„We are to a large extent an imitative society.“

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Edward R. Murrow1
1908 - 1965
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„If we share to a large extent in the mutuality of spirit which makes meaning possible, we are receptive to true meanings; if we do not, we may accept wrong or perverted ones.“

—  Richard M. Weaver American scholar 1910 - 1963
Context: If we share to a large extent in the mutuality of spirit which makes meaning possible, we are receptive to true meanings; if we do not, we may accept wrong or perverted ones. And since there is no way of getting outside the human imagination to decide otherwise what a word should mean, we are compelled to realize that the most imaginative users of language are those who are going to have the greatest influence upon vocabulary in the long run. “Relativism and the Use of Language,” pp. 123-124.

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„We must learn how to imitate Cicero from Cicero himself. Let us imitate him as he imitated others.“

—  Desiderius Erasmus Dutch Renaissance humanist, Catholic priest, and theologian 1466 - 1536
in The Erasmus Reader (1990), p. 130.

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„The crises of modern man are to a large extent religious ones, insofar as they are an awakening of his awareness to an absence of meaning.“

—  Mircea Eliade Romanian historian of religion, fiction writer and philosopher 1907 - 1986
Context: The history of religions reaches down and makes contact with that which is essentially human: the relation of man to the sacred. The history of religions can play an extremely important role in the crisis we are living through. The crises of modern man are to a large extent religious ones, insofar as they are an awakening of his awareness to an absence of meaning. Ordeal by Labyrinth, Conversations with Claude-Henri Rocquet (1982), <!-- Chicago Press --> p. 148

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„We pardon to the extent that we love.“

—  François de La Rochefoucauld French author of maxims and memoirs 1613 - 1680
Maxim 330.

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„If we are the best, it is only fair that they imitate us.“

—  Frank Stella American artist 1936
In: Alexander Alberro, ‎Blake Stimson (1999) Conceptual Art: A Critical Anthology. p. 227

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