Frases de Kathy Acker

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Kathy Acker

Data de nascimento: 18. Abril 1947
Data de falecimento: 30. Novembro 1997

Kathy Acker was an American experimental novelist, punk poet, playwright, essayist, postmodernist and sex-positive feminist writer. She was influenced by the Black Mountain School poets, the writer William S. Burroughs, the artist and theoretician David Antin, French critical theory, philosophy and pornography.

Citações Kathy Acker

„Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.“

—  Kathy Acker

Contexto: I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex.
Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.

„Writing for me is about my freedom.“

—  Kathy Acker

Contexto: I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex.
Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.

„You create identity, you're not given identity per se.“

—  Kathy Acker

Hannibal Lecter, My Father (1991)
Contexto: You create identity, you're not given identity per se. What became more interesting to me wasn't the I, it was text because it's texts that create the identity. That's how I got interested in plagiarism.

„The only characteristic freaks share is our knowledge that we don't fit in.“

—  Kathy Acker

Don Quixote (1986)
Contexto: Even a woman who has the soul of a pirate, at least pirate morals, even a woman who prefer loneliness to the bickerings and constraints of heterosexual marriage, even such a woman who is a freak in our society needs a home.
Even freaks needs homes, countries, language, communication.
The only characteristic freaks share is our knowledge that we don't fit in. Anywhere. Is it for you, freaks, my loves, I am writing and it is about you.

„You know, everyone's always talking about trauma and pain and how this society isn't working, that we shouldn't have racism and sexism, but we never talk in positive terms — like what would joy be, what it would be like to have a totally great existence.“

—  Kathy Acker

Contexto: Bataille is associated with the surrealists. Basically the idea is that democracy doesn't work. Communism doesn't work. All these fucking models aren't working. We've got to find some new models — a model of what society should look like.
We don't know what humans are like. And the ground is not economics; it's not like people do everything they do for economic reasons. You've got to look at the imagination; you've got to look at sex. We have no way of describing these things using the language we have. So a group was formed around Bataille to try to figure out what it means to be human — what society should look like.
Humans have to live in a society — they can't just survive as individuals. That's not a viable condition. You know, everyone's always talking about trauma and pain and how this society isn't working, that we shouldn't have racism and sexism, but we never talk in positive terms — like what would joy be, what it would be like to have a totally great existence. Bataille and his followers looked for models for people to have totally great existences. … Well, they looked at tribal models and how they dealt with sexual stuff and sacrifice and property — the joys that aren't based on economic accumulation and the workaday world, but based on giving it all up — not having that specific, controlling, imprisoning "I." He wasn't a Freudian. He was much more interested in the tribal model where everything is on the surface and you deal with sexual stuff the same way you deal with economic stuff and social stuff.

„Teach me how to talk to you. WANT.“

—  Kathy Acker, livro Blood and Guts in High School

Blood and Guts in High School (1978)
Contexto: Teach me how to talk to you. WANT. Is my wanting you so bad, wanting your cock so bad, wanting the feel of your lips on my lips just me being selfish and egoistic? Teach me a new language.

„I started working with my dreams, because I'm not so censored when I use dream material.“

—  Kathy Acker

Contexto: I'm starting to worry about self-censorship — that I might be internalizing some shit. I might be writing what people expect me to write, writing from that place where I might be ruled by economic considerations. To overcome that, I started working with my dreams, because I'm not so censored when I use dream material. And I'm working at trying to find a kind of language where I won't be so easily modulated by expectation. I'm looking for what might be called a body language. One thing I do is stick a vibrator up my cunt and start writing — writing from the point of orgasm and losing control of the language and seeing what that's like.

„In the total devastation of the heart which is the world“

—  Kathy Acker

Don Quixote, 1986. As quoted in Tactical Readings: Feminist Postmodernism in the Novels of Kathy Acker and Angela Carter, p. 91, by Nicola Pitchford. Editor Bucknell University Press, 2002. ISBN 0838754872.
Contexto: In the total devastation of the heart which is the world, the lands-lords rule. There is no way we can defeat the landslords. But under their reins and their watchful eyes.
I sail as the winds of lusts and emotions bare me. Everywhere and anywhere. I who will never own, whatever and whenever I want, I take.

„At a certain point I realized that the "I" doesn't exist.“

—  Kathy Acker

Interview with Sylvere Lothringer (1991)
Contexto: At a certain point I realized that the "I" doesn't exist. So I said to myself: If the "I" doesn't exist, I have to construct one, or maybe even more than one.

