„What is meant by "the representation of space"? What distinguishes one representation from another? Does this mean "how does one see that one thing is not another thing?" What constitutes a change of focus?… What about "another way of establishing (?) "thingness"? "Something" can be either one thing or another (without turning the rabbit on its side)..“

Book B (sketchbook), c 1967: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 62
1960s

Citações relacionadas

Marcus Aurelius photo

„Acquire the contemplative way of seeing how all things change into one another“

—  Marcus Aurelius, livro Meditações

X, 11
Meditations (c. 121–180 AD), Book X
Contexto: Acquire the contemplative way of seeing how all things change into one another, and constantly attend to it, and exercise thyself about this part [of philosophy]. For nothing is so much adapted to produce magnanimity.... But as to what any man shall say or think about him, or do against him, he never even thinks of it, being himself contented with these two things: with acting justly in what he now does, and being satisfied with what is now assigned to him; and he lays aside all distracting and busy pursuits, and desires nothing else than to accomplish the straight course through the law, and by accomplishing the straight course to follow God.

Lee Smolin photo
Patricia Rozema photo

„You cannot underestimate what a radical thing it is to change from one art form to another.“

—  Patricia Rozema Canadian film director 1958

As quoted in "Mansfield Park and Film : An Interview with Patricia Rozema" by Hiba Moussa, in Literature/Film Quarterly 32, No. 4 (2004), p. 255
Contexto: You cannot underestimate what a radical thing it is to change from one art form to another. An author slaves to start with just the right word, phrase, sentence, and paragraph. The sounds of the words are crucial. But all the demands of words and prose are lifted when you make a movie. The physical presence makes many unnecessary and some necessary ones impossible. So you serve two masters as an adapting filmmaker: the author's intention and the needs of film. Sometimes "fidelity" can mean only focusing on one day of a story told over twenty years in a book.

Cheryl Strayed photo
Arundhati Roy photo

„Change is one thing. Acceptance is another.“

—  Arundhati Roy, livro The God of Small Things

Fonte: The God of Small Things

Bertrand Russell photo

„Change is one thing, progress is another.“

—  Bertrand Russell logician, one of the first analytic philosophers and political activist 1872 - 1970

1950s, Unpopular Essays (1950)

Simon Blackburn photo
Tommy Lee photo
William Penn photo
Ernest J. Gaines photo

„I would think a faith in God is one thing. I think that if we could change the whole world and keep the land is another thing. Change things yet keep keep the relationship is another thing.“

—  Ernest J. Gaines Novelist, short story writer, teacher 1933 - 2019

Gaines response after being asked: "Do you also see things in that world that you wish could be retained?", as quoted by Marcia Gaudet and Carl WootonPorch in Talk with Ernest Gaines: Conversations on the Writer's Craft http://books.google.es/books?id=JtRNfST4g_QC&hl=es&source=gbs_navlinks_s (1990)

RuPaul photo
Kenneth Tynan photo
Edgar Degas photo

„.. women… …their way of observing, combining, sensing the way they dress. They compare a thousand of more visible things with one another than a man does.“

—  Edgar Degas French artist 1834 - 1917

Quote from The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 53
quotes, undated

Lewis Carroll photo
T.S. Eliot photo
Robin Hobb photo
Charles Fort photo
Deb Caletti photo
Salma Hayek photo

„Hello? That's another cliché! It's getting yourself out of one box to put yourself in another. The way to fight a cliché is not by creating another one. What breaks the cliché is the emergence of strong individuals.“

—  Salma Hayek Mexican-American actress and producer 1966

O interview (2003)
Contexto: Because there was no industry or parts for Latin women when I came here, there was really no competitiveness. Jennifer Lopez and I were the first, and I think Jennifer was my partner at the beginning. I think it was important for others to see two of us, because maybe then we could be thought of as a social phenomenon. Because she doesn't have a foreign accent, Jennifer tried out for parts I couldn't get. There are now others with accents — Penelope Cruz, Antonio Banderas — but mind you, Antonio and Penelope are from Europe, not Mexico. It's only now that the taboo on Mexicans is lifting as Americans realize we're a little bit more than migrant workers. I hear some Latinos say, "Oh, no, no, no, the cliché that we are gang members, that's so bad — we have to show everyone that we're family people." Hello? That's another cliché! It's getting yourself out of one box to put yourself in another. The way to fight a cliché is not by creating another one. What breaks the cliché is the emergence of strong individuals. That's the way to say, "You don't really know us — so when you look at me, or when you look at my sister, just be completely open for whatever. You have no clue who we are!"
Here people don't know what box to put me into. I'm not from the Bronx, I'm not from East L. A., so they don't know how to take me or what to call me!

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“