„[I]t's guilty of the very thing that makes kids hate history as a subject when it's taught badly: The Da Vinci Code makes the past feel like a dull, grainy, faraway thing, instead of something vibrant and alive.“

—  Stephanie Zacharek, Review http://www.salon.com/ent/movies/review/2006/05/18/da_vinci/index.html of The Da Vinci Code (2006)

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„I began to feel the desire for something more; I wanted to do something to make things better.“

—  Mikhail Gorbachev General Secretary of the Communist Party of the Soviet Union 1931
1990s, On his ambitions as a youth, in an Academy of Achievement interview (28 October 2000) http://www.achievement.org/autodoc/page/gor0int-1

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„They make me hate things that are likely, when they would impose them upon me as infallible.“

—  Michel De Montaigne, livro Ensaios
Essais (1595), Book II, Context: Great abuses in the world are begotten, or, to speak more boldly, all the abuses of the world are begotten, by our being taught to be afraid of professing our ignorance, and that we are bound to accept all things we are not able to refute: we speak of all things by precepts and decisions. The style at Rome was that even that which a witness deposed to having seen with his own eyes, and what a judge determined with his most certain knowledge, was couched in this form of speaking: “it seems to me.” They make me hate things that are likely, when they would impose them upon me as infallible. Book II, Ch. 12: Apology for Raimond Sebond

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James Baldwin photo

„You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was Dostoevsky and Dickens who taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who ever had been alive.“

—  James Baldwin (1924-1987) writer from the United States 1924 - 1987
Context: You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was Dostoevsky and Dickens who taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who ever had been alive. Only if we face these open wounds in ourselves can we understand them in other people. An artist is a sort of emotional or spiritual historian. His role is to make you realize the doom and glory of knowing who you are and what you are. He has to tell, because nobody else can tell, what it is like to be alive. As quoted in "Doom and glory of knowing who you are" by Jane Howard, in LIFE magazine, Vol. 54, No. 21 (24 May 1963), p. 89 https://books.google.com/books?id=mEkEAAAAMBAJ; a part of this statement has often been quoted as it was paraphrased in The New York Times (1 June 1964):

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James Burke (science historian) photo

„The trouble is, that's not easy when you have been taught as I was, for example, that things in the past happened in straight-forward lines.“

—  James Burke (science historian) British broadcaster, science historian, author, and television producer 1936
Connections (1979), 10 - Yesterday, Tomorrow and You, Context: The question is in what way are the triggers around us likely to operate to cause things to change -- for better or worse. And, is there anything we can learn from the way that happened before, so we can teach ourselves to look for and recognize the signs of change? The trouble is, that's not easy when you have been taught as I was, for example, that things in the past happened in straight-forward lines. I mean, take one oversimple example of what I'm talking about: the idea of putting the past into packaged units -- subjects, like agriculture. The minute you look at this apparently clear-cut view of things, you see the holes. I mean, look at the tractor. Oh sure, it worked in the fields, but is it a part of the history of agriculture or a dozen other things? The steam engine, the electric spark, petroleum development, rubber technology. It's a countrified car. And, the fertilizer that follows; it doesn't follow! That came from as much as anything else from a fellow trying to make artificial diamonds. And here's another old favorite: Eureka! Great Inventors You know, the lonely genius in the garage with a lightbulb that goes ping in his head. Well, if you've seen anything of this series, you'll know what a wrong approach to things that is. None of these guys did anything by themselves; they borrowed from other people's work. And how can you say when a golden age of anything started and stopped? The age of steam certainly wasn't started by James Watt; nor did the fellow whose engine he was trying to repair -- Newcomen, nor did his predecessor Savorey, nor did his predecessor Papert. And Papert was only doing what he was doing because they had trouble draining the mines. You see what I'm trying to say? This makes you think in straight lines. And if today doesn't happen in straight lines -- think of your own experience -- why should the past have? That's part of what this series has tried to show: that the past zig-zagged along -- just like the present does -- with nobody knowing what's coming next. Only we do it more complicatedly, and it's because our lives are that much more complex than theirs were that it's worth bothering about the past. Because if you don't know how you got somewhere, you don't know where you are. And we are at the end of a journey -- the journey from the past.

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William Faulkner photo

„There is something about jumping a horse over a fence, something that makes you feel good. Perhaps it's the risk, the gamble. In any event it's a thing I need.“

—  William Faulkner American writer 1897 - 1962
As quoted in "Visit to Two-Finger Typist" by Elliot Chaze in LIFE magazine (14 July 1961) Ref: en.wikiquote.org - William Faulkner / Quotes

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