— Hyman George Rickover United States admiral 1900 - 1986
Context: What it takes to do a job will not be learned from management courses. It is principally a matter of experience, the proper attitude, and common sense — none of which can be taught in a classroom... Human experience shows that people, not organizations or management systems, get things done.
— Hyman George Rickover United States admiral 1900 - 1986
„Anderson sees these people joined at a level below any possible knowledge, down where fate and destiny lie. They have been joined by their actions and their choices.“
— Roger Ebert American film critic, author, journalist, and TV presenter 1942 - 2013
Context: Magnolia is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. As the narrator tells us near the end, "We may be through with the past, but the past is never through with us." In this wreckage of lifetimes, there are two figures, a policeman and a nurse, who do what they can to offer help, hope and love. … The central theme is cruelty to children, and its lasting effect. This is closely linked to a loathing or fear of behaving as we are told, or think, that we should. … As an act of filmmaking, it draws us in and doesn't let go. It begins deceptively, with a little documentary about amazing coincidences (including the scuba diver scooped by a fire-fighting plane and dumped on a forest fire) … coincidences and strange events do happen, and they are as real as everything else. If you could stand back far enough, in fact, everything would be revealed as a coincidence. What we call "coincidences" are limited to the ones we happen to notice. … In one beautiful sequence, Anderson cuts between most of the major characters all simultaneously singing https://www.youtube.com/watch?v=aNmKghTvj0E Aimee Mann's "It's Not Going to Stop." A directorial flourish? You know what? I think it's a coincidence. Unlike many other "hypertext movies" with interlinking plots, Magnolia seems to be using the device in a deeper, more philosophical way. Anderson sees these people joined at a level below any possible knowledge, down where fate and destiny lie. They have been joined by their actions and their choices. And all leads to the remarkable, famous, sequence near the film's end when it rains frogs. Yes. Countless frogs, still alive, all over Los Angeles, falling from the sky. That this device has sometimes been joked about puzzles me. I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension. Frogs have rained from the sky eight times this century, but never mind the facts. Attend instead to Exodus 8:2, which is cited on a placard in the film: "And if thou refuse to let them go, behold, I will smite your whole territory with frogs." Let who go? In this case, I believe, it refers not to people, but to fears, shames, sins. Magnolia is one of those rare films that works in two entirely different ways. In one sense, it tells absorbing stories, filled with detail, told with precision and not a little humor. On another sense, it is a parable. The message of the parable, as with all good parables, is expressed not in words but in emotions. After we have felt the pain of these people, and felt the love of the policeman and the nurse, we have been taught something intangible, but necessary to know. Review of Magnolia (1999), in review for Great Movies (27 November 2008) http://www.rogerebert.com/reviews/great-movie-magnolia-1999
— Aneurin Bevan Welsh politician 1897 - 1960
In the Observer, 6 December 1953.
„Stop being an escapist! Stop being a surface liver who stays right in the froth of the surface. There are millions of these people, and they never find anything really worthwhile. Be willing to face life squarely and get down beneath the surface of life where the verities and realities are to be found.“
— Peace Pilgrim American non-denominational spiritual teacher 1908 - 1981
Ch. 2 : My Spiritual Growing Up : My Steps Toward Inner Peace
„We have found, in our country, that when people have the right to make decisions as close to home as possible, they usually make the right decisions.“
— Ronald Reagan American politician, 40th president of the United States (in office from 1981 to 1989) 1911 - 2004
Address to the International Committee for the Supreme Soviet of the U.S.S.R. (17 September 1990)
„People marry most happily with their own kind. The trouble lies in the fact that people usually marry at an age where they do not really know what their own kind is.“
— Robertson Davies Canadian journalist, playwright, professor, critic, and novelist 1913 - 1995
„There are the people in this world who act, and the people who scheme. The ones who act get things done, and the ones who scheme try to take credit for it. You must know that as well as I do.“
— Algis Budrys American writer 1931 - 2008
Chapter 1, Section 3 (p. 27)
„You can do things that would bring people to another place and still get someone on a very daily mundane moving level but you don't have to separate art from the masses.“
— Julie Taymor American film and theatre director 1952
Context: I used to say that arts were talked about in the arts and leisure page. Now, why would it be arts and leisure? Why do we think that arts are leisure? Why isn't it arts and science or arts and the most important thing in your life? I think that art has become a big scarlet letter in our culture. It's a big "A." And it says, you are an elitist, you're effete, or whatever those things... do you know what I mean? It means you don't connect. And I don't believe that. I think we've patronized our audiences long enough. You can do things that would bring people to another place and still get someone on a very daily mundane moving level but you don't have to separate art from the masses.
„There's only two types of people who are against drugs: the people who have never done drugs and the people who really sucked at doing drugs.“
— Doug Stanhope American stand-up comedian, actor, and author 1967