„The Churchyard abounds with images which find a mirror in every mind, and with sentiments to which every bosom returns an echo.“

—  Samuel Johnson, The Life of Gray
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Samuel Johnson94
1709 - 1784
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„The whole book is my own, and every sentiment and sentence in it.“

—  Davy Crockett American politician 1786 - 1836
Context: I don't know of any thing in my book to be criticised on by honourable men. Is it on my spelling? — that's not my trade. Is it on my grammar? — I hadn't time to learn it, and make no pretensions to it. Is it on the order and arrangement of my book? — I never wrote one before, and never read very many; and, of course, know mighty little about that. Will it be on the authorship of the book? — this I claim, and I hang on to it, like a wax plaster. The whole book is my own, and every sentiment and sentence in it. I would not be such a fool, or knave either, as to deny that I have had it hastily run over by a friend or so, and that some little alterations have been made in the spelling and grammar; and I am not so sure that it is not the worse of even that, for I despise this way of spelling contrary to nature. And as for grammar, it's pretty much a thing of nothing at last, after all the fuss that's made about it. In some places, I wouldn't suffer either the spelling, or grammar, or any thing else to be touch'd; and therefore it will be found in my own way. But if any body complains that I have had it looked over, I can only say to him, her, or them — as the case may he — that while critics were learning grammar, and learning to spell, I, and "Doctor Jackson, L. L. D." were fighting in the wars; and if our hooks, and messages, and proclamations, and cabinet writings, and so forth, and so on, should need a little looking over, and a little correcting of the spelling and the grammar to make them fit for use, its just nobody's business. Big men have more important matters to attend to than crossing their ts—, and dotting their is—, and such like small things. Preface (1 February 1834)

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Joseph Addison photo

„Let echo, too, perform her part,
Prolonging every note with art“

—  Joseph Addison politician, writer and playwright 1672 - 1719
Context: Let echo, too, perform her part, Prolonging every note with art; And in a low expiring strain, Play all the concert o'er again. Ode for St. Cecilia's Day (1699), st. 4.

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„Moving, be like water. Still, be like a mirror. Respond like an echo.“

—  Bruce Lee Hong Kong-American actor, martial artist, philosopher and filmmaker 1940 - 1973

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 Plotinus photo

„Let us, therefore, re-ascend to the good itself, which every soul desires; and in which it can alone find perfect repose.“

—  Plotinus Neoplatonist philosopher 203 - 270
Context: Perhaps, the good and the beautiful are the same, and must be investigated by one and the same process; and in like manner the base and the evil. And in the first rank we must place the beautiful, and consider it as the same with the good; from which immediately emanates intellect as beautiful. Next to this, we must consider the soul receiving its beauty from intellect, and every inferior beauty deriving its origin from the forming power of the soul, whether conversant in fair actions and offices, or sciences and arts. Lastly, bodies themselves participate of beauty from the soul, which, as something divine, and a portion of the beautiful itself, renders whatever it supervenes and subdues, beautiful as far as its natural capacity will admit. Let us, therefore, re-ascend to the good itself, which every soul desires; and in which it can alone find perfect repose. For if anyone shall become acquainted with this source of beauty he will then know what I say, and after what manner he is beautiful. Indeed, whatever is desirable is a kind of good, since to this desire tends. But they alone pursue true good, who rise to intelligible beauty, and so far only tend to good itself; as far as they lay aside the deformed vestments of matter, with which they become connected in their descent. Just as those who penetrate into the holy retreats of sacred mysteries, are first purified and then divest themselves of their garments, until someone by such a process, having dismissed everything foreign from the God, by himself alone, beholds the solitary principle of the universe, sincere, simple and pure, from which all things depend, and to whose transcendent perfections the eyes of all intelligent natures are directed, as the proper cause of being, life and intelligence. With what ardent love, with what strong desire will he who enjoys this transporting vision be inflamed while vehemently affecting to become one with this supreme beauty! For this it is ordained, that he who does not yet perceive him, yet desires him as good, but he who enjoys the vision is enraptured with his beauty, and is equally filled with admiration and delight. Hence, such a one is agitated with a salutary astonishment; is affected with the highest and truest love; derides vehement affections and inferior loves, and despises the beauty which he once approved. Such, too, is the condition of those who, on perceiving the forms of gods or daemons, no longer esteem the fairest of corporeal forms. What, then, must be the condition of that being, who beholds the beautiful itself?

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Terry Gilliam photo

„And we were lucky because we have a magic mirror in this movie. Not every movie has a magic mirror.“

—  Terry Gilliam American-born British screenwriter, film director, animator, actor and member of the Monty Python comedy troupe 1940
Context: We were devastated. We spent the whole day — Amy Gilliam, Nicola Pecorini, the director of photography, and myself — lying flat on the floor. Heath Ledger's dead, and you don't quite get over that. I suppose I'm in an interesting position because while I'm cutting the film I'm basically working with him every day and he's fine; he's in good shape. Ideas are floating around. Then finally we decided, 'OK, let's get three other people to take over the part'. And we were lucky because we have a magic mirror in this movie. Not every movie has a magic mirror. So you can very genuinely say that these other actors are different aspects of the character that Heath plays. And it works. The point was, we've got to keep going. It was a bit like half being there, but apparently on autopilot I can still do a few things. On Heath Ledger's death in January 2008, as quoted in Terry Gilliam on Heath Ledger’s death and The Imaginarium of Doctor Parnassus (14 May 2008) http://cma.staging-thetimes.co.uk/tto/arts/film/article2431428.ece

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Edward Abbey photo

„This is the most beautiful place on earth.
There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary.“

—  Edward Abbey American author and essayist 1927 - 1989
Context: This is the most beautiful place on earth. There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio, or Rome — there's no limit to the human capacity for the homing sentiment. "The First Morning", p. 1

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