„Cause it's a good night
To be out there soakin' up the moonlight.
Stake out a little piece of shoreline.
I've got the perfect place in mind.
It's in the middle of nowhere; only way to get there
You got to get a little mud on the tires.“

—  Brad Paisley, Song lyrics, Mud on the Tires (2003), Mud on the Tires, written by Brad Paisley and Chris DuBois.
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„There is just a little music, each other and the urgency of what is at stake. Which is all they had. For that work, the work of language is to get out of the way.“

—  Toni Morrison American writer 1931 - 2019
Context: Beginning Beloved with numerals rather than spelled out numbers, it was my intention to give the house an identity separate from the street or even the city... Numbers here constitute an address, a thrilling enough prospect for slaves who had owned nothing, least of all an address. And although the numbers, unlike words, can have no modifiers, I give these an adjective — spiteful… A few words have to be read before it is clear that 124 refers to a house … and a few more have to be read to discover why it is spiteful, or rather the source of the spite. By then it is clear, if not at once, that something is beyond control, but is not beyond understanding since it is not beyond accommodation by both the "women" and the "children." The fully realized presence of the haunting is both a major incumbent of the narrative and sleight of hand. One of its purposes is to keep the reader preoccupied with the nature of the incredible spirit world while being supplied a controlled diet of the incredible political world. … Here I wanted the compelling confusion of being there as they (the characters) are; suddenly, without comfort or succor from the "author," with only imagination, intelligence, and necessity available for the journey. …. No compound of houses, no neighborhood, no sculpture, no paint, no time, especially no time because memory, pre-historic memory, has no time. There is just a little music, each other and the urgency of what is at stake. Which is all they had. For that work, the work of language is to get out of the way. "Unspeakable Things Unspoken: The Afro-American Presence in American Literature" in Michigan Quarterly Review 28, no. 1 (Winter 1989)

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„If you walk somebody, you just have to get the next hitter out. You can't be frustrated about walks or who is on base. If you've got good stuff that night, you're good enough to get the next hitter out.“

—  Carlos Zambrano Venezuelan baseball pitcher 1981
2006, Duncan, Chris, Chi Cubs 3, Houston 0 http://sports.yahoo.com/mlb/recap?gid=260814118, Yahoo! Sports, Retrieved on June 16, 2007

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„You never have to change anything you got up in the middle of the night to write.“

—  Saul Bellow Canadian-born American writer 1915 - 2005
General sources, As quoted in The #1 New York Times Bestseller (1992) by John Bear, p. 93

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„Giving people a sense of significance is the best motivation, the best way to get people fired up about their jobs, their company the contributions they can make. Find little ways of impacting people’s self-esteem, and get out of their way. Then watch as they get the job done and do so with an attitude of pride to be part of the team.“

—  Don Soderquist 1934 - 2016
On Creating Teamwork, Don Soderquist “ The Wal-Mart Way: The Inside Story of the Success of the World's Largest Company https://books.google.com/books?id=mIxwVLXdyjQC&lpg=PR9&dq=Don%20Soderquist&pg=PR9#v=onepage&q=Don%20Soderquist&f=false, Thomas Nelson, April 2005, p. 56.

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