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„It's all up to you, girls. You have to be strong.“

—  Kathy Acker, livro Blood and Guts in High School

Blood and Guts in High School. Editor Penguin UK, 2017. ISBN 0241302528.
Contexto: It's all up to you, girls. You have to be strong. These are the days of post-women's liberation. You have grown up by now and you have to take care of yourself. No one's going to help you.

„The German Romantics had to destroy the same bastions we do.“

—  Kathy Acker

Empire of the Senseless (1988), Elegy for the World of the Fathers, Part I, Rape by the Father, p. 12
Contexto: The German Romantics had to destroy the same bastions we do. Logocentrism and idealism, theology, all supports of the repressive society. Property's pillars. Reason which always homogenizes and reduces, represses and unifies phenomena or actuality into what can be perceived and so controlled. The subjects, us, are now stable and socializable. Reason is always in the service of the political and economic masters. It is here that literature strikes, at this base, where the concepts and actings of order impose themselves. Literature is that which denounces and slashes apart the repressing machine at the level of the signified.

„So if that little thing can do so much, who knows what else we can experience?“

—  Kathy Acker

Contexto: A friend told me that there are these clean and sober dykes that have piercings every couple months just to get high. It's about learning about my body. I didn't know my body could do this. It's not exactly pleasure. It's more like vision. I didn't know the body is such a visionary factory.
Basically we grew up not wanting to know that we had bodies. And it's not as if these piercings are in that deep — it's just on the surface. So if that little thing can do so much, who knows what else we can experience?

„It's more like vision. I didn't know the body is such a visionary factory.
Basically we grew up not wanting to know that we had bodies.“

—  Kathy Acker

Contexto: A friend told me that there are these clean and sober dykes that have piercings every couple months just to get high. It's about learning about my body. I didn't know my body could do this. It's not exactly pleasure. It's more like vision. I didn't know the body is such a visionary factory.
Basically we grew up not wanting to know that we had bodies. And it's not as if these piercings are in that deep — it's just on the surface. So if that little thing can do so much, who knows what else we can experience?

„He's telling me, "Your agenda is …" and I'm saying, "My agenda? I don't have an agenda and I'm not sure who I am. Who am I?"“

—  Kathy Acker

Contexto: KA: I've been going to this rolfer. I don't know why I'm doing it. It's like: "You will get rid of all your childhood traumas if you only go through this pain." Fuck childhood. People always say you do all these things because of your childhood. I'm sorry, but what really gets me off is the idea that you can just travel, and traveling is just like having an endless orgasm. You just go and go and go.
RUS: In that state, you lose your individual identity — and therefore your childhood. But the rolfer is trying to drag you back into accepting your singular identity.
KA: Yeah. He's telling me, "Your agenda is..." and I'm saying, "My agenda? I don't have an agenda and I'm not sure who I am. Who am I?" He keeps on saying, "You know what you want." And I say, "I don't know what I want."
RUS: If he succeeds in dragging you into a singular "I," that's the death of Kathy Acker the writer.
KA: Yeah, it sure is. But I don't think he'll succeed. He doesn't have a fuckin' chance. I'm just trying to fuck him. If he won't fuck, we're not going anywhere. He can't make me into this singular "I." I told him, "You gotta consider the pleasure principle — namely my pleasure." He didn't like that.
RUS: I always say, divide the word "therapist" between the "e" and the "r."
KA: Yeah. The rapist. Because they're taking all your childhood wonderment and reducing it to childhood trauma. He gives me these long lectures about how he's not enlightened and he wants to be an animal. Can you imagine long lectures about wanting to be an animal? What a fuckin' bozo!
RUS: When I was in college, all of the poetry teachers worshipped Robert Bly, so I had my fill of that shit.
KA: I told him about my piercings and he said, "Oh, you're a wild woman." Then I asked him if he wanted to see my piercings. He wouldn't do it.

„I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it.“

—  Kathy Acker

Contexto: I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex.
Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.

„For 2.000 years, you've had the nerve to tell women who we are.“

—  Kathy Acker, livro Blood and Guts in High School

Blood and Guts in High School (1978)
Contexto: For 2.000 years, you've had the nerve to tell women who we are. We use your words; we eat your food. Every way we get money has to be a crime. We are plagiarists, liars and criminals.

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