingwood, Outlines of a Philosophy of Art, 1925, p. 7
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„The object of art — like every other product — creates a public which is sensitive to art and enjoys beauty.“

—  Karl Marx German philosopher, economist, sociologist, journalist and revolutionary socialist 1818 - 1883
(1857/58), Introduction, p. 12.

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James Joyce photo
Mark Rothko photo
Viggo Mortensen photo
Kazimir Malevich photo
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Lyubov Popova photo
 Plotinus photo

„It is by participation of species that we call every sensible object beautiful.“

—  Plotinus Neoplatonist philosopher 203 - 270
An Essay on the Beautiful, Context: It is by participation of species that we call every sensible object beautiful. Thus, since everything void of form is by nature fitted for its reception, as far as it is destitute of reason and form it is base and separate from the divine reason, the great fountain of forms; and whatever is entirely remote from this immortal source is perfectly base and deformed. And such is matter, which by its nature is ever averse from the supervening irradiations of form. Whenever, therefore, form accedes, it conciliates in amicable unity the parts which are about to compose a whole; for being itself one it is not wonderful that the subject of its power should tend to unity, as far as the nature of a compound will admit. Hence beauty is established in multitude when the many is reduced into one, and in this case it communicates itself both to the parts and to the whole. But when a particular one, composed from similar parts, is received it gives itself to the whole, without departing from the sameness and integrity of its nature. Thus at one and the same time it communicates itself to the whole building and its several parts; and at another time confines itself to a single stone, and then the first participation arises from the operations of art, but the second from the formation of nature. And hence body becomes beautiful through the communion supernally proceeding from divinity.

Ernest Flagg photo
El Lissitsky photo
 Vātsyāyana photo

„Karma is the enjoyment of appropriate objects by the five senses of hearing, feeling, seeing, tasting and smelling, assisted by the mind together with the soul. The ingredient in this is a peculiar contact between the organ of sense and its object, and the consciousness of pleasure which arises from that contact is called Kama.“

—  Vātsyāyana Indian logician
In: The Kama Sutra of Vatsyayana: Translated from the Sanskrit. In seven parts, with preface, introduction, and concluding remarks http://books.google.com/books?id=-ElAAQAAIAAJ&pg=PA18, Kama Shastra Society of London and Benares, 1883, P. 17

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Willoughby Sharp photo

